Custom movie in Italian anguage

Scarlett is athletic, restless, and happiest outdoors. Hiking, trekking, open air with no walls and no rules. The only reason she shares a place in a sought-after residential neighborhood is the rent. Her roommate, Raimondo, could not be less like her. He produces bondage films and uses the apartment as a studio. Normally he clears the set before she gets home. Tonight she comes back early and finds him still gathering rope off the living-room floor.

She only wants to change and go to bed. She is also a little annoyed that he has not cleared the room. Secretly, though, she is curious. Still in her hiking clothes, black crop top, khaki cargo shorts, belt, and boots, she picks up a loose coil and starts knotting it while she asks a few pointed questions about his work.

Raimondo is happy to explain. He ties models. Sometimes he invents little stories. Sometimes he sets escape challenges and films the girl while she tries to get free.

Scarlett answers with a dare in her voice. Why would any girl agree to that? She holds up the thin white rope and doubts it could stop someone who really meant to escape.

He hears what sits under the provocation. Curiosity. Maybe a private wish. Maybe she wants to try it. He offers her a challenge, then sweetens it. If she escapes, he pays the whole rent next month. If she loses, she owes him more positions of his choosing, in outfits a little more exciting than her hiking gear.

She accepts.

In the next scene he starts tying her on camera with that same thin white rope. Several turns around the wrists pull surprisingly tight. Scarlett keeps her challenging look and does not show concern. She never asked how much rope he would use, and he has no intention of being sparing. He cinches the wrist rope to her waist, wraps her torso above and below her chest, and with another length binds her legs together above the knees.

Before the ankles, he decides to take off her boots and socks. She asks why. He hesitates, then says he wants her comfortable. She gives him a half-smile and calls him a pervert. When the socks come off he is surprised to find her toenails painted, an odd detail on a tomboy like Scarlett. She tells him he may not know her as well as he thinks. He finishes the ankle ties and brings out a roll of tape.

This time she is serious. She asks what he intends to do. When he says he is going to gag her, she is not pleased and tries to renegotiate the bet. He tells her the terms are already set and presses the tape over her mouth. She answers with an irritated mmmph.

He gives her five minutes and leaves her to struggle. Scarlett, sure she has been tricked, still tries. The ropes leave almost no play in her arms or legs. The knots are out of reach. The thin cord does not slide easily on skin. The muffled sounds start annoyed and grow more resigned. She has never felt this helpless, and she is already wondering how she will pay for losing.

Next she sits on the sofa, sulking. Raimondo hands her a short sexy dress and heeled sandals and tells her to change. A few moments later she is btransformed into an elegant, hot version of herself. He shows her the chair for the next position. She resigns herself and sits.

In the following scene she is tied tightly to the chair: wrists, arms, legs, and torso. She asks if she looks pretty, a flash of vanity she had not shown before. This time the gag is a sock stuffed in her mouth, held by cloth wrapped over it. He leaves her to struggle. She wants a rematch, wants to prove she can escape if she chooses. She has to admit she is bound even tighter than before and has no chance. Minutes of struggling follow.

When he returns she is still looking at him with a challenge in her eyes. He says that, as far as he is concerned, they can stop. If she wants a third position, though, he has sexy lingerie for her. Through the gag she makes it clear she wants to try it.

Next she is so taken with herself in bra, panties, stockings, and garter belt that she takes photos with her own phone. He tells her to get ready. A shadow of worry crosses her face. This position is the hardest yet. Her arms are held straight, wrists and elbows drawn together. When she sees the gag she understands where the real challenge is. The ball is huge. She starts to protest. He knows she is ready for this one too, and with a little effort the ball gag goes in.

She is left struggling on the living-room table. A strange excitement from the restraint starts to move through her. Finally he returns and puts her in a hogtie. She jolts when the hogtie is drawn tight, then settles into complete surrender. She is clearly made for this. After more minutes of struggling he is ready to offer her work as a proper model. Still gagged, Scarlett nods.

Shana is an investigative reporter secretly gathering evidence linking several powerful politicians to criminal organizations. Her investigation leads her to an apartment where a computer supposedly contains the proof she needs.

