MAID FOR YOUR PLEASURE

The tinny static crackle of a radio tuned into another lifetime, the delicate flutter of a lace curtain and the sharp smack of a latex-gloved palm against sweetly supplicant flesh… A dreamy 1920s-style hotel masquerade meets hardcore fucking and modern fetish in HardWerk’s latest and most intricately composed gang bang, though it’s the interplay between domination and submission that is the most stimulating contradiction at the pulsating heart of this film. Conceptualized based on lead performer Lila’s fantasy of finding herself at the mercy of a domina who offers her to the gang, it’s under the encouraging but absolute authority of Mistress Maya Sin that the action unfolds. In the gasping breath between being redirected from one hard cock to the next and a dynamic in which even the bangers are mere props in a game, the film is a surreal foray into both another time and the deeply visceral here-and-now, and – most keenly – into power, pleasure and the intensity of surrender.

CLOSE YOUR EYES, BREATHE IN AND CLIMAX

Head down, ass up – that’s the way we like to... downward dog? If you struggle to keep your mind from wandering in yoga class, this one’s for you – and if you struggle to keep your hands from wandering, well, you might just have something in common with Ana B, as she takes on the role of a very ‘hands-on’ yoga instructor in HardWerk’s latest gang bang. Released to coincide with International Yoga Day, the cinematic smut creators redefine ‘hot yoga’ with a cheeky but stunningly sensual tribute to strength, flexibility, balance, and erotic endurance – oh yeah, and tight yoga leggings. Who knew yoga was a contact sport?

NOW WE'RE PLAYING HARDCORE

Bang Mirror is the ultimate game we will play. In a dystopian future scenario where procreation has been delegated to laboratories and people's daily lives are grey, underground gamers meet to transport themselves to a virtual reality. SEXSEXSEX is the transcendent video game where our protagonists create an avatar to play ecstatic, fantastical sex. Esluna Love, in a new cosplay attire, is joined by Peter Fire, Rod Hardick, Mr Big Fat Dick and Romeo. Every sexual achievement brings in points: blowjobs, cunnilingus, squirt, cumshots... Shot on a green screen, this film carries HardWerk's most complex and ambitious postproduction. An orgiastic feast to the eyes. Now we're playing hardcore.

AND GOD SAW WHAT SHE HAD MADE, AND IT WAS GOOD...

It was only a matter of time before HardWerk released a bisexual gang bang of biblical proportions, with their ‘Creator’-centric approach landing the latest release – starring Serafina Sky – in a modern-day Eden. For the masters of sex and celluloid, the fecund fuckfest of a film is a delightfully visceral ode to forbidden fruit, carnal lust and, oh yeah, the classic porn trope of the pizza delivery guy – that is, ascended to heavenly spheres. As this allegorical Eve answers the door again and again to a growing and enraptured throng of eager Adams, succumbing to temptation becomes about as inevitable as all the other sucking and cumming to follow. With a captivating soundtrack by xaudiox, this lush encounter teems with erotic energy, fluid group dynamics and tongue-in-cheek symbolism. A little sin has never looked – or felt – sweeter.

CASTIGO CORPORAL, ÉXTASIS CORPORAL<\/h5>

Somos guiados - y casi literalmente, con correa y todo, ya que la intérprete principal Kleopatra aparece con los ojos vendados en pantalla - hacia la segunda entrega de la serie Triptychon de HardWerk por el sonido de una campana, el crujido de una antigua mesa de madera de la escuela, un nervioso lamido de los labios y tres figuras esperando. Flotando en el aire con todo: anticipación, intención, veneración. No es por nada que los cineastas han adoptado un ritmo más lento para esta intensa orgía de grupo - hay una cualidad meditativa en los ecos de las nalgadas y los gemidos correspondientes, en el empuje y el tirón, en la danza fácil del deseo entre los cuatro participantes; una presencia absoluta de la mente y una presencia absoluta de la carne. Al igual que con la película Triptychon anterior, la composición encuentra su propia coreografía sin costuras a través de múltiples perspectivas, creando así impresionantes juegos de palabras entre el dolor y el placer; entre una mano apretada alrededor del cuello y la fácil risa en cada momento de ternura desarmadora; entre la pulcritud de 'antes' y el primitivo de 'ahora mismo'...<\/p>"