Keye Mobile Bondage

Starring Cherry Lady. A student almost finished with her degree in accounting when we met, Cherry models infrequently to earn splurge money. Prior to my offer, she had accepted only two other bondage-oriented assignments, one with a friend of mine for stills, and the other for an individual producing hostage drama for private clientele. (I am always fascinated by the many private bondage scenes arranged that only a select few will ever see.) Cherry is not into bondage as a form of sexual stimulation, but she does enjoy the physical overpowering that occurs for her hostage drama work. We open with Cherry in high heel knee boots, red sweater, and black mini skirt. She is lying on the bed touching and describing inquisitively, with her sexy Eastern Europe accent, the bondage gear laid out beside her. She has no clue about how it is used, but is anxious try. Fade to Cherry rigged up for prisoner transport except for the knee strap, as she is not going anywhere right now. Her torso is immobilized with wrists handcuffed and locked to her waist belt, a strap binding her elbows in back and another wrapped over her biceps and around her chest. Her booted ankles are leg-ironed. She is gagged with a head harness panel gag with attached mouth filling plug. Cherry begins a garbled dialog which I believe to be an extension of her inquisitive description of the bondage gear. I cannot make out anything decipherable, but that is a good thing. Her fingers flail but she cannot reach anything. I ask her off screen to try expressing erotic feelings while bound for a handheld survey. Cherry goes quiet except for heavy breathing and submissively resigned tugs against the unyielding restraints. Later I add a blindfold, and after a bit of alone time ease her bound body back to a prone position on the bed. This tightens everything up except for her hobbled ankles and fingers reaching for the unknown. Her gag talk starts up again. Perhaps she is asking to be let go? Not quite yet, dear. Your fans need to absorb you in such a helpless state for a little while longer. Actual running time (12:54) (960 x 540)

Starring Ashley Lane. Fresh off the plank, Ashley’s boots have been replaced with black patent Mary Jane high heels. The fishnet tights remain. Her hands and fingers are helpless behind her in a black rope box tie. Ashley always tries hard to escape because she is a real-life bondage girl and likes knowing she cannot get out. A squishy rubber ball gag is pulled from a bin in the closet and friction grip strapped tight. She is challenged to push the gag out but cannot. Ashley sits patiently as her knees and ankles are methodically bound. She puts on an air of dismay while continually trying to free her hands, but I think this is her natural way of expressing helpless pleasure as she never used the safe grunts all day. Once her legs are tied Ashley’s nemesis watches her delicious escape attempts. In keeping with the theme of the entire day Ashley does not know what is going to happen to her and she likes it that way. Near the end Ashley is gently placed on the soft rug to test the movement she can muster in the prone position. Gag and leg ropes applied on screen. Actual running time (13:36) (960 x 540)

Starring Katie Jordon. Fashion design and production entrepreneur Katie contacted me a while back to see if we might be compatible for a bit of bondage. I was honored, as Katie to me, and I am sure many others, is a bondage model icon. We finally made the rendezvous happen recently. It was an interesting day. Not sure if I made a good impression, but Katie stuck with me, and I certainly warmed to her as the day progressed. For this scene Katie spotted my black with red piping posture collar, and with that as a beginning we put together a nice outfit for bondage. She provided leggings, bra, and a torso constricting leather corset of her own design. I pitched in black leather opera gloves and knee length, high heel boots, and perched her on our designer corner chair with rope. She asked off screen, before we began, why her mouth had to be stuffed behind tape gags. I give her the obvious bondage fetish guy/girl answer on screen after I add rope to her torso. I ask her why she is not pulling her tape gag off. I am pretty sure her mumbled answer is something like, “I don’t want to.” She is super cute when it comes to gags. When I ask her a question, she rolls her eyes and points to the tape to emphasize she cannot answer properly with her mouth gagged. No worries for gag sound fans though as Katie gives them up in a very natural and sexy style, and her struggling is sensual with the flair of a runway model. Actual running time (09:33) (960 x 540)

