Pump that Pedal

The Scenario:
Have her wear a blouse, short skirt, tan pantyhose and high heel sandals (nothing wedge or platform)...regular strappy sandals thin-soled.

Vivian is a workman's comp investigator and has info on a man faking injury for comp payments. she is gathering her info to bring to work but unknown to her she has been found out about and the guy is cutting the brakes on her car. She heads out to her car and gets a phone call. As she is telling them she is on her way we see a puddle by the front tire where her feet are....camera on her feet by the tire and puddle. She then gets in and drives away leaving the puddle behind. As she drives her brakes begin to feel loose then go out completely. After a lot of brake pumping from all 3 angles she finally gets her car stopped. She gets out to see her brake line cut and fluid by her tire. She gets in the car and calls work explaining her situation pumping the brake all shot from the drivers door side. She continues pumping the brake wondering who cut her brake line until help arrives.

The Scenario:
Have her wear a blouse, short skirt, tan pantyhose and high heel sandals (nothing wedge or platform)...regular strappy sandals thin-soled.

Vivian is a workman's comp investigator and has info on a man faking injury for comp payments. she is gathering her info to bring to work but unknown to her she has been found out about and the guy is cutting the brakes on her car. She heads out to her car and gets a phone call. As she is telling them she is on her way we see a puddle by the front tire where her feet are....camera on her feet by the tire and puddle. She then gets in and drives away leaving the puddle behind. As she drives her brakes begin to feel loose then go out completely. After a lot of brake pumping from all 3 angles she finally gets her car stopped. She gets out to see her brake line cut and fluid by her tire. She gets in the car and calls work explaining her situation pumping the brake all shot from the drivers door side. She continues pumping the brake wondering who cut her brake line until help arrives.

The Scenario:
Have her wear a short leather skirt and Red Ego OTK Boots

Vivian is your neighbor. She ask you for help because her car won't start.

You come with Vivian to her car and she show you (3 - 4 times try to start) that the car will not start. You now advise her 6-7 times pump the gas and try to start. Vivian tries a few times to start the car. (Cranking together with pumping) She is getting progressively frustrated and gradually nervous. This part of video is filmed from the drivers side with the door open with whole body and some footwell.

Please talk with Vivian. You can also flirting with her :-)

The Scenario:
BACKGROUND: Vivian is still mad at Jane for missing that blind date (custom 963). Jane has a blind date this time and has asked Vivian to accompany her just in case it goes bad. Since it's a football Sunday, Vivian has decided to invite their creepy neighbor Joe to come along and keep her company at the bar while she watches the football game.

CAMERA ANGLES: Primary camera is from Joe's perspective in the backseat showing both ladies. The P-I-P camera is located behind the pedals.

STORY-LINE: The video begins with Vivian entering the car on the driver's side telling Joe how excited she is about watching the game with him. She remembers that Jane sabotaged her car the last time she had a blind date. She turns around to face the camera while pumping the gas pedal with her left foot as she badmouths Jane and notices that Joe is enjoying what she's doing. After varying the intensity of her pumping for 2 minutes or so, Vivian sees Jane coming in the distance and quickly sits down in the passenger seat. Vivian crosses her right foot over her left shaking her right foot.

Jane enters the car and questions why Joe is in the backseat. Vivian explains that she invited him to watch football with her at the bar. Jane gives Joe a dirty look before calmly pumping the gas pedal as she tries starting the car. She's dumbfounded that it didn't start right away and calmly tries to get the car to start for the next minute or so. When it doesn't start, she questions Vivian and Joe asking if either of them tampered with her car. Vivian gets insulted that Jane would even think that they'd do such a thing and tells Jane that if she can't get her car to start maybe she should try. Jane angrily insists that she can get her car started and increases the intensity of her pumping for the next 2 minutes or so while cursing the fact that the car won't start. Jane loudly sighs and Vivian suggests they trade places. Jane stubbornly refuses to switch places. The camera zooms in to a closeup view from just below the knee as Jane really pounds on the pedal and Vivian slides over with her left foot getting into a foot fight with Jane over who should pump the pedal. The girls fight over the pedal for 2 minutes or so before Jane finally agrees to switch places. The camera zooms out to a wide view showing both girls walking in front of the car.