Dressed in a fitted top, leather leggings, and boots, Shana breaks into the apartment and searches through drawers and cabinets until she finds the computer. She carries it to the dining-room table, switches it on, and bypasses the password. Inside, she discovers the exact files she has been looking for.

Focused on the screen, she fails to notice a masked man approaching from behind. As she sits in the chair, he suddenly grabs her and covers her mouth with a hand. Before Shana can react, he overpowers her.

In the next scene, Shana is seated on the sofa with her wrists and ankles secured with rope. The masked man reveals himself as Raimondo and tells her that the politicians she was investigating sent him. The computer was deliberately planted as bait, designed to lure her into the apartment.

Shana protests and demands to be released. Raimondo silences her with a sock gag secured by several layers of tape. He then adds further rope restraints, wrapping rope around her arms, torso, and legs to keep her securely in place.

Left alone, Shana struggles desperately on the sofa. After considerable effort, she manages to slide onto the floor and crawl toward the hallway, searching for something that might help her escape. She reaches the corridor—but Raimondo catches her before she can get any farther.

Later, Shana is secured to a sturdy chair. Raimondo finishes the ropework, checking each restraint. Shana defiantly tells him that none of this will matter because she has already collected enough evidence to expose his employers.

Raimondo demands to know where she sent the evidence and who is helping her. Shana refuses to answer. He gags her again with a sock secured by strips of tape, then searches the apartment until he finds her phone.

Shana spends several tense minutes struggling against the chair restraints, testing the knots and trying to create enough slack to escape, but she cannot free herself.

Raimondo returns with the phone. After a tense confrontation, Shana finally gives him the password. He searches the device, identifies her investigative partner, and tells Shana that they will soon deal with her as well.

Shana then asks to be released from the chair, pointing out that she has cooperated and that the ropes are painfully tight. Raimondo calmly promises to make her "more comfortable."

His idea of comfort is very different from hers.

In the following scene, Shana is lying barefoot on the floor in a tight hogtie. Her arms are drawn behind her and secured together with rope, her wrists and ankles connected so that her movement is severely limited. She angrily protests, but Raimondo silences her by wrapping tape around her head over the gag.

He leaves the apartment to go after Shana's partner.

Alone, Shana realizes that she has very little time. She must somehow escape before Raimondo reaches her partner. The restraints are tight, her arms are firmly linked together, and every movement is difficult—but Shana refuses to give up.

English language

Shana is an investigative reporter secretly gathering evidence linking several powerful politicians to criminal organizations. Her investigation leads her to an apartment where a computer supposedly contains the proof she needs.

Dressed in a fitted top, leather leggings, and boots, Shana breaks into the apartment and searches through drawers and cabinets until she finds the computer. She carries it to the dining-room table, switches it on, and bypasses the password. Inside, she discovers the exact files she has been looking for.

Focused on the screen, she fails to notice a masked man approaching from behind. As she sits in the chair, he suddenly grabs her and covers her mouth with a hand. Before Shana can react, he overpowers her.

In the next scene, Shana is seated on the sofa with her wrists and ankles secured with rope. The masked man reveals himself as Raimondo and tells her that the politicians she was investigating sent him. The computer was deliberately planted as bait, designed to lure her into the apartment.

Shana protests and demands to be released. Raimondo silences her with a sock gag secured by several layers of tape. He then adds further rope restraints, wrapping rope around her arms, torso, and legs to keep her securely in place.

Left alone, Shana struggles desperately on the sofa. After considerable effort, she manages to slide onto the floor and crawl toward the hallway, searching for something that might help her escape. She reaches the corridor—but Raimondo catches her before she can get any farther.

Later, Shana is secured to a sturdy chair. Raimondo finishes the ropework, checking each restraint. Shana defiantly tells him that none of this will matter because she has already collected enough evidence to expose his employers.

Raimondo demands to know where she sent the evidence and who is helping her. Shana refuses to answer. He gags her again with a sock secured by strips of tape, then searches the apartment until he finds her phone.

