Keye Bondage Images

Starring Kajira Bound. I finally found the right redheaded tight restraint advocate to complete the Leather Bondage trilogy, a concept I thought of in terms of hair color and nude leather bondage with high heels ever since blonde McGee starred in the first one way back in 2009. Then brunette Angelique Kithos came along in 2014. One must find a trooper to handle single gloves for any amount of time, and as with the two ladies before Kajira, her hands were numb by the time still photos were completed. But she hung in there so we could get some video of her testing the limits of her leather restraint in armbinder, straps, and harness ball gag. It is clear she will not be able to escape without help, and when prompted to say something coherent past the daunting gag . . . well, let us just say Kajira really tickles our thoroughly gagged fancy. Hot and tight leather bondage confining a real-life bondage girl! Actual running time (07:56) (1280 x 720)

Starring Jacky Fay-Lynn. Asking in Part 1 to be tied up and gagged in her spandex leggings, leather opera gloves, and high heel boots ensemble, bondage advocate Jacky, now stuck with no hope of escape (she likes that), follows directions of her captor to put on an obedience show by testing the ropes binding her hot body and the stuffed mouth tape gag muting her voice. She is having fun and feeling sexy, and would probably stay on the bed while her captor is away, but a hogtie will keep her from considering a hop out of the bedroom procedure, so she gets one. The hogtie rope knot is initially left too close to her fingers, but that gives her something to do while left to enjoy her helpless condition. Experienced captors keep a periodic eye on their prisoners to ensure their safety and as well monitor any knot loosening mischief. Sure enough, a check reveals that hogtie knot has been found by the escape attempt prisoner and is in disarray. Now fixed, Jacky is left again, but is getting close to needing a break. She gag-replies in the affirmative to her captor’s inquiry about rescue, but to her dismay he plans to leave her tied up until dinner is served, and then she is going into a bondage sack for the night. Actual running time (15:22) (1280 x 720)

Starring Sarah Brooke. Her resistance weakened from hours of straitjacket, hood, and gag immobilization in Part 1, the evil neighbor captor found it easy upon return from the grocery to change out her boots for shiny Mary Jane high heels, slip on butter soft black leather gloves, and bind Sarah’s torso and arms with a body harness (off screen). Whether Sarah has come to embrace for the long term her new life as pleasure bondage slave is yet to be determined, but some signs of obedience indicate it could occur despite her damsel-like expressions. Her shapely stocking clad lags get strapped just below her beautiful bum and above her knees before Sarah is helped to the floor to tighten them up and add more leather straps below her knees and around her crossed ankles. Perhaps she has hopes this will be all she must endure for now, but a panel ball gag is thrown into sight. She resists the strapped tight application of the mouth filler until her nostrils are squeezed shut. In short order Sarah is strapped into hogtie as well. Left this way, evil neighbor need not worry about his captive straying too far while he is busy whipping up food for the pretty, hard body redhead. After all, he did promise to take good care of her. Given Sarah’s determined struggling while alone she may not feel that promise is much consolation. Actual running time (12:48) (1280 x 720)

Starring Rachel Adams. Maneuvered into a prone position on the bed, Rachel moves sensually in the cords confining her. At times she loses herself in bondage pleasure feelings. She is quite happy to pose for pictures, first for front views and then, obeying like a good girl should, she rolls over so we can see her back and pinioned arms. The ropes are tight enough to remind Rachel she cannot slip them, yet not so menacing as to distract from the tied-up bliss they provide. The stuffed mouth white duct tape gag is holding fast. She is not trying to talk like she was in Part One. As in a ‘normal’ bondage encounter she is staying quiet until asked for a response as a matter of willing submission. She still giggles at times, which is quite normal for her when we decide to just play. Of course, I want her to try to escape both the gag and the ropes. When the binder and the ‘victim’ know escape without help is out of the question, the erotic ligature feelings intensify. Her chest ropes were tightened up previously. Now a long cord is used to hogtie Rachel on screen, wound from the tummy and chest ropes, incorporating her wrists, and on to her ankles and winding around her six-inch heels. Her pleasure is intensifying. Seems she could stay this way for hours, but she luxuriously struggles to please me. Since Rachel cannot escape, I ask her to express erotic feelings. Oh yes, she can do that with ease. Actual running time (17:26) (1280 x 720)