Vivian gets in the driver's seat and tells Joe to buckle up because they'll be on their way shortly. Jane crosses her right foot over her left as she impatiently watches Vivian also struggle getting the car started for the the remainder of the video varying the intensity of her pumping. Vivian tells Jane her car is a piece of junk and that's why it won't start. Jane quickly replies that she at least has a car. Vivian finally gives up and looks into the camera suggesting that she and Joe watch the game at his house. The video fades to black as both ladies angrily exit the vehicle.

The Scenario:
Casual clothes for both girls and bare feet.

Both models can be in the house barefoot with their feet on a coffee table with their soles showing pretending their car won't start pretending to pump the gas pedal and really begging their cars to start saying come on baby a lot, if they both can pretend they are in separate cars and they are trying to get their car started. Then they can be in a real car that wont start barefoot, can they put their left foot under their right leg so their sole is showing as they try starting their cars. Could they really beg the car to start saying come on baby a lot camera all over the car.

The Scenario:
Casual clothes for both girls and bare feet.

Both models can be in the house barefoot with their feet on a coffee table with their soles showing pretending their car won't start pretending to pump the gas pedal and really begging their cars to start saying come on baby a lot, if they both can pretend they are in separate cars and they are trying to get their car started. Then they can be in a real car that wont start barefoot, can they put their left foot under their right leg so their sole is showing as they try starting their cars. Could they really beg the car to start saying come on baby a lot camera all over the car.

***THIS IS THE FEET VIEW ONLY!!***
The Scenario:
Going for a competition thing in cranking, can you ask them to really want to win or at least pretend to. Can be called the "1st annual PTP Crank Off!".

Video opens POV with Jane and Vivian sitting around talking and saying "We know your secret and have we decided you have to pick who is the best at cranking" and with that video will cut to outside and the girls picking their cars and card.

RULES:
They get to pick out of hat what car they get to try and start.
Cars are the Dodge, Camaro, Monte Carlo and the Jeep.

Then they each get to pick a card from a deck, whatever they pick they multiply it by 10 and that is how many times the other girl gets to pump the gas pedal of the car that is being used before they can try to start it. (Stack the deck by pulling out all the low cards, nothing under a 8, face cards are 10 and ACE is 11.) You don't have to let them know you did that. When cranking they are not allowed to hold the pedal to the floor for more that 3 seconds, the other girl can watch and judge on that, anything longer than 3 seconds and they have to stop and pump the gas another 10 times before they can try again. They can pump it fast, slow or any other way but they have to pump it. If they don't pump it after 3 seconds they have to stop and pump it 10 times as a penalty, they just can't hold it to the floor. Also you don't have to show the entire dry pumping just maybe the start and end, cuts down on time.

They get each get in and try to get it started and if they can't get it started in the allotted time they lose, if they do get it started, the one that did it the fastest wins.

They also get judged on style;

Any begging or pleading?
Demanding the car to start for them?
Questioning why it won't start.
Getting scared that it won't start and leave them stranded
Things like that.

When one is doing their attempt the other can tease the other and give "Bad advice" and try to distract.

From here on out just let em loose.

Oh and don't let them know but disable the cars so they don't start. Can't have them winning! LOL You can let them know afterwards.

At the start view is like POV then once the cars and cards are picked can switch to the Main view and PIP.

***THIS IS THE FEET VIEW ONLY!!***

***THIS IS THE BODY/MAIN VIEW ONLY, NO FEET SHOTS!!***
The Scenario:
Going for a competition thing in cranking, can you ask them to really want to win or at least pretend to. Can be called the "1st annual PTP Crank Off!".

Video opens POV with Jane and Vivian sitting around talking and saying "We know your secret and have we decided you have to pick who is the best at cranking" and with that video will cut to outside and the girls picking their cars and card.

RULES:
They get to pick out of hat what car they get to try and start.
Cars are the Dodge, Camaro, Monte Carlo and the Jeep.