Shana spends several tense minutes struggling against the chair restraints, testing the knots and trying to create enough slack to escape, but she cannot free herself.

Raimondo returns with the phone. After a tense confrontation, Shana finally gives him the password. He searches the device, identifies her investigative partner, and tells Shana that they will soon deal with her as well.

Shana then asks to be released from the chair, pointing out that she has cooperated and that the ropes are painfully tight. Raimondo calmly promises to make her "more comfortable."

His idea of comfort is very different from hers.

In the following scene, Shana is lying barefoot on the floor in a tight hogtie. Her arms are drawn behind her and secured together with rope, her wrists and ankles connected so that her movement is severely limited. She angrily protests, but Raimondo silences her by wrapping tape around her head over the gag.

He leaves the apartment to go after Shana's partner.

Alone, Shana realizes that she has very little time. She must somehow escape before Raimondo reaches her partner. The restraints are tight, her arms are firmly linked together, and every movement is difficult—but Shana refuses to give up.

English language

Alba has not seen her old college friend Pamela in years. Pamela arrives at Alba’s luxurious penthouse and they spend a few days sunbathing on the terrace. Then Pamela says she has to leave. She asks if Alba has a safe: she is carrying jewelry her ex gave her. He wants it back even though he has no right to it, and he has been stalking her. Alba is uneasy, but she agrees to lock the package in her home safe.

Before leaving, Pamela warns her: the ex may come looking. Alba must not let him in and must deny that Pamela was ever there. Alba promises. Pamela goes.

An hour later someone knocks. Alba does not open. Through the door the man demands a package that “a certain Pamela” was supposed to leave. Alba denies Pamela has been there and even claims she does not know her. He seems to leave. Relieved, Alba goes back out onto the terrace.

She never sees him climb over the roof. He comes up behind her and slaps a firm handgag over her mouth.

Cut to the living room: Alba is on her own sofa, arms pulled back, wrists bound, ankles tied, extra wraps pinning her arms to her side so she can barely sit up. Raimondo interrogates her. Did Pamela leave anything? Alba again denies knowing her. She is not convincing. He stuffs a sock deep into her mouth, then ties a tight cleave gag across it so the cloth splits her lips and holds the stuffing in. He leaves her like that and searches the apartment, taking some of Alba’s valuables “for the trouble.”

Alone and gagged, Alba fights the sofa ties—twisting, pulling at the wrist rope, kicking against the ankle wraps. She works herself off the cushions onto the floor and struggles harder on the carpet, rolling, sensually. She crawls to the window, gets to her knees, then her feet, and manages to push the window open, hoping someone in the next building will see a bound, sock-and-cleave-gagged woman and call the police. Raimondo walks back in and shuts it down.

Next scene: Alba is in a chair. Wrists tied behind the backrest, elbows pulled in, chest and waist wrapped to the chair, ankles lashed to the front legs, extra turns around her thighs so she cannot stand or slide. A wide strip of tape covers her mouth over the previous gag. No slack. Raimondo leaves with a threat: if he finds nothing he will come back and make her talk.

Alone and frightened, Alba fights the chair ties. They are too tight. She cannot escape.

Raimondo returns and tells her it is time to confess. He adds that Pamela chose “a pretty and capable criminal partner.” Alba does not understand and moans through the gag that she knows nothing. Just as things are about to get worse for her, Pamela suddenly appears, grabs Raimondo by the neck. There is a crack. She drags him away, then comes back.

Alba is still shaken. Pamela seems interested only in the little package. Without untying Alba, she admits she told a small lie. She and the now-dead Raimondo were in the same criminal gang. After a few successful jobs she decided to get out; the jewelry is the “severance” she took. The rest of the gang did not take it well and are hunting her. She thanks Alba: with her unwitting help she has eliminated one of her former partners. Now she has to go. She puts the tape gag back on Alba—who is still begging to be released—and heads for the door.

When she opens it she comes face to face with Tony, the other accomplice (and Raimondo’s colleague). Tony is much harder than Raimondo. He easily overpowers Pamela.