Starring Rachel Adams. She willingly consents to an unscripted restraint session. Naked except for leather opera gloves, slave collar and strappy high heels, Rachel is leather body harnessed off screen with crotch strap sunk deep and wrists held together behind her back, then led into view for strapped leg security and harness ball gag application on screen. She can see herself in a mirror as it is happening. Manhandled into a prone position on the bed, Rachel struggles inside her leather prison, knowing she must please her binder to earn freedom, which only he can grant as there is no escaping this restrictive situation on her own. He is very much enjoying her bound, gagged, and liking this show from numerous angles. The strict gag is daunting. When prompted to say something she can only mumble the words he desires to hear, and her gag talk is lovely indeed. Not that she wanted to hop away, her legs are nonetheless strapped into hogtie (on screen) at around the 13-minute mark to prevent any notion she will be moving off the bed. Her bondage crazy friend delves further into lusting over his captive from various angles. Eventually he asks if she would like to be released, which gives her hope, but he is a bit non-committal about when that promised rescue will occur. Actual running time (18:19) (960 x 540)

Starring Rachel Adams. The location of the loveseat from Part 1 has moved and black spandex cat-suited Rachel has moved with it. Always eager to be tied up, Rachel enjoys the view of high heel ballet ankle boots in this one. She is already restrained with white straps and cuffs and collar when the scene opens. Moving sensually in the comfy confinement, her fingers could be getting into mischief with that knee strap but she seems intrigued by the unusual sight of her hands while she is tied up – which is often. Embarking on the first-time test of a white panel plug gag, I found it looked cool and muffled well but more holes needed to be drilled in the strap for proper tightening around dainty heads. After a bit that gag is swapped out for a traditional ball gag in white which I knew cinched up tightly on everyone. How about a tape layer over that, dear Rachel? Her eyes say she really does not need the MicroFoam strip but there is nothing she can do in protest. Time to tape those fingers as well. After all, it is best to make sure a bondage girl has no hope of messing up what her binder has so kindly provided. Actual running time (19:20) (960 x 540)

Starring Arielle Lane. Dragged out of the playroom still tape gagged, hooded, and leather bound at the end of Caught In The Act, we find our boot snooper has been hogtied with rope on the master bed. Bondage is not punishment for this lovely lady, but I do not want to deter Arielle from coming over for any reason, particularly to borrow a pair of boots or high heels. She was after the patent knee high pair worn in Leather Bound Boot Lady but I put her in the vintage Little Shoe Box pair instead. Both pairs fit her well. She must stay bound like this for as long as I want, and I leave her to enjoy herself. It is during this segment viewers get full body and close views of our helpless and loving it girl. Later I come back to deprive her of sight, which takes our sweet damsel into subspace while obediently taking direction for still photos. Left alone a second time, it appears the bondage and sensory deprivation loving lady may never want to be released. Actual running time (13:39) (960 x 540)

Starring Rachel Adams. Our latest rendezvous was not specifically planned for her birthday. It just happened to be the date that worked out best for both of us. I had a cake monogramed for my bondage buddy. Rachel wears the black Lycra catsuit she rocked in Catsuit Chronicles, as well as a pair of block heel knee high boots I picked up during the end of year 2015 holiday sale season. Since Rachel was going to be my willing birthday bondage girl for the day, I started out with chair bondage, which has always been one of my favorites. Her hands are locked in black leather mitts to give her that ‘I will never get out of this’ feeling. One red rope binds her wrists behind her back, then one long piece secures the rest of her body from ankles to chest to wrists, and loops strategically through her crotch with tension points that allow self-stimulation while she struggles. Helpless Rachel, clearly enjoying herself, is surveyed from various angles ungagged. Later a red harness ball gag is dangled in front of her. She feigns not wanting to be gagged, but we all know better. A similar survey as before is undertaken of our securely gagged and bound birthday girl. Between stills and video poor Rachel has been tied up a long time with no attention paid to her, so she is getting a bit flustered as her struggles have proven to be futile. It is a perfect time to start a close-up handheld survey of all the bondage elements. Drool rolls from her ball-parted lips and her eyes speak dismay as she gag-pleads to be let out. I will give it some thought, pretty prisoner. The sound is fine but at a lower volume before she is gagged. Wanted to let viewers know it is not your ears. None of the bondage is done on screen and her captor never speaks, so Rachel is all yours throughout. Actual running time (15:32) (960 x 540)

Starring Kendra James. Our favorite restaurant was not cooperating today. After leaving Kendra chair tied, gagged, and blindfolded to stew during our 2-hour reservation wait (end of Confessions 2), I showered and then released her. She started getting dressed for dinner by first slipping on over knee, high heel boots. Kendra must have known starting with my favorite footwear would inspire me to tie her up again, and it did. After all, we still had time before our reservation was due. At first, I figured this would be her intro to a new rest position I wanted her to try, but as it turns out the restaurant called and canceled on us. How rude. Anyway, I did not care as I would be just fine with cutting off the high waist shapewear Kendra was wearing and having my way with her. Pleasingly sensual struggling by our long, lean, and beautiful redhead with her arms and hands ensconced in leather bondage sleeves spread to the bedposts and her booted legs held fast in a locked spreader bar roped to the footboard. With her mouth gagged and a leather slave collar adding kinky bling, I was not thinking about food anymore. Actual running time (08:10) (960 x 540)