Then they each get to pick a card from a deck, whatever they pick they multiply it by 10 and that is how many times the other girl gets to pump the gas pedal of the car that is being used before they can try to start it. (Stack the deck by pulling out all the low cards, nothing under a 8, face cards are 10 and ACE is 11.) You don't have to let them know you did that. When cranking they are not allowed to hold the pedal to the floor for more that 3 seconds, the other girl can watch and judge on that, anything longer than 3 seconds and they have to stop and pump the gas another 10 times before they can try again. They can pump it fast, slow or any other way but they have to pump it. If they don't pump it after 3 seconds they have to stop and pump it 10 times as a penalty, they just can't hold it to the floor. Also you don't have to show the entire dry pumping just maybe the start and end, cuts down on time.

They get each get in and try to get it started and if they can't get it started in the allotted time they lose, if they do get it started, the one that did it the fastest wins.

They also get judged on style;

Any begging or pleading?
Demanding the car to start for them?
Questioning why it won't start.
Getting scared that it won't start and leave them stranded
Things like that.

When one is doing their attempt the other can tease the other and give "Bad advice" and try to distract.

From here on out just let em loose.

Oh and don't let them know but disable the cars so they don't start. Can't have them winning! LOL You can let them know afterwards.

At the start view is like POV then once the cars and cards are picked can switch to the Main view and PIP.

***THIS IS THE BODY/MAIN VIEW ONLY, NO FEET SHOTS!!***

The Scenario:
Going for a competition thing in cranking, can you ask them to really want to win or at least pretend to. Can be called the "1st annual PTP Crank Off!".

Video opens POV with Jane and Vivian sitting around talking and saying "We know your secret and have we decided you have to pick who is the best at cranking" and with that video will cut to outside and the girls picking their cars and card.

RULES:
They get to pick out of hat what car they get to try and start.
Cars are the Dodge, Camaro, Monte Carlo and the Jeep.

Then they each get to pick a card from a deck, whatever they pick they multiply it by 10 and that is how many times the other girl gets to pump the gas pedal of the car that is being used before they can try to start it. (Stack the deck by pulling out all the low cards, nothing under a 8, face cards are 10 and ACE is 11.) You don't have to let them know you did that. When cranking they are not allowed to hold the pedal to the floor for more that 3 seconds, the other girl can watch and judge on that, anything longer than 3 seconds and they have to stop and pump the gas another 10 times before they can try again. They can pump it fast, slow or any other way but they have to pump it. If they don't pump it after 3 seconds they have to stop and pump it 10 times as a penalty, they just can't hold it to the floor. Also you don't have to show the entire dry pumping just maybe the start and end, cuts down on time.

They get each get in and try to get it started and if they can't get it started in the allotted time they lose, if they do get it started, the one that did it the fastest wins.

They also get judged on style;

Any begging or pleading?
Demanding the car to start for them?
Questioning why it won't start.
Getting scared that it won't start and leave them stranded
Things like that.

When one is doing their attempt the other can tease the other and give "Bad advice" and try to distract.

From here on out just let em loose.

Oh and don't let them know but disable the cars so they don't start. Can't have them winning! LOL You can let them know afterwards.

At the start view is like POV then once the cars and cards are picked can switch to the Main view and PIP.

The Scenario:

Both girls should wear shorts and flip flops.

Jane has learned that Vivian will be meeting with her mole, and getting the flash drive with the secret plans. But, Jane will make sure the flash drive never gets to Vivian's employer. She knows Vivian will be meeting her mole in a trashy bar out in the sticks, so she is in a casual outfit with shorts and flip flops.

The scene opens with Vivian getting into the driver’s seat of the Coronet. She is also wearing a casual outfit, with shorts and flip flops. She starts the car and begins to drive. Suddenly she is grabbed by Jane, who had been hiding in the backseat, and a cloth is put over her face. We see her struggle as in the other Spy clips. Her feet are kicking around, sometimes on the pedals, as in the other Spy clips. She appears barely in control of the car. I’d love shot or two, just for a couple seconds each, showing the car violently swerving around and accelerating erratically (kind of like you did in the first Spy clip, but maybe a bit more, maybe a shot from outside?). This should be filmed like the first Spy clip, so we get 75% of view on the pedals, but also a view of the women struggling (and hopefully a shot or two showing the car swerving around).

At first, Jane is saying things like, “You knew I had to take you out once you got the flash drive - that is never getting to your boss.” As the car careens though, Jane starts screaming at Vivian to get her foot off the gas and just stop the car, they can talk about this.

