A artista de cordas Rija Mae e a acrobata Mali Nata encontram-se para uma inocente pintura corporal.

Devagar, Rija acrescenta o seu toque turquesa à nervosa rapariga do yoga que tem à sua frente. Desta atividade inocente cresce a intimidade entre elas e, de súbito, Rija tira uma corda.

Começa a atar a agora curiosa Mali, com as mãos à frente do peito. Mali não sabe o que virá a seguir, nem sequer o que se passa; apenas sente curiosidade e o lento processo de perceber que está a perder o controlo, a perder a necessidade de decidir. O vento na pele nua e nos cabelos soltos causa-lhe arrepios nesta situação já de si escaldante. De pé, Rija prende os braços de Mali ao bambu, esticando-a para expor o peito. As pernas dela são tecidas num apertado nó de sereia.

Mas a última corda mostra o plano de Rija: Mali é pressionada até formar um S, as costas dobradas, joelhos fletidos, cu bem alto no ar e braços esticados acima da cabeça. Só consegue passar de uma posição desconfortável para outra. Prefere aguentar-se nas pontas dos pés, esforçando coxas e zona lombar? Ou prefere descarregar todo o peso nos braços? Mali é supertreinada, pois é uma acrobata de pino yogue. Mas não está habituada a estar numa posição difícil. Os seus músculos depressa mostram o dilema em que se encontra.

Porém havia algo: a pintura corporal! As duas tinham um plano, recorda Rija. Lentamente, vai buscar as cores e a água. Definitivamente quer aproveitar a oportunidade de ter uma modelo que não mexe debaixo da ponta do pincel. Há muito mais para desenhar, junta-se uma folha atrás da outra, enquanto Mali começa a mostrar o conhecido e tão desejado tremor muscular. Com pernas e braços vibrantes, a sua mente ainda luta, agarrando o último controlo que detém na situação, sem ceder. Quando a última folha é desenhada nos pés descalços de Mali, já não há qualquer controlo para ela.

Só lhe resta render-se e deixar-se flutuar! Ficam algumas marcas e desenhos para manter vivas as sensações e a memória desta sessão.

Elenco: Mali Nata

Artista de cordas: Rija Mae

Câmara e edição: Irina Vega

Música: Tschackert - Archenoir

Aperte o cinto para o início da Nave Espacial - Você está pronto para uma Viagem Espacial? <\/span><\/p>

Bem-vindo a bordo da Estação Espacial Shibari, onde a Comandante Rija Mae e seu respeitável membro da tripulação, Mali Nata, desafiam as normas gravitacionais usando a arte do Shibari. Com nada além de intrincados emaranhados de cordas, Rija eleva Mali em uma jornada mística em direção ao planeta Shibari.<\/span><\/p>

Com um laço no corpo superior e um laço na cintura, perna e quadril, Mali parece estar apertada o suficiente para voar sobre a Terra. Como de costume, começamos em altitudes mais baixas para nossos novos viajantes, pois os sintomas de doença do deslocamento no tempo podem ocorrer! Rija está adicionando corda após corda para desafiar a direção do voo de sua viajante espacial. Ela se encontra torcida entre dois: gravidade e suspensão.<\/span><\/p>

Mali está enfrentando a situação da viagem espacial como uma guerreira. Amarrada pelas cordas em um complexo bondage, ela é puxada em todas as direções e acaba de cabeça para baixo.<\/span><\/p>

Após uma jornada turbulenta, Mali é trazida de volta à Terra, a gravidade é sua amiga novamente. <\/span><\/p>

 <\/p>

Elenco: Mala Nata<\/span>
<\/span> Artista da corda: Rija Mae<\/span>
<\/span>
<\/span> Câmera e editor: Irina Vega<\/span>
<\/span>
<\/span> Música: Eightysix<\/span><\/p>"

Rope artist Rija Mae and acrobat Mali Nata meet for some innocent Bodypainting.

Slowly Rija is adding her turquoise touch to the nervous yoga girl she is having in front of her. Out of this innocent activity the intimacy between them is growing and all of the sudden Rija is pulling out some rope.
She starts to tie the now curious Mali, with her hands in front of her chest. Mali doesn't know what is coming next, or in general what is going on, she only has curiosity and the slow process of realizing that she is losing control, losing the need to make decisions.

The wind on her bare skin and her open hair is giving goosebumps to the otherwise heated situation. In a standing position Rija is tying the arms of Mali to the bamboo, stretching her to expose her chest. Her legs are being woven in a tight mermaid-like tie. But the last rope is showing Rijas plan: Mali is pressured into a S-Shape, her back bend, kneed bend, ass high up in the air and her arms high above her head. She can only shift from one uncomfortable position to the other. Does she want to endure standing tip toe, pushing her thigh muscles and her lower back? Or does she want to put all her weight on her arms? Mali is super trained, as she is a yogi handstand acrobat. But she is not used to being in a challenging position. Quickly her muscles are showing the predicament she is in. But there was something: The bodypaint!

The two had a plan, Rija remembers. Slowly she is getting the colors, and the water. She definitely wants to take the chance of a model that is not moving under the tip of the brush. There is so much more to draw, one leave after the other is added, as Mali starts to give us the well known and so much wanted muscle tremor.

With vibrating legs and arms her mind is still fighting, taking the last control she has in the situation by not giving in. As the last leave is drawn on the bare feet of Mali there is no control left for her. She can just give in and accept to float! She is left with some marks and drawing to keep her sensations and the memory from this session alive.

Cast: Mali Nata
Rope artist: Rija Mae
Camera and editor: Irina Vega
Music: Tschackert - Archenoir

Rope artist Rija Mae and acrobat Mali Nata meet for some innocent Bodypainting.

Slowly Rija is adding her turquoise touch to the nervous yoga girl she is having in front of her. Out of this innocent activity the intimacy between them is growing and all of the sudden Rija is pulling out some rope.
She starts to tie the now curious Mali, with her hands in front of her chest. Mali doesn't know what is coming next, or in general what is going on, she only has curiosity and the slow process of realizing that she is losing control, losing the need to make decisions.

The wind on her bare skin and her open hair is giving goosebumps to the otherwise heated situation. In a standing position Rija is tying the arms of Mali to the bamboo, stretching her to expose her chest. Her legs are being woven in a tight mermaid-like tie. But the last rope is showing Rijas plan: Mali is pressured into a S-Shape, her back bend, kneed bend, ass high up in the air and her arms high above her head. She can only shift from one uncomfortable position to the other. Does she want to endure standing tip toe, pushing her thigh muscles and her lower back? Or does she want to put all her weight on her arms? Mali is super trained, as she is a yogi handstand acrobat. But she is not used to being in a challenging position. Quickly her muscles are showing the predicament she is in. But there was something: The bodypaint!

The two had a plan, Rija remembers. Slowly she is getting the colors, and the water. She definitely wants to take the chance of a model that is not moving under the tip of the brush. There is so much more to draw, one leave after the other is added, as Mali starts to give us the well known and so much wanted muscle tremor.

With vibrating legs and arms her mind is still fighting, taking the last control she has in the situation by not giving in. As the last leave is drawn on the bare feet of Mali there is no control left for her. She can just give in and accept to float! She is left with some marks and drawing to keep her sensations and the memory from this session alive.

Cast: Mali Nata
Rope artist: Rija Mae
Camera and editor: Irina Vega
Music: Tschackert - Archenoir