Starring Kendra James. Part Two begins where Part One left off with Kendra getting into the Confessions spirit for this spontaneous roped up and gagged encounter. “No moving allowed,” is Kendra’s initial contribution as her limb and body immobilization is completed. She donates much more in case you might be wondering as our session progresses, with lots of smiles attached. Detecting too much movement her elbows are secured to the chair and a crotch rope is added on the pretense of giving her something to do, but it acts as a seat belt too. Time for a something nice for her mouth, which prompts Kendra to think of a lot nicer things her mouth could savor than a gag. A squishy rubber ball gag with friction grip fastening strap goes in nice and tight past her painted lips. Kendra’s smile vanishes, but her sexy damsel mode kicks in. She has no choice now but to sit pretty and helpless as the camera surveys her predicament. I figure I should treat this fine lady to dinner, but my favorite restaurant has a two hour wait. Now blindfolded with a silk scarf, Kendra hears the news and is none too pleased she will be stuck until the upcoming feast. I hope she decides to wear what she has on when we go out. She will get all the attention, but she will be on my arm. Actual running time (17:35) (960 x 540)

Starring Kendra James. Dressed in black sweater and blue jeans tucked into comfy ‘running some errands’ boots, Kendra has been roped to a chair and cleave gagged by a burglar. She struggles to free herself to no avail. Finally, hubby comes home. This raises Kendra’s spirits as she assumes rescue is near. Not quite. Hubby finds her quite fetching tied up, and after snarky comments like “Where’s dinner?” he decides to add a rope and details a plan to shower and then cook dinner himself while his lovely bound and gagged spouse provides visual entertainment. Kendra’s disdainful reactions to his agenda are precious. Actual running time (09:01) (960 x 540)

Starring Whitney Morgan. Continuing the Sensual First Hood session, Whitney’s gagged, leather hooded, and spread-eagle multiple orgasms are presented in a full body shot first, and then because she is a bondage pleasure glutton and wants to cum some more, the camera frame tightens a bit from her outstretched hands to just below her crotch for additional First Hood submission rewards. Whitney is reminded she belongs to me today. She lustfully accepts that assessment. I use my fingers and a Hitachi to bring forth her bound orgasms. The leather chastity thong is very thin and soft so tactile transfer is efficient. Whitney’s body strains and spasms with prurient pleasure in the tight spread-eagle and copulation moans erupt from behind her bobbing, black leather sheathed, cloaked in anonymity head. Actual running time (14:30) (960 x 540)

Starring Star. Some of my lady friends let me immobilize and gag them. Once I ask them and they consent, I never question their motivation. Their reasons are sometimes revealed in conversation, but only when they volunteer. The ladies know why I am motivated to bind them because most have already met a gentleman or lady into bondage as sexual foreplay, and they have indulged. Although I like to play intimately with tied up girls, I also find it rewarding to find a playmate that simply lets me bind them to make real my bondage fetish. Today Star let me put her in a Maxcita Psycho canvas straitjacket. It fits best when a lady is relatively tall so Star is the perfect candidate. I strapped her straitjacketed torso to a chair back and strapped her knees together and her ankles to opposite chair legs. The friends that play with me know that some sort of gag is required. I picked a pretty leather muzzle with mouth stuffing underneath. Star is stuck tight when the presentation begins. In a private session, sometimes playmates like to sit quietly and enjoy bound sub-space, but Star likes to try to escape when she knows bondage people will be watching her. She does find one escape possibility, not that it will help much. By lifting the front chair legs, she figures the strap around her left ankle might be slipped down and freed. Poor Star. Her strappy high heel is preventing her from achieving the leverage she needs. So, in the end she is still tied up the way she started, and a bit frustrated. I like it when they get frustrated and want to get out. It means it is time to leave them helpless even longer. Star's plight is documented from numerous angles. Actual running time (07:24) (960 x 540)