We see Vivian’s struggles get more feeble, her feet kicking less, until they fall still (an occasional twitch would be nice). Her right foot ends up sort of on the gas. Vivian is slumped over.

“Damn!" Jane yells and quickly climbs over the seat, onto the passenger side. She steers from the passenger side, using her left foot to try to get Vivian’s right off the gas. She succeeds and has just put her left foot on the brake as she realizes they are being followed by another spy, who also wants the flash drive.

“Damn!” Jane says and moves her left foot to the gas and is driving from the passenger side. After about 10 seconds, Vivian regains consciousness, and the usual Spy battle for the pedals starts. This time they are talking to each other, each telling the other to get her feet off the pedals, that she is driving. Good close-up views of the struggle for control of the pedals (again, getting a shot showing the car still moving would be great).

Amazingly, they lose the other spy and as in the other Spy clips, Vivian hits the brake hard and Jane is

Like in the first Spy clip, we see Vivian actually position Jane behind the wheel, but this time, we get a close up of her placing Jane’s right foot onto the gas pedal, then sending the car on its way.

The Scenario:

Have her wear a top, skinny jeans, and slip-on terry cloth slippers

Jane offered to pick up her friend Jeff from the airport. She gets in her car, and right off the bat has trouble trying to get the car started. She keeps trying cranking and pumping, but the car is just teasing her. She keeps trying over and over again cranking and pumping, as the battery begins to get weak. She receives a call from Jeff wanting to know where she is. She explains she is having trouble with her car but should be there soon. Jane is determine to get to the airport, and is really trying cranking and pumping. Will Jane make it?

Angles: Driver side with door open, and over the shoulder

The Scenario:

Have her wearing skinny jeans and a tank too. Have her wear either the blue or brown Swedish clogs

Have it start off with Jane and myself sitting in the room together and have ask if we want to go for a cruise. Have her get up and ask what clogs you want her to wear. Have her request that I wear my clogs too. Have her tell me how man that wears clogs is a huge turn on. Show her heading out to car and start cranking away. Have her bounce up and down and plead for the car to start. Have her tell me that she likes my clogs and that she’s getting excited and ask if the cranking turns me on like it does her with a man wearing clogs. Can u have the car start a time or two then stall when she gets ready to go

The Scenario:

Have her wearing skinny jeans and a tank too. Have her wear either the blue or brown Swedish clogs

Have it start off with Jane and myself sitting in the room together and have ask if we want to go for a cruise. Have her get up and ask what clogs you want her to wear. Have her request that I wear my clogs too. Have her tell me how man that wears clogs is a huge turn on. Show her heading out to car and start cranking away. Have her bounce up and down and plead for the car to start. Have her tell me that she likes my clogs and that she’s getting excited and ask if the cranking turns me on like it does her with a man wearing clogs. Can u have the car start a time or two then stall when she gets ready to go

The Scenario:

I know it may be cool/cold but I would love for her to be in short shorts. They should be casual as she has been in the house gathering her stuff to leave. It can be some of her jean shorts that she looks so good in or cloth shorts, just as long as they are booty shorts. Her top can be appropriate for the weather: long sleeve flannel, a sweatshirt, a short waisted coat or all of the above as long as it doesn’t cover her legs. Her shoes should be casual too such as Keds style sneakers. She is carrying a purse and a suitcase.

The thought behind this video is Jane is trying to escape a bad relationship. Quite upset, she doesn’t want a confrontation, just to get out of there with her young person before her boyfriend/husband gets home from work. As she hurriedly tries to leave, her Volvo won’t start. This would be filmed as a POV of the young person.

Camera Angles, Action
The camera will be the POV of her young person and after following her to the car, it will be in the back seat and then front seat. Although it is mostly from the POV of an innocent young person, you know I will want some bouncing thigh shots just for me and not directly related to the script. Jane is a great pumper so she can just do her thing but with full leg pumping (no ankle pumping) and some holding to the floor mixed in. I do want her to pump the pedal pretty firmly so if there is a fear of breaking the Volvo’s pedal, let’s use the Coronet. Please be sure the seat is adjusted up pretty far so she can comfortably reach the pedals without stretching for good leg pumping action (natural though, please don’t exaggerate).