Next scene: both women on the sofa. Wrists bound behind them, ankles tied, extra rope holding their arms and chests. Mouths sealed with tape. Tony stands in front of them with the jewelry case. Pamela snarls through the tape. Alba hopes he will leave now that he has what he came for. Instead he looks around the penthouse and decides there is more to take. He leaves them bound on the sofa, but not before having exposed their breasts, and searches.

Alone, Alba and Pamela fight the sofa ties and only manage to slide off onto the floor, still wrist-and-ankle bound, still tape-gagged, still together.

Tony comes back. He peels the old tape, then wraps fresh self-adhesive tape tight around each woman’s lower face—over the mouth, around the head, no gap. Then he hogties them: ankles pulled up to wrists behind their backs, extra cinches so they cannot straighten or crawl far. He leaves them on the floor.

Tight hogtie, tight tape gags. Alba and Pamela struggle helplessly—writhing, pulling at the wrist-to-ankle rope, muffled shouts into the tape—and get nowhere.

Italian language

Alba no ha visto a su vieja amiga de la universidad, Pamela, en años. Pamela llega al lujoso ático de Alba y pasan unos días tomando el sol en la terraza. Luego Pamela dice que tiene que irse. Pregunta si Alba tiene una caja fuerte: lleva joyas que su ex le dio. Él las quiere de vuelta aunque no tiene derecho a ellas, y la ha estado acosando. Alba está inquieta, pero acepta guardar el paquete en su caja fuerte de casa.

Antes de irse, Pamela le advierte: el ex puede venir a buscarlas. Alba no debe dejarlo entrar y debe negar que Pamela haya estado allí. Alba lo promete. Pamela se va.

Una hora después, alguien llama a la puerta. Alba no abre. A través de la puerta, el hombre exige un paquete que “cierta Pamela” debía dejar. Alba niega que Pamela haya estado allí e incluso afirma que no la conoce. Parece irse. Aliviada, Alba vuelve a salir a la terraza.

Ella nunca lo ve trepar por el techo. Él se acerca por detrás y le coloca una mano firme sobre la boca como mordaza.

Corte a la sala de estar: Alba está en su propio sofá, con los brazos hacia atrás, las muñecas atadas, los tobillos atados, vendas adicionales que le sujetan los brazos al cuerpo para que apenas pueda sentarse. Raimondo la interroga. ¿Dejó Pamela algo? Alba vuelve a negar conocerla. No es convincente. Le mete un calcetín profundamente en la boca, luego le ata una mordaza de hendidura apretada sobre él, de modo que la tela le separa los labios y mantiene el relleno en su lugar. La deja así y registra el apartamento, llevándose algunas pertenencias de Alba “por las molestias”.

Sola y amordazada, Alba lucha contra las ataduras del sofá: retorciéndose, tirando de la cuerda de las muñecas, pateando contra las vendas de los tobillos. Se desliza de los cojines al suelo y lucha más fuerte en la alfombra, rodando, sensualmente. Se arrastra hasta la ventana, se pone de rodillas, luego de pie, y logra abrir la ventana, esperando que alguien en el edificio de al lado vea a una mujer atada, con calcetín y mordaza de hendidura, y llame a la policía. Raimondo vuelve a entrar y lo detiene.

Siguiente escena: Alba está en una silla. Muñecas atadas detrás del respaldo, codos hacia adentro, pecho y cintura envueltos a la silla, tobillos atados a las patas delanteras, vueltas adicionales alrededor de los muslos para que no pueda ponerse de pie ni deslizarse. Una tira ancha de cinta cubre su boca sobre la mordaza anterior. Sin holgura. Raimondo se va con una amenaza: si no encuentra nada, volverá y la hará hablar.

Sola y asustada, Alba lucha contra las ataduras de la silla. Están demasiado apretadas. No puede escapar.

Raimondo regresa y le dice que es hora de confesar. Añade que Pamela eligió “una compañera criminal bonita y capaz”. Alba no entiende y gime a través de la mordaza que no sabe nada. Justo cuando las cosas están a punto de empeorar para ella, Pamela aparece de repente, agarra a Raimondo por el cuello. Hay un crujido. Lo arrastra, luego vuelve.