Starring Rachel Adams. Maneuvered into a prone position on the bed, Rachel moves sensually in the cords confining her. At times she loses herself in bondage pleasure feelings. She is quite happy to pose for pictures, first for front views and then, obeying like a good girl should, she rolls over so we can see her back and pinioned arms. The ropes are tight enough to remind Rachel she cannot slip them, yet not so menacing as to distract from the tied-up bliss they provide. The stuffed mouth white duct tape gag is holding fast. She is not trying to talk like she was in Part One. As in a ‘normal’ bondage encounter she is staying quiet until asked for a response as a matter of willing submission. She still giggles at times, which is quite normal for her when we decide to just play. Of course, I want her to try to escape both the gag and the ropes. When the binder and the ‘victim’ know escape without help is out of the question, the erotic ligature feelings intensify. Her chest ropes were tightened up previously. Now a long cord is used to hogtie Rachel on screen, wound from the tummy and chest ropes, incorporating her wrists, and on to her ankles and winding around her six-inch heels. Her pleasure is intensifying. Seems she could stay this way for hours, but she luxuriously struggles to please me. Since Rachel cannot escape, I ask her to express erotic feelings. Oh yes, she can do that with ease. Actual running time (17:26) (1920 x 1080)

Starring Rachel Adams. We are enjoying each other’s company while playing bondage. She likes to be tied up and gagged. Today I gave her a cute, coordinated bra and panty set, and six-inch high heel bedroom pumps. Cotton rope binds her body at ankles, knees, wrists, and chest. She can see herself in a mirror. Still enjoying the view of herself restrained, a tummy rope is applied that encircles and cinches her forearms as well. Rachel likes to be tightened up and does not mind that I take my time to get it right. The camera has moved to get a close shot of Rachel from panties up. Next a stuffed mouth, multi-strip white duct tape gag is installed. Lots of kneading the adhesive so it sticks well. Nice of bondage girls to let me play with their faces like this, and hug them. Of course, she is challenged to free herself from the gag and see how much noise she can make. No one will hear her from the sidewalk a few paces past the window. Rachel likes to pose and we like to record our fun with stills. A comprehensive video survey of the happily helpless bondage girl is undertaken with close-ups from toes to gleaming eyes, ending with a view of her bound arms and wrists and the front of her entire body in the mirror. Actual running time (17:24) (1280 x 720)

Starring Rachel Adams. We are enjoying each other’s company while playing bondage. She likes to be tied up and gagged. Today I gave her a cute, coordinated bra and panty set, and six-inch high heel bedroom pumps. Cotton rope binds her body at ankles, knees, wrists, and chest. She can see herself in a mirror. Still enjoying the view of herself restrained, a tummy rope is applied that encircles and cinches her forearms as well. Rachel likes to be tightened up and does not mind that I take my time to get it right. The camera has moved to get a close shot of Rachel from panties up. Next a stuffed mouth, multi-strip white duct tape gag is installed. Lots of kneading the adhesive so it sticks well. Nice of bondage girls to let me play with their faces like this, and hug them. Of course, she is challenged to free herself from the gag and see how much noise she can make. No one will hear her from the sidewalk a few paces past the window. Rachel likes to pose and we like to record our fun with stills. A comprehensive video survey of the happily helpless bondage girl is undertaken with close-ups from toes to gleaming eyes, ending with a view of her bound arms and wrists and the front of her entire body in the mirror. Actual running time (17:24) (1920 x 1080)

Starring Rachel Adams. The location of the loveseat from Part 1 has moved and black spandex cat-suited Rachel has moved with it. Always eager to be tied up, Rachel enjoys the view of high heel ballet ankle boots in this one. She is already restrained with white straps and cuffs and collar when the scene opens. Moving sensually in the comfy confinement, her fingers could be getting into mischief with that knee strap but she seems intrigued by the unusual sight of her hands while she is tied up – which is often. Embarking on the first-time test of a white panel plug gag, I found it looked cool and muffled well but more holes needed to be drilled in the strap for proper tightening around dainty heads. After a bit that gag is swapped out for a traditional ball gag in white which I knew cinched up tightly on everyone. How about a tape layer over that, dear Rachel? Her eyes say she really does not need the MicroFoam strip but there is nothing she can do in protest. Time to tape those fingers as well. After all, it is best to make sure a bondage girl has no hope of messing up what her binder has so kindly provided. Actual running time (19:20) (1280 x 720)