I would like longer cranking attempts but I will space them out more than usual so she doesn’t fry the starter or drain the battery – I’ve put some pauses in the script. A good reference would be when Brooke was trying to start the Monte to get away from the creeper van towards the end of Custom 1022. Those were good length cranks with great pumping and holding (although it doesn’t have to be that frantic in this video until the end). I have some dialogue in here but you know I don’t get hung up on exact wording, as long as we get the general idea.

Script
Filming begins with the camera as the young person following Jane in the driveway as she hurries towards the car. She is carrying her purse and carrying (or rolling) a suitcase. She opens the back door of the Volvo and encourages her young person(the camera) to quickly get in – which you do – and scoot to the middle as she quickly puts the suitcase on the backseat as well. She closes the door and quickly gets behind the wheel. The camera is now filming from the back seat from the POV of the young person(but where we can see all of her legs and feet) as she fishes her keys out of her purse and begins trying and start the car. She tries 2 or 3 times back to back with fairly long cranking attempts pumping and flooring the pedal but it isn’t even acting like it is going to start. She is trying to get out of there so there should be only brief pauses in between starting attempts.

She pauses for a moment as if her young person asks where they are going and she tries to sound reassuring as she turns and says nervously trying to smile: “We are going to grandmas for a little while”. Then she goes back to trying to start the car, quietly pleading with it as she fights back tears. Although she is quietly begging, she is pumping and holding the pedal with urgency, in a firm and fast rhythm.

She tries 2 or 3 more lengthy cranking attempts still pumping and holding. Still the car is not even trying to start. The camera is getting full body shots from the back seat and leaning up to get some bouncing thigh shots. I don’t want any foot closeups.

About halfway through the time, she stops and digs in her purse for her phone. She realizes in hurrying to leave that she left it inside the house which upsets her almost to tears, and seeing her that way, upsets her young person. She says not to be upset that it will be OK and that she will be right back. She tells them to move into the front seat to be closer to her if that makes them feel better. The camera films Jane as she gets out and hurries back towards the house. The camera fades out (not filming her all the way to the house – just so we get the sense).

The camera fades back in now filming from in the front seat as she is hurrying, almost running, back to the car. She gets in and looks at her phone. It is not working because she forgot to charge it. She can’t believe it. She goes back to trying to start the car with long cranking, pumping and holding, and quiet, tearful begging. Still, not even a shudder from the engine. The camera should be fairly stationary getting mostly full body shots but then occasionally getting some bouncing thigh shots and then back for more full body shots, etc.

After 2 or 3 long attempts with no sign of starting, she pauses again and tells her young person that step-mommy’s car just needs to rest and then it should start. She sits nervously for a few moments, holding out to wait as long as she can. She then tries again and miraculously the car starts (if there is a little flooded cranking naturally that would be great but if not, no worries, don’t push it). Jane is almost giddy that it starts and quickly heads down to the end of the driveway where the car stalls. “No, no. no no,” she begs as the car rolls to a stop.

She quickly tries to start it again. After two frantic attempts at the end of the driveway, she looks up and sees her husband’s car coming down the road. She now panics because he is not supposed to be home this early in the day and she wants to be out of there without explaining herself. The last 20-30 seconds or so she is in full on panicked, tearful desperation as she tries to restart the car. The camera fades out.

The Scenario:

I know it may be cool/cold but I would love for her to be in short shorts. They should be casual as she has been in the house gathering her stuff to leave. It can be some of her jean shorts that she looks so good in or cloth shorts, just as long as they are booty shorts. Her top can be appropriate for the weather: long sleeve flannel, a sweatshirt, a short waisted coat or all of the above as long as it doesn’t cover her legs. Her shoes should be casual too such as Keds style sneakers. She is carrying a purse and a suitcase.

The thought behind this video is Jane is trying to escape a bad relationship. Quite upset, she doesn’t want a confrontation, just to get out of there with her young person before her boyfriend/husband gets home from work. As she hurriedly tries to leave, her Volvo won’t start. This would be filmed as a POV of the young person.