Alba todavía está conmocionada. Pamela parece interesada solo en el pequeño paquete. Sin desatar a Alba, admite que dijo una pequeña mentira. Ella y el ahora muerto Raimondo estaban en la misma banda criminal. Después de algunos trabajos exitosos, decidió salirse; las joyas son la “indemnización” que tomó. El resto de la banda no lo tomó bien y la están cazando. Agradece a Alba: con su ayuda involuntaria ha eliminado a uno de sus antiguos socios. Ahora tiene que irse. Le vuelve a poner la mordaza de cinta a Alba, que todavía suplica que la liberen, y se dirige a la puerta.

Cuando la abre, se encuentra cara a cara con Tony, el otro cómplice (y colega de Raimondo). Tony es mucho más duro que Raimondo. Él domina fácilmente a Pamela.

Siguiente escena: ambas mujeres en el sofá. Muñecas atadas detrás de ellas, tobillos atados, cuerda adicional sujetando sus brazos y pechos. Bocas selladas con cinta. Tony se para frente a ellas con el estuche de joyas. Pamela gruñe a través de la cinta. Alba espera que se vaya ahora que tiene lo que vino a buscar. En cambio, mira alrededor del ático y decide que hay más que tomar. Las deja atadas en el sofá, pero no sin antes haberles expuesto los senos, y registra.

Solas, Alba y Pamela luchan contra las ataduras del sofá y solo logran deslizarse al suelo, todavía con muñecas y tobillos atados, todavía con mordaza de cinta, todavía juntas.

Tony vuelve. Él pela la cinta vieja, luego envuelve cinta autoadhesiva nueva apretada alrededor de la parte inferior del rostro de cada mujer—sobre la boca, alrededor de la cabeza, sin espacio. Luego las ata de pies y manos: tobillos levantados hasta las muñecas detrás de sus espaldas, cinchas adicionales para que no puedan enderezarse ni arrastrarse lejos. Las deja en el suelo.

Amarre de pies y manos apretado, mordazas de cinta apretadas. Alba y Pamela luchan impotentes—retorciéndose, tirando de la cuerda de muñeca a tobillo, gritos amortiguados contra la cinta—y no llegan a ninguna parte.

Video personalizado en idioma italiano

Un ladrón enmascarado irrumpe en una casa, convencido de que será un trabajo fácil. Le han dicho que los dueños están de vacaciones, por lo que no debería haber nadie alrededor para interferir en sus planes.

Pero pronto descubre que estaba equivocado.

Eleonore, una amiga del dueño de la casa, ha aceptado cuidar la casa mientras su amiga está fuera. Sin saber en absoluto que hay un intruso dentro, termina de ordenar el dormitorio y se dirige hacia la sala de estar. Mientras camina por el pasillo, el hombre enmascarado sale repentinamente del baño y la toma por sorpresa.

En poco tiempo, Eleonore se encuentra inmovilizada con las manos detrás de la espalda y atada de forma segura. El ladrón comienza a interrogarla sobre la ubicación de la caja fuerte y los objetos de valor de su amiga, pero Eleonore insiste en que no sabe nada. Su amiga nunca le ha dicho dónde guarda sus posesiones más valiosas.

El ladrón no está del todo convencido. Decide silenciar a Eleonore, así que toma un calcetín y se lo mete en la boca, luego se ata un gran paño en forma de mordaza de hendidura. Luego continúa atando a Eleonore, quitándole también los zapatos y atándolos. Descubre que Eleonore también es muy cosquillosa y planea usar su debilidad si es necesario. Luego, el tipo enmascarado deja a Eleonore luchando mientras él busca en la casa la caja fuerte oculta.

Eleonore se niega a rendirse. Intenta desesperadamente liberarse, pero las cuerdas están demasiado apretadas. Logra abrirse camino hacia la puerta principal, solo para descubrir que el ladrón la ha cerrado con llave para evitar que escape y busque ayuda.

Sin otra opción, Eleonore se dirige hacia el baño y se esconde allí, esperando poder encontrar alguna manera de salir. Pero el ladrón la descubre casi de inmediato y la lleva al dormitorio.