Starring Sarah Brooke. Our bondage girl seems to like playing the damsel when she visits, which is fine, but she is not fooling anyone. I am okay with that as all ‘tie me up and gag me’ motivations are welcome here. Dressed in black pleather jeans and the red, butter soft leather, knee high lace up boots that fit tiny feet ladies, Sarah is restrained with locked on finger control mitts, a neck to wrist restraint, straps holding her legs together, and a panel ball gag. A very strong woman, Sarah fights the bondage. The hip strap loosens but that gets fixed off screen in short order. I learn the straps holding the ball are digging into the sides of her mouth, so we do a gag change (on screen) to a stuffed mouth with Fixomull tape. Sarah works it hard but the tape stretches with every jaw and tongue movement and she realizes there is no hope of dislodging the voice muter. She does not like obeying orders but she has no choice in the matter as she sits up for additional immobilization of her upper body with 2 more straps. Then upon command Sarah wiggles and is subjected to manhandling to get her in position to be hogtied (on screen). She is really stuck now and the look on Sarah’s face at the end is one of resignation and a real “please let me go.” Actual running time (21:32) (1280 x 720)

Starring Sarah Brooke. Our bondage girl seems to like playing the damsel when she visits, which is fine, but she is not fooling anyone. I am okay with that as all ‘tie me up and gag me’ motivations are welcome here. Dressed in black pleather jeans and the red, butter soft leather, knee high lace up boots that fit tiny feet ladies, Sarah is restrained with locked on finger control mitts, a neck to wrist restraint, straps holding her legs together, and a panel ball gag. A very strong woman, Sarah fights the bondage. The hip strap loosens but that gets fixed off screen in short order. I learn the straps holding the ball are digging into the sides of her mouth, so we do a gag change (on screen) to a stuffed mouth with Fixomull tape. Sarah works it hard but the tape stretches with every jaw and tongue movement and she realizes there is no hope of dislodging the voice muter. She does not like obeying orders but she has no choice in the matter as she sits up for additional immobilization of her upper body with 2 more straps. Then upon command Sarah wiggles and is subjected to manhandling to get her in position to be hogtied (on screen). She is really stuck now and the look on Sarah’s face at the end is one of resignation and a real “please let me go.” Actual running time (21:32) (1920 x 1080)

Starring Rachel Adams. Continuing the Unjustly Imprisoned saga, in which our heroine had been attracted by the inmate costumes and the strict restraint in which they find themselves, Rachel had voluntarily surrendered herself to the Black Stone Internment Prison. She mistakenly believed the length of her stay was negotiable, based on the twisted advice of her unscrupulous legal advisor. After a protracted immobilized ordeal attached to a post, Rachel’s jailer keeps her in the orange, prison-issue spandex catsuit, as well as the locked-on leather chastity device, but now she is barefoot. Rachel’s arms are welded inside a leather single glove, and her legs are leather strapped in frog tie fashion. A posture collar has been installed, from which a locked chain leads to another post. The leash gives her just enough room to frustratingly twist her body in a small diameter semi-circle. Her voice is sternly muted by a Ledermeister-built sink drain harness gag. Once again, Rachel can see herself in a mirror. Left alone in her cell, our bound beauty desperately attempts escape from her leather prison, but the restraints are unyielding. At around the 8:00 minute mark, Rachel’s perverse (and unseen) captor joins her in the cell to leer pruriently at his prisoner from many angles. As the scene ends, Rachel can see her jailer is leaving her alone again, which prompts delightful damsel in dismay reactions. Will our heroine ever be released? According to the Black Stone prison manual, the answer is no. Inspired by our friend Martin Martyr. Actual running time (10:22) (1280 x 720)