Camera Angles, Action
The camera will be the POV of her young person and after following her to the car, it will be in the back seat and then front seat. Although it is mostly from the POV of an innocent young person, you know I will want some bouncing thigh shots just for me and not directly related to the script. Jane is a great pumper so she can just do her thing but with full leg pumping (no ankle pumping) and some holding to the floor mixed in. I do want her to pump the pedal pretty firmly so if there is a fear of breaking the Volvo’s pedal, let’s use the Coronet. Please be sure the seat is adjusted up pretty far so she can comfortably reach the pedals without stretching for good leg pumping action (natural though, please don’t exaggerate).

I would like longer cranking attempts but I will space them out more than usual so she doesn’t fry the starter or drain the battery – I’ve put some pauses in the script. A good reference would be when Brooke was trying to start the Monte to get away from the creeper van towards the end of Custom 1022. Those were good length cranks with great pumping and holding (although it doesn’t have to be that frantic in this video until the end). I have some dialogue in here but you know I don’t get hung up on exact wording, as long as we get the general idea.

Script
Filming begins with the camera as the young person following Jane in the driveway as she hurries towards the car. She is carrying her purse and carrying (or rolling) a suitcase. She opens the back door of the Volvo and encourages her young person(the camera) to quickly get in – which you do – and scoot to the middle as she quickly puts the suitcase on the backseat as well. She closes the door and quickly gets behind the wheel. The camera is now filming from the back seat from the POV of the young person(but where we can see all of her legs and feet) as she fishes her keys out of her purse and begins trying and start the car. She tries 2 or 3 times back to back with fairly long cranking attempts pumping and flooring the pedal but it isn’t even acting like it is going to start. She is trying to get out of there so there should be only brief pauses in between starting attempts.

She pauses for a moment as if her young person asks where they are going and she tries to sound reassuring as she turns and says nervously trying to smile: “We are going to grandmas for a little while”. Then she goes back to trying to start the car, quietly pleading with it as she fights back tears. Although she is quietly begging, she is pumping and holding the pedal with urgency, in a firm and fast rhythm.

She tries 2 or 3 more lengthy cranking attempts still pumping and holding. Still the car is not even trying to start. The camera is getting full body shots from the back seat and leaning up to get some bouncing thigh shots. I don’t want any foot closeups.

About halfway through the time, she stops and digs in her purse for her phone. She realizes in hurrying to leave that she left it inside the house which upsets her almost to tears, and seeing her that way, upsets her young person. She says not to be upset that it will be OK and that she will be right back. She tells them to move into the front seat to be closer to her if that makes them feel better. The camera films Jane as she gets out and hurries back towards the house. The camera fades out (not filming her all the way to the house – just so we get the sense).

The camera fades back in now filming from in the front seat as she is hurrying, almost running, back to the car. She gets in and looks at her phone. It is not working because she forgot to charge it. She can’t believe it. She goes back to trying to start the car with long cranking, pumping and holding, and quiet, tearful begging. Still, not even a shudder from the engine. The camera should be fairly stationary getting mostly full body shots but then occasionally getting some bouncing thigh shots and then back for more full body shots, etc.

After 2 or 3 long attempts with no sign of starting, she pauses again and tells her young person that step-mommy’s car just needs to rest and then it should start. She sits nervously for a few moments, holding out to wait as long as she can. She then tries again and miraculously the car starts (if there is a little flooded cranking naturally that would be great but if not, no worries, don’t push it). Jane is almost giddy that it starts and quickly heads down to the end of the driveway where the car stalls. “No, no. no no,” she begs as the car rolls to a stop.

She quickly tries to start it again. After two frantic attempts at the end of the driveway, she looks up and sees her husband’s car coming down the road. She now panics because he is not supposed to be home this early in the day and she wants to be out of there without explaining herself. The last 20-30 seconds or so she is in full on panicked, tearful desperation as she tries to restart the car. The camera fades out.

The Scenario:

Really short workout shorts showing off her awesome legs and bum. I know it will be chilly so she can wear a heavy sweatshirt or similar to help keep her warm. Socks and tennis shoes as she is going to workout.

The thought behind this video is Jane is late to teach her Zumba class and her boyfriend has taken her car leaving her the old Coronet. I love Jane's pumping style so she can do her thing. Remind her I like only full leg pumping. Please be sure the seat is adjusted up really far for good leg action as she pumps and she doesn't have to stretch. Your camera angles are great and you know I like the bouncing thigh shots so please work those in when you can. I'd like some pretty lengthy cranking attempts - longer than usual - but I will put some breaks in the script to keep from frying the starter. I'll put some dialogue in here but you know I don't get caught up with her memorizing lines, just as long as we get the idea.