Allí, asegura sus dedos gordos del pie con un cordón de algodón delgado y los une a sus tobillos para dificultarle enderezar los pies, una precaución adicional para evitar que se escape. Eleonore pronto se da cuenta de que escapar será aún más difícil ahora. Después de unos minutos, el tipo vuelve. Está furioso por su falta de progreso en encontrar la caja fuerte y decide que es hora de probar la sensibilidad a las cosquillas de Eleonore. Después de haberle hecho cosquillas sin piedad mientras Eleonore hacía "mmph" a través de la mordaza, le quita la mordaza y le da una última oportunidad para decirle dónde ha escondido su amiga los objetos de valor. Eleonore sigue insistiendo en que no sabe, suplicándole que se detenga.

Pero el interrogatorio implacable continúa.

Finalmente, incapaz de soportar más, Eleonore recuerda algo. Ha visto a su amiga varias veces caminando hacia una pequeña cabaña de madera en el jardín. Quizás allí es donde están escondidos los objetos de valor.

El ladrón decide investigar.

Sola en el dormitorio, Eleonore lucha desesperadamente por liberarse. Intenta moverse, pero las ataduras hacen imposible ponerse de pie. Todo lo que puede hacer es esperar y esperar que el ladrón no encuentre lo que busca.

Desafortunadamente para Eleonore, lo encuentra.

Los objetos de valor realmente estaban escondidos dentro de la cabaña de madera.

El ladrón enmascarado regresa, claramente satisfecho con su descubrimiento. Le dice a Eleonore que se va con los objetos de valor, pero antes de irse, decide tomar algunas precauciones adicionales para asegurarse de que ella no pueda liberarse demasiado fácilmente.

En la siguiente escena, Eleonore descubre cuán serias son esas precauciones.

Ahora firmemente asegurada en una atadura de cerdo restrictiva, con su mordaza reforzada con un paño blanco adicional envuelto alrededor de su cabeza, Eleonore puede hacer poco más que luchar y dejar escapar frustradas protestas ahogadas.

El ladrón enmascarado desaparece con los objetos de valor robados.

Eleonore queda atrás, intentando desesperadamente escapar. Arquea su cuerpo, se retuerce y lucha contra las cuerdas, pero nada cede.

Y hay un pensamiento que la atormenta más que cualquier otro:

¿Qué pensará su amiga cuando llegue a casa y encuentre a Eleonore atada así, especialmente después de que el ladrón logró hacerle revelar dónde estaban escondidos los objetos de valor?

Marika, Scarlett, and Tony work as butlers and waiters for a very wealthy baroness; Marika is in charge of the staff and takes care of organizing charity events and parties that the baroness likes to throw from time to time. This time, the baroness will host a grand party to celebrate her birthday, and for the occasion, she will wear a diamond necklace, never shown in public, of priceless value, inherited and belonging to her family for centuries. However, to protect her precious necklace from potential theft, the baroness decides to entrust the valuable jewelry to her trusted staff manager Marika, who, unsuspectingly, will have to keep it in a vault hidden inside the staff quarters little ,a seemingly inconspicuous hiding place; meanwhile, in the baroness's huge villa, a fake copy of the necklace will be kept. Marika, being a cunning ex-thief, smells the opportunity and contacts Raimondo, a poor dumb lackey who she used to take with her before ending up in jail. This time, however, the opportunity is too tempting. So Marika gives Raimondo instructions on the plan to carry out, after all, only she knows where the real necklace will be hidden. At the end of the workday, after the necklace has been placed inside the dependent building's vault, and when Marika, Scarlett, and Tony meet up in the, Raimondo will have to take action. Tony will have to gag Marika and Scarlett with tape and a large sponge, then do the same to himself; the three, now adequately silenced, won’t be able to call for help. Tony will then tie up Scarlett with many ropes, and once she is immobilized, Marika will tie up Tony. The two unsuspecting waiters will be left tied up and gagged in the kitchen, while Marika will lead Raimondo to the vault to retrieve the very precious necklace. During the theft, Scarlett and Tony squirm furiously to try to raise the alarm, despite the immense efforts, when Raimondo and Marika return the two waiters are still bound and gagged. Marika foxy's plan is working perfectly, so as not to arouse suspicion Marika will be tied up by Raimondo in the company of Scarlett and Tony. Now Scarlett and Marica are tied to the chairs and very stuck, while Tony is hogtied at their feet, the three are left to moan furiously in the kitchen while Raimondo has plenty of time to escape with the baroness's necklace. While the three are squirming, Marika thinks about how brilliant she was to come up with such a plan, and enjoys watching her two colleagues as they squirm furiously, while she will only have to pretend, wait for dawn for someone to free them, and from tomorrow she will be a rich woman. But not all plans end as one designed them, and perhaps Marika is not as smart as she thinks she is. ENGLISH DIALOGUES, BONDAGE, ROPE BONDAGE, BOUND COUPLE, BONDAGE COUPLE, STUFFED MOUTH, WRAP TAPE GAGGED, GAGGED GIRLS, GAGGED MAN, BONDAGE MALE, DID, HOME INVASION, GRUNTING, STRUGGLING, CHAIRTIED, HOGTIED, HD VIDEO.