Starring Sarah Brooke. Hard body Sarah likes looking at herself in the mirror adorned in shiny patent finish knee high lace-up boots and latex Bolero straitjacket. She knows her playmate is watching and wants to give him a nice show to garner his amorous attention. Instead, her knees and ankles are strapped together while she watches. Tighter bondage feels good to her so she puts on a bound legs show. Sarah is very strong but she is not getting out of this one. “When is he going to play with me?” she wonders. Not any time soon it seems as the scene dissolves into Sarah stretched out with a big wad of soft Italian leather bit gag filling her mouth. Being muted has driven our fit beauty into damsel mode. Unable to escape the soft rubber embrace of the jacket, free her legs, nor push the gag out, and no hope for the sensual touches for which she longs, Sarah must endure teasing innuendo before she is left alone to ponder her fate. Actual running time (13:12) (960 x 540)

Starring Whitney Morgan. She was fearful when I presented the full leather hood and asked if she wanted to try it. She had never been hooded, but sweetly said she did not want to disappoint me. No woman could ever disappoint me if she refused a bondage device. It is always their choice to be bound in a particular way. Whitney’s curiosity though was clear. I told her she did not have to endure mouth stuffing for her first hood, but her lips would be sealed with tape. I chose Fixomull Transparent as I needed practice with this difficult to apply tape, at least when it comes to gags. It does stick well though to clean skin and it was effective at keeping her comments indecipherable. We took our time (off screen) lacing the hood on, as Whitney’s fear was genuine. I stopped frequently to hold her hands and massage her shoulders to make sure she knew she was safe and that she could call a halt to the proceedings at any time. Combined with her trust in me and her genuine interest in being strictly bound the hooding was completed successfully. As the scene opens Whitney, in vintage high heel knee boots and heavy-duty bondage belt and leather thong chastity, has been instructed to stay spread eagle on the bed. Suspension cuffs are already in place at wrists and ankles. We take some show and tell time so the audience can share some of the things we said and did off screen during the hooding process. Her limbs are then stretched to bedposts. By this time Whitney’s fear has melted away and she is totally turned on by the experience. I take some still photos of my helpless playmate, then leave her to fetch a vibrator for later use. She is instructed to try to escape while I am gone. Upon return I take a handheld survey of my bondage fetish dream girl. I propose a silent survey but it is my nature to verbally engage a real bondage playmate in a session. Besides, gagged girls respond with gag speak and that is my favorite romance language. The scene continues with Sensual First Hood - Orgasms. Actual running time (17:16) (960 x 540)

Starring Arielle Lane. Perhaps I forgot on purpose that Arielle had called to ask if she could borrow the vintage patent leather high heel knee-boots she wore for Leather Bound Boot Lady. My non-response to the doorbell and repeated knocks was not going to stop her quest. She barges in anyway, snickering a bit as she states, “I know where they are.” Little did she know I spotted her coming up the driveway and quickly formulated a plan to pounce. Arielle finds the pair she wants, but is quickly hand over mouth subdued. She finds herself in strict leather bondage, otherwise naked, and not in the boots she was after. Since the patent pair fit her, I knew the vintage six-inch heel Little Shoe Box pair would fit as well. Her mouth is stuffed with sponges and taped over. Her head is tightly laced into a Gwen hood. Her arms are lavished in shoulder length leather gloves, useless to her while restrained with a neck to wrist contraption and straps around her torso framing her natural breasts. Her legs are welded together at hips and knees. Her booted ankles are cuff locked and chained to a post. There will be no squirming out of the room for this fetish bound damsel. Arielle was not expecting to be imprisoned today and her dismay is clear while subjected to taunting. There is no release in sight either as the chain leash is unlocked and her leather bound and gagged body is dragged out of the room to endure further peril in another part of the house. Actual running time (11:26) (960 x 540)

Starring Kajira Bound. Ready for work in plaid dress and sexy ankle strap high heels, Kajira asks boyfriend/bondage partner, “How do I look?” as she puts on a little leg show. He opines her shoes are a bit provocative for work. She does not think so. If he was a kinky co-worker, he would not think so either. “Why is rope out? I must go to work. We can play later.” He already called in sick for her as he wants to play now. Off screen, Kajira is roped tight to a chair: knees together, ankles apart, elbows and wrists behind the chair back and torso pinned to it as well. She feigns disappointment with her predicament both before the gag and after, but it is easy to tell Kajira is enjoying herself. Besides, she knows boyfriend likes to see her acting the damsel role. The gag arrangement is applied on screen with cloth mouth stuffing and a cleave being the first of many wraps of tape over her mouth and around her head. After exposing her alabaster breasts, bondage partner leaves her alone and Kajira falls into bondage pleasure land, caught up in the prurient feeling of helplessness she adores. Upon his return she is super horny and has forgotten all about her career, at least for today. Actual running time (15:11) (960 x 540)