The Coronet should be hooked up to the portable charger even if it doesn't need to be. This will play into her taking some breaks from cranking. Start out filming from the back seat as she hurries from the house. She is on the phone as she opens the car door. She is saying something like: "I don't understand why you took my car. I hate this old boat. Uh, yeah I see you've charged the battery for me. Thanks (sarcastically). Where are the keys?" and she hangs up on him. She puts her bag in, gets in and closes the door. She pulls the visor down and finds the keys then proceeds to try and start the car. She tries 2 or 3 times holding the key for several seconds (maybe 15-20) as she rapidly pumps the pedal and alternates holding it down. You are getting a mix of body shots and thigh shots. After 2 or 3 tries with the car not even trying to start, she gets out of the car to check the charger. The camera fades out.

The camera fades back in as she is outside the car fiddling with the charger. After a few moments she gets back in and tries starting it again. You are filming her from various spots outside the car as she tries 2 or 3 more times holding the key for long periods while pumping and holding the pedal, getting more frustrated. After 2 or three tries with the car not even so much as sputtering, she stops and again gets out to look under the hood and/or fiddle with the charger. No break in filming here.

She gets back in the car to try again. She keeps trying with some long cranks and you continue to film her from various angles outside the car. She keeps this up until the end of the video when the car finally starts. The camera fades as she is getting out to disconnect the charger and close the hood.

The Scenario:

Brook is dressed in business clothes going somewhere and she drives hard to get there. While driving she talks about a scenario on how she got her car stuck and how she was flooring the gas to get it out. While telling the story she is telling us what she was wearing and how frustrating it was.

**Camera is shaky throughout the video. You can see it in the preview.**

The Scenario:

Brook is dressed in business clothes going somewhere and she drives hard to get there. While driving she talks about a scenario on how she got her car stuck and how she was flooring the gas to get it out. While telling the story she is telling us what she was wearing and how frustrating it was.

**Camera is shaky throughout the video. You can see it in the preview.**

The Scenario :
No pantyhose, bikini-top. Daisy Dukes or short-shorts as bottom.
Shoes: Size 7.5 Silver Shi High Heel Sandals (for Revving)
Size 8 Blue Top Moda Pumps (For driving)

I'm looking for a revving tease video, and a driving/flooring tease video. 5 minutes each please.

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Revving - overview:
Almost "cruel-like" seductive attitude. More switching from seductive very hard to-the-floor revving - hard! I love the making of mean faces when revving, exaggerating the pressure & exertion with her face and body. Bottom line is Brooke is teasing me like crazy using the sound of the engine. A lot of eye contact & talking directly to me, teasing me. Talk about the sound of engine a lot. One note: please have Brooke avoid "whole leg pumping". I like the "pivot action" of the foot up & down while resting on the heel much better - thanks.

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Revving - camera angles:

all full body from open driver door, Brooke with one leg out on the ground, her body shifted quite a bit toward the camera, almost sitting sideways. Just a few closeup pedal shots, and face shots.

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Driving/flooring overview:
Very same attitude: tease, seductive, cruel. hard flooring. i mean really hard flooring. a lot of eye contact and talking to me and talking about the sound of the engine. One thing i'm just dying to see is her flooring it hard, it kicks into passing gear, then, before it shifts, she lets up and slams it down again, letting the engine pitch go even higher, then does it again, letting the pitch go even higher, over & over. Again, a lot of eye contact, exaggerated body English, face exertion. All full body shots. Just a few close pedal shots.

The Scenario:
Shorts, Tank Top, Flats

Its late afternoon and Hana offers you a ride back but early on you turn the lights on an the battery is weakened and the car cranks slooowly.

when Hana turns the key the car cranks slowly and realizes this instantly and suspects that you did this to her car. She realizes that the lights were turned on deliberately and She asks if You did this to Her Car? When you don't respond She realizes that you did this because it turns you on. She continues to try but the car wont start. After the last attempt she turns to you with a grin and wags her finger saying your in trouble and gets out of the car

This happens from a passenger seat POV while in the car