Starring Rachel Adams. Continuing the Unjustly Imprisoned saga, in which our heroine had been attracted by the inmate costumes and the strict restraint in which they find themselves, Rachel had voluntarily surrendered herself to the Black Stone Internment Prison. She mistakenly believed the length of her stay was negotiable, based on the twisted advice of her unscrupulous legal advisor. After a protracted immobilized ordeal attached to a post, Rachel’s jailer keeps her in the orange, prison-issue spandex catsuit, as well as the locked-on leather chastity device, but now she is barefoot. Rachel’s arms are welded inside a leather single glove, and her legs are leather strapped in frog tie fashion. A posture collar has been installed, from which a locked chain leads to another post. The leash gives her just enough room to frustratingly twist her body in a small diameter semi-circle. Her voice is sternly muted by a Ledermeister-built sink drain harness gag. Once again, Rachel can see herself in a mirror. Left alone in her cell, our bound beauty desperately attempts escape from her leather prison, but the restraints are unyielding. At around the 8:00 minute mark, Rachel’s perverse (and unseen) captor joins her in the cell to leer pruriently at his prisoner from many angles. As the scene ends, Rachel can see her jailer is leaving her alone again, which prompts delightful damsel in dismay reactions. Will our heroine ever be released? According to the Black Stone prison manual, the answer is no. Inspired by our friend Martin Martyr. Actual running time (10:22) (1920 x 1080)

Starring Ashlee Graham. Too be quite honest, Ashlee knew exactly what she was getting into when I picked her up at the train station, so my ride service was not too risky. We had spoken during the trip about smart phone ride hailing applications, and she laughed when I told her my Evil Lair riding hailing app was not very popular. This was our first scene, and it is straightforward. We take in from a couple of angles our not unhappy to be tied up, exotic eyed redhead heroine, dressed in spandex stockings and gloves, a skeleton hands bra framing her perfectly plump natural breasts, and a skirt that quickly rides up, revealing our girl forgot her panties. She is getting a bit impatient with me as I fumble through too many gags to choose from, but I chose correctly as her ball gag goes in nice and tight (on screen). Ashlee resumes her struggles in bondage with sensual vigor, but not quite as happy in her confinement now with that gag keeping her jaw jacked and causing her to drool. She is a trooper though and stayed with it for a long as she could before we needed to get her some allergy relief. Actual running time (9:00) (1280 x 720)

Starring Ashley Lane. Of course, she is still stuck on the floor. Ashley cannot escape but she is trying – constantly. Her captor leers at her longingly with the camera as she puts on an ‘I’m a damsel and I like it’ show. Adding more rope is never a bad thing for Ashley (despite displaying a ‘Help me!’ disposition throughout) so into a hogtie she goes (on screen). She does her best to maneuver this way but even a roll to the side requires help now. All damsels should be left alone to let a bit of fear of the unknown kick in. A blindfold is added (on screen) and her response to the door closing is precious. A secret survey is undertaken while Ashley is unaware anyone is with her. When the door opens again Ashley is heartened by the prospect of imminent release but only the gag and blindfold are removed. He will leave her tied until things are ready for her Straitjacket Suspension. Actual running time (13:47) (1280 x 720)

Starring Ashley Lane. Of course, she is still stuck on the floor. Ashley cannot escape but she is trying – constantly. Her captor leers at her longingly with the camera as she puts on an ‘I’m a damsel and I like it’ show. Adding more rope is never a bad thing for Ashley (despite displaying a ‘Help me!’ disposition throughout) so into a hogtie she goes (on screen). She does her best to maneuver this way but even a roll to the side requires help now. All damsels should be left alone to let a bit of fear of the unknown kick in. A blindfold is added (on screen) and her response to the door closing is precious. A secret survey is undertaken while Ashley is unaware anyone is with her. When the door opens again Ashley is heartened by the prospect of imminent release but only the gag and blindfold are removed. He will leave her tied until things are ready for her Straitjacket Suspension. Actual running time (13:47) (1920 x 1080)

Starring Ashley Lane. Fresh off the plank, Ashley’s boots have been replaced with black patent Mary Jane high heels. The fishnet tights remain. Her hands and fingers are helpless behind her in a black rope box tie. Ashley always tries hard to escape because she is a real-life bondage girl and likes knowing she cannot get out. A squishy rubber ball gag is pulled from a bin in the closet and friction grip strapped tight. She is challenged to push the gag out but cannot. Ashley sits patiently as her knees and ankles are methodically bound. She puts on an air of dismay while continually trying to free her hands, but I think this is her natural way of expressing helpless pleasure as she never used the safe grunts all day. Once her legs are tied Ashley’s nemesis watches her delicious escape attempts. In keeping with the theme of the entire day Ashley does not know what is going to happen to her and she likes it that way. Near the end Ashley is gently placed on the soft rug to test the movement she can muster in the prone position. Gag and leg ropes applied on screen. Actual running time (13:36) (1280 x 720)