Starring Hannah Perez. She is a powerful executive by day; a bondagette by night, or morning, or afternoon. Her idea of casual Friday is a little black dress and over knee boots. She will wear something similarly stunning on a day she is going to close a deal, knowing it will be one the client cannot refuse. It is a Saturday morning. Her lover wakes her with a kiss, hot hazelnut coffee, and a toasted muffin with strawberry preserves. They watch the local news together as she eats and he washes her feet. She is beginning to melt as he dries them with kisses. He pulls a pair of boots from their closet and watches as she seduces him with the put on. She holds her hair up as their leather neck-to-wrist restraint is secured. Her booted ankles are strapped together and her wrists are buckled into the cuffs in back. He folds her legs with a strap around her thighs and calves. Her mouth is stuffed with panties and taped over with sticky black vinyl. Just one of many sexual foreplay rituals has begun. She loves to test the bindings to see if she can escape. He loves to watch her doing so. She loosens the thigh strap. He tightens it. He pulls her wrists closer to her neck. She likes it when things get tighter. He is leaving her alone and helpless for a bit. The strong woman has loosened her thigh strap again. He is not concerned. By the time she makes any more progress with that, he will have returned to remove her leg bindings, flip her on her back still cuffed and gagged, spread her high heel booted legs, and plunge inside her. No onscreen bondage except some strap tightening. This description is a fantasy I have regarding Hannah, whom I greatly admire. Feel free to make up your own. Actual running time (10:20) (960 x 540)

Starring Tilly McReese. Instilled with heretofore untapped fantasies due to her first time sensually submissive restraint activities with Bondage Practitioner Boyfriend, Tilly has sadistic plans for him today. She awaits his arrival in feminine curve accentuating black vinyl catsuit, gloves, and over knee lace up high heel boots. In Mistress McReese mode, Tilly struts while wielding a rubber flogger, anxious to use it on his flesh to motivate submission to her. Her plans go quickly awry though as she finds herself strutting once again, but now she is stuffed mouth tape gagged, Gwen hooded, posture collared, strapped tight with a leather body harness, wrists cuff locked, and ankles chain hobbled. She is furious, but there is nothing she can do as he ogles her from afar and close as his hands roam her helpless body. With no choice now but to comply, bound up Tilly follows his silent lead into a bedroom where her knees and ankles are strapped together. She struggles to escape the unyielding leather bondage, her voice muzzled by the gag and hood, as boyfriend savors the view of his angry damsel. In time, Tilly thinks he is going to free her, but his hands are there to tighten the body harness. Extremely disappointed she will remain bound and gagged for the foreseeable future; the prisoner’s attitude changes from defiance to contrition. Actual running time (14:17) (960 x 540)

Starring Terra Mizu. The usual procedure here is boot snoopers get bound. They can either accept it peacefully or exhibit petulance. Terra chose the latter. She had folded over the top of the boot shafts, which reminded me of pirate boots. Stripped of her top, harness ball gagged, and her legs locked spread, Terra complains vociferously as the scene opens. The gag garbles her every protestation, but that does not stop her from loudly expressing her disdain for the host. Her arms are winched up to keep her in line, and a crotch rope is added for a touch of debauchery. The camera then peruses the damsel from the tips of her fingers to the toes of her boots. No one will hear her screams as the door to the evil lair closes. Actual running time (08:26) (960 x 540)

Starring Miss Pandora. We have been friends for a while now, long enough to consider ourselves BFF’s. Her wit, charm and intelligence, beautiful eyes and smile, and a perfect girl next door face and body had always given me fantasies of tying and gagging her. However, proper southern girl Miss Pandora did not think much of the business I was in. “Your business is wack,” as she puts it. Well, my dream finally came true, as I got her all taped up in black electrician’s tape. She looked so sexy in bra, jeans, and bare feet. After some playful complaints about her bound up condition, I gag her with a black rubber ball with a friction grip strap, lock a slave collar on her, and chain her to the nearby bondage frame. Her complaints continue, but now they are nicely garbled. She starts laughing when I tickle her, and she slowly starts to embrace the bondage fun. In the end it is evident Miss Pandora will want another foray into the bondage life. Actual running time (10:15) (960 x 540)