We wrap up this wonderful recording featuring Dafne and her beautiful, soft, vulnerable feet; we get to delight in her peals of laughter. Poor Dafne has realized that Jack and Persephone already know exactly where she is most ticklish—on both her feet and body—and now she has no choice but to endure it.

Her bound toes prevent her from escaping the tickling, and with her hands tied behind her back, she is completely unable to move. We hope you enjoy it!

In this second installment featuring tickling sessions with the beautiful Persephone, the video includes shots focusing on her body—allowing you to enjoy the tickling—as well as close-ups of the soles of her feet.

Completely exhausted, Persephone begs for the tickling to stop, but it won't; Jack is determined to ensure she doesn't forget the suffering she caused him. Meanwhile, Dafne takes great pleasure in making her suffer, though she is also afraid, knowing she is next in line.

Now it is Persephone's turn to be tickled by Dafne and Jack—who also wants revenge for the suffering Persephone caused him. Dafne tickles her feet vigorously while Jack tickles her body; they will use both electric and manual brushes to make her laugh uncontrollably.

The time has come for Jack to exact his well-deserved revenge, and the first to be tickled is the beautiful and sensitive Dafne. In an awkward position, she reveals some delightful, hidden ticklish spots on her feet—we have never heard such beautiful laughter from her before. Driven by the grudge he holds over the ordeal Dafne previously put him through, Jack vows to make her regret it and suffer the intense tickling he plans to inflict on her bound feet and toes, joined by Persephone, who also seems to enjoy watching her squirm.

We hope you truly enjoy this gem of a video.

This is the second part of a brutal session for poor Jack, who is subjected to relentless tickling all over his body. Bound and unable to escape, he cannot help but laugh uncontrollably and writhe as the models—driven by a wicked, insatiable desire to see him suffer—take the opportunity to tickle his feet, armpits, and abdomen using their long nails and electric brushes.

In our latest production, Jack is ambushed and pushed to his limits by two of his favorite models—women he has always enjoyed tickling himself—as his greatest fear finally comes true. Both Persephone and Daphne were eager to turn the tables and make Jack laugh uncontrollably; you can see the mischievousness in the models, while poor Jack—bound hand and foot—can do nothing but howl with laughter and struggle, unable to escape in any direction.

This video is dedicated to the client who contacted us to make it; thank you ^^

Now it is Persephone's turn to be subjected to merciless foot tickling. Esmeralda, in the same position, exacts her revenge by tickling Persephone's feet relentlessly, using every tool at her disposal. Will Persephone be able to hold out? Enjoy this second part!

Now we focus on Esmeralda's feet; Persephone prepares to torment her using her hands and electric brushes, with the help of Jack—who promises to make Esmeralda laugh heartily, even though she can barely breathe in her current position.

La nostra amata e solleticosa modella Persefone torna insieme a una nuova modella, Esmeralda. Entrambe sono legate mani e piedi alla mercé di Jack, che ha intenzione di farle soffrire con solletico sui loro sensibili piedi.

Le lunghe unghie di Jack sono tutto ciò che serve per farle ridere e sghignazzare fino a farle quasi piangere—un gioiello di video che merita di essere nella tua collezione.

Stiamo introducendo una nuova posa—una che è un po' scomoda per le modelle ma perfetta per sottoporle a un solletico intenso. La prima è Angelica, che soffre molto sotto la tecnica di Jack; lui non le dà tregua, attaccando senza sosta i suoi piedi, la schiena, le braccia e i fianchi.

This time, Jack enjoys Nocturne's fair, sensitive feet; she gently wiggles her toes and lets him tickle and kiss her feet to his heart's content.

Nocturne can't help but burst into laughter from the tickling.