Starring Ashley Lane. Fresh off the plank, Ashley’s boots have been replaced with black patent Mary Jane high heels. The fishnet tights remain. Her hands and fingers are helpless behind her in a black rope box tie. Ashley always tries hard to escape because she is a real-life bondage girl and likes knowing she cannot get out. A squishy rubber ball gag is pulled from a bin in the closet and friction grip strapped tight. She is challenged to push the gag out but cannot. Ashley sits patiently as her knees and ankles are methodically bound. She puts on an air of dismay while continually trying to free her hands, but I think this is her natural way of expressing helpless pleasure as she never used the safe grunts all day. Once her legs are tied Ashley’s nemesis watches her delicious escape attempts. In keeping with the theme of the entire day Ashley does not know what is going to happen to her and she likes it that way. Near the end Ashley is gently placed on the soft rug to test the movement she can muster in the prone position. Gag and leg ropes applied on screen. Actual running time (13:36) (1920 x 1080)

Starring Kobe Lee. “I know about your crazy kinks, and I do not like them. You are not going to put me on this plank!” Well, as we know Kobe did get attached to the plank and got taken for a ride. Inquiring about her feelings as I released her, Kobe admitted she was, “getting used to it.” As we open here it appears our glamour model, a vision of casual beauty in sweater, jeans, and shiny Mary Jane high heels, has embraced bondage feelings and asks with a wry smile, “What have you got in store for me now?” Rope games this time, with hemp holding her arms behind in a box tie and cinching her knees and ankles together. Kobe tests the efficacy of the ropes with a sensual glow. She embraces the feeling of a locked slave collar application, and opens her mouth eagerly for a red leather plug panel gag. Now tied up and muted, she is happily resigned to our platonic bondage games and leaves no doubt she is genuinely enjoying herself. Bondage people love it when things get more restrictive, so into a hogtie she goes. Kobe cannot move much now, so I roll her for views of her front and back, and take the camera in hand for close-up views of our happily helpless prisoner. Collar, gag, and hogtie applied on screen. Actual running time (17:03) (1280 x 720)

Starring Arielle Lane. Dragged out of the playroom still tape gagged, hooded, and leather bound at the end of Caught In The Act, we find our boot snooper has been hogtied with rope on the master bed. Bondage is not punishment for this lovely lady, but I do not want to deter Arielle from coming over for any reason, particularly to borrow a pair of boots or high heels. She was after the patent knee high pair worn in Leather Bound Boot Lady but I put her in the vintage Little Shoe Box pair instead. Both pairs fit her well. She must stay bound like this for as long as I want, and I leave her to enjoy herself. It is during this segment viewers get full body and close views of our helpless and loving it girl. Later I come back to deprive her of sight, which takes our sweet damsel into subspace while obediently taking direction for still photos. Left alone a second time, it appears the bondage and sensory deprivation loving lady may never want to be released. Actual running time (13:39) (1280 x 720)

Starring Arielle Lane. Dragged out of the playroom still tape gagged, hooded, and leather bound at the end of Caught In The Act, we find our boot snooper has been hogtied with rope on the master bed. Bondage is not punishment for this lovely lady, but I do not want to deter Arielle from coming over for any reason, particularly to borrow a pair of boots or high heels. She was after the patent knee high pair worn in Leather Bound Boot Lady but I put her in the vintage Little Shoe Box pair instead. Both pairs fit her well. She must stay bound like this for as long as I want, and I leave her to enjoy herself. It is during this segment viewers get full body and close views of our helpless and loving it girl. Later I come back to deprive her of sight, which takes our sweet damsel into subspace while obediently taking direction for still photos. Left alone a second time, it appears the bondage and sensory deprivation loving lady may never want to be released. Actual running time (13:39) (1920 x 1080)