La artista de cuerdas Rija Mae y la acróbata Mali Nata se encuentran para una inocente sesión de pintura corporal.

Lentamente, Rija va añadiendo su toque turquesa a la nerviosa chica yogui que tiene delante. De esta inocente actividad surge una creciente intimidad entre ellas y, de repente, Rija saca un poco de cuerda.

Empieza a atar a la ahora curiosa Mali, con las manos delante del pecho. Mali no sabe qué viene después ni qué está pasando en general; solo siente curiosidad y el lento proceso de darse cuenta de que está perdiendo el control, perdiendo la necesidad de tomar decisiones. El viento sobre su piel desnuda y su cabello suelto le provoca escalofríos en esta situación ya de por sí caldeada. De pie, Rija ata los brazos de Mali al bambú, estirándola para exponer su pecho. Sus piernas están siendo tejidas con una apretada atadura tipo sirena.

Pero la última cuerda revela el plan de Rija: Mali es presionada hasta adoptar una forma de S, con la espalda arqueada, las rodillas flexionadas, el culo bien alto en el aire y los brazos muy por encima de la cabeza. Solo puede cambiar de una posición incómoda a otra. ¿Quiere aguantar de puntillas, tensando los músculos de los muslos y la zona lumbar? ¿O prefiere cargar todo su peso sobre los brazos? Mali está súper entrenada, pues es acróbata de equilibrio invertido y yogui. Pero no está acostumbrada a estar en una posición tan exigente. Enseguida sus músculos muestran el dilema en que se encuentra.

Pero había algo más: ¡la pintura corporal! Las dos tenían un plan, recuerda Rija. Lentamente coge los colores y el agua. Definitivamente quiere aprovechar la oportunidad de tener una modelo que no se mueve bajo la punta del pincel. Hay mucho más por dibujar; se añade una hoja tras otra mientras Mali empieza a mostrarnos ese conocido y deseado temblor muscular. Con piernas y brazos vibrantes, su mente sigue luchando, tomando el último control que le queda en la situación negándose a ceder. Cuando la última hoja es dibujada sobre los pies descalzos de Mali, ya no le queda ningún control.

Solo puede rendirse y aceptar flotar. Se queda con algunas marcas y dibujos para mantener vivas las sensaciones y el recuerdo de esta sesión.

Reparto: Mali Nata

Artista de cuerdas: Rija Mae

Cámara y edición: Irina Vega

Música: Tschackert - Archenoir

Ajusta tu cinturón para el comienzo del Space Ship - ¿Estás listo para un viaje espacial? <\/span><\/p>

Bienvenido a bordo de la Estación Espacial Shibari, donde la Comandante Rija Mae y su distinguido miembro de la tripulación, Mali Nata, desafían las normas gravitacionales utilizando el arte de Shibari. Con nada más que sofisticados enredos de cuerdas, Rija eleva a Mali en un viaje místico hacia el planeta Shibari.<\/span><\/p>

Con un atadura de cuerpo superior y una atadura de cadera-pierna-Mali parece estar ajustada lo suficiente para volar sobre la Tierra. Como de costumbre, comenzamos con altitudes más bajas para nuestros nuevos viajeros, ya que los síntomas de la enfermedad del viaje en el tiempo pueden ocurrir! Rija está agregando cuerda tras cuerda para desafiar la dirección del vuelo de su viajero espacial. Se encuentra retorcida entre dos: la gravedad y la suspensión.<\/span><\/p>

Mali está enfrentando la situación del viaje espacial como una guerrera. Atada por las cuerdas en un complejo bondage, es tirada en todas las direcciones y termina boca abajo.<\/span><\/p>

Después de un viaje turbulento, Mali es devuelta a la Tierra, la gravedad es su amiga nuevamente. <\/span><\/p>

 <\/p>

Reparto: Mala Nata<\/span>
<\/span> Artista de cuerdas: Rija Mae<\/span>
<\/span>
<\/span> Cámara y editor: Irina Vega<\/span>
<\/span>
<\/span> Música: Eightysix<\/span><\/p>"

Rope artist Rija Mae and acrobat Mali Nata meet for some innocent Bodypainting.

Slowly Rija is adding her turquoise touch to the nervous yoga girl she is having in front of her. Out of this innocent activity the intimacy between them is growing and all of the sudden Rija is pulling out some rope.
She starts to tie the now curious Mali, with her hands in front of her chest. Mali doesn't know what is coming next, or in general what is going on, she only has curiosity and the slow process of realizing that she is losing control, losing the need to make decisions.

The wind on her bare skin and her open hair is giving goosebumps to the otherwise heated situation. In a standing position Rija is tying the arms of Mali to the bamboo, stretching her to expose her chest. Her legs are being woven in a tight mermaid-like tie. But the last rope is showing Rijas plan: Mali is pressured into a S-Shape, her back bend, kneed bend, ass high up in the air and her arms high above her head. She can only shift from one uncomfortable position to the other. Does she want to endure standing tip toe, pushing her thigh muscles and her lower back? Or does she want to put all her weight on her arms? Mali is super trained, as she is a yogi handstand acrobat. But she is not used to being in a challenging position. Quickly her muscles are showing the predicament she is in. But there was something: The bodypaint!

The two had a plan, Rija remembers. Slowly she is getting the colors, and the water. She definitely wants to take the chance of a model that is not moving under the tip of the brush. There is so much more to draw, one leave after the other is added, as Mali starts to give us the well known and so much wanted muscle tremor.

With vibrating legs and arms her mind is still fighting, taking the last control she has in the situation by not giving in. As the last leave is drawn on the bare feet of Mali there is no control left for her. She can just give in and accept to float! She is left with some marks and drawing to keep her sensations and the memory from this session alive.

Cast: Mali Nata
Rope artist: Rija Mae
Camera and editor: Irina Vega
Music: Tschackert - Archenoir

Rope artist Rija Mae and acrobat Mali Nata meet for some innocent Bodypainting.

Slowly Rija is adding her turquoise touch to the nervous yoga girl she is having in front of her. Out of this innocent activity the intimacy between them is growing and all of the sudden Rija is pulling out some rope.
She starts to tie the now curious Mali, with her hands in front of her chest. Mali doesn't know what is coming next, or in general what is going on, she only has curiosity and the slow process of realizing that she is losing control, losing the need to make decisions.

The wind on her bare skin and her open hair is giving goosebumps to the otherwise heated situation. In a standing position Rija is tying the arms of Mali to the bamboo, stretching her to expose her chest. Her legs are being woven in a tight mermaid-like tie. But the last rope is showing Rijas plan: Mali is pressured into a S-Shape, her back bend, kneed bend, ass high up in the air and her arms high above her head. She can only shift from one uncomfortable position to the other. Does she want to endure standing tip toe, pushing her thigh muscles and her lower back? Or does she want to put all her weight on her arms? Mali is super trained, as she is a yogi handstand acrobat. But she is not used to being in a challenging position. Quickly her muscles are showing the predicament she is in. But there was something: The bodypaint!

The two had a plan, Rija remembers. Slowly she is getting the colors, and the water. She definitely wants to take the chance of a model that is not moving under the tip of the brush. There is so much more to draw, one leave after the other is added, as Mali starts to give us the well known and so much wanted muscle tremor.

With vibrating legs and arms her mind is still fighting, taking the last control she has in the situation by not giving in. As the last leave is drawn on the bare feet of Mali there is no control left for her. She can just give in and accept to float! She is left with some marks and drawing to keep her sensations and the memory from this session alive.

Cast: Mali Nata
Rope artist: Rija Mae
Camera and editor: Irina Vega
Music: Tschackert - Archenoir