Harlock es un tipo aventurero y le encanta ir de viaje a lugares desconocidos, aislados y poco frecuentados; esta vez, sin embargo, su coche tuvo algunos problemas, el lugar está apartado, y su teléfono no tiene señal. Harlock decide entrar en una casa grande para pedir ayuda o al menos un teléfono y un vaso de agua. El chico camina por el largo camino de entrada pero no ve a nadie, así que se acerca y sube los escalones hasta la puerta principal; llama, espera, pero nadie responde, aun así decide entrar de todos modos. Realmente parece que no hay nadie. Intenta usar el viejo teléfono vintage para llamar pidiendo ayuda, pero se da cuenta de que el teléfono es falso, ni siquiera está conectado. Harlock tiene un mal presentimiento y se da cuenta de que algo extraño está pasando en esa casa; quizás sea mejor irse. Fuera del apartamento, nota una pequeña casa entre los árboles. Curioso, se acerca para mirar dentro y abre la puerta. Nunca debería haber hecho eso. DIÁLOGOS EN INGLÉS, BONDAGE MASCULINO, BONDAGE, HOMBRE AMORDAZADO, BONDAGE GAY, AMORDAZADO CON BOLA, BOCA RELLENA, AMORDAZADO CON CINTA, ATADO DE PIES Y MANOS, BONDAGE EN ROPA INTERIOR, BONDAGE DESCALZO, BONDAGE CON CUERDA, TODO ATADO EN PANTALLA, GRUÑIDOS, LUCHANDO, VIDEO HD.

Video personalizado en idioma italiano

Un ladrón enmascarado entra en una casa, convencido de que será un trabajo fácil. Le han dicho que los dueños están de vacaciones, así que no debería haber nadie alrededor para interferir en sus planes.

Pero pronto descubre que estaba equivocado.

Eleonore, una amiga del dueño de la casa, ha aceptado cuidar la casa mientras su amiga está fuera. Sin saber que hay un intruso dentro, termina de ordenar el dormitorio y se dirige hacia la sala de estar. Mientras camina por el pasillo, el hombre enmascarado sale repentinamente del baño y la sorprende.

Poco después, Eleonore se encuentra inmovilizada con las manos detrás de la espalda y atada de forma segura. El ladrón comienza a interrogarla sobre la ubicación de la caja fuerte y los objetos de valor de su amiga, pero Eleonore insiste en que no sabe nada. Su amiga nunca le ha dicho dónde guarda sus posesiones más valiosas.

El ladrón no está completamente convencido. Decide silenciar a Eleonore, así que toma un calcetín y se lo mete en la boca, luego se ata un paño grande como mordaza de hendidura. Luego continúa atando a Eleonore, quitándole también los zapatos y atándolos. Descubre que Eleonore también es muy cosquillosa y planea usar su debilidad si es necesario. Luego el tipo enmascarado deja a Eleonore luchando mientras busca la caja fuerte escondida en la casa.

Eleonore se niega a rendirse. Intenta desesperadamente liberarse, pero las cuerdas están demasiado apretadas. Logra llegar hasta la puerta principal, solo para descubrir que el ladrón la ha cerrado con llave para evitar que escape y busque ayuda.

Sin otra opción, Eleonore se dirige hacia el baño y se esconde allí, esperando encontrar alguna manera de salir. Pero el ladrón la descubre casi de inmediato y la lleva al dormitorio.

Allí, asegura sus dedos gordos del pie con un cordón de algodón delgado y los une a sus tobillos para dificultarle enderezar los pies, una precaución adicional para evitar que escape. Eleonore pronto se da cuenta de que escapar será aún más difícil ahora. Después de unos minutos, el tipo vuelve. Está enojado por su falta de progreso en encontrar la caja fuerte y decide que es hora de probar la sensibilidad de Eleonore a las cosquillas. Después de hacerle cosquillas sin piedad mientras Eleonore hace 'mmph' a través de la mordaza, le quita la mordaza y le da una última oportunidad para decirle dónde ha escondido su amiga los objetos de valor. Eleonore sigue insistiendo en que no sabe, rogándole que se detenga.

Pero el interrogatorio implacable continúa.

Finalmente, incapaz de soportar más, Eleonore recuerda algo. Ha visto a su amiga varias veces caminando hacia una pequeña cabaña de madera en el jardín. Quizás allí estén escondidos los objetos de valor.

El ladrón decide investigar.

Sola en el dormitorio, Eleonore lucha desesperadamente por liberarse. Intenta moverse, pero las ataduras hacen imposible ponerse de pie. Todo lo que puede hacer es esperar y desear que el ladrón no encuentre lo que busca.

Desafortunadamente para Eleonore, lo encuentra.

Los objetos de valor realmente estaban escondidos dentro de la cabaña de madera.

El ladrón enmascarado regresa, claramente satisfecho con su descubrimiento. Le dice a Eleonore que se va con los objetos de valor, pero antes de irse, decide tomar algunas precauciones adicionales para asegurarse de que ella no pueda liberarse demasiado fácilmente.

En la siguiente escena, Eleonore descubre cuán serias son esas precauciones.

Ahora firmemente asegurada en una atadura de cerdo restrictiva, con su mordaza reforzada por un paño blanco adicional envuelto alrededor de su cabeza, Eleonore puede hacer poco más que luchar y dejar escapar protestas amortiguadas y frustradas.

El ladrón enmascarado desaparece con los objetos de valor robados.

Eleonore queda atrás, intentando desesperadamente escapar. Arquea su cuerpo, se retuerce y lucha contra las cuerdas, pero nada cede.

Y hay un pensamiento que la atormenta más que cualquier otro:

¿Qué pensará su amiga cuando llegue a casa y encuentre a Eleonore atada así, especialmente después de que el ladrón logró hacerle revelar dónde estaban escondidos los objetos de valor?

Custom Video in Italian Language

Scarlett is a popular solo camper who runs a successful YouTube blog where she posts videos of her adventures in the wilderness. She travels alone and has built a large following by showing her subscribers how she manages to survive and camp in remote locations.

At the beginning of the film, Scarlett asks a local resident in a remote area if he knows of a place where she can safely camp for the night. The man points her toward a secluded spot and assures her that it is safe and peaceful.

A few minutes later, Scarlett sets up her tent and places her phone in position to record her next video for her YouTube followers. Cheerfully addressing the camera, she shows them how good she is at starting a fire using a flint and steel.

While she is about to put her bivy inside the tent, however, she is suddenly attacked by a local man. He covers her mouth with his hand, ties her up and takes control of the situation.

He is not a maniac. He has been following Scarlett's blog and knows that she makes a great deal of income from subscriptions and donations. He has decided to take advantage of her popularity by diverting the donations from her followers into an account belonging to him.

Scarlett is kept inside her own tent during the night, tied and gagged inside her bivy. The following morning, the man takes the bivy with Scarlett still inside it, carries her over his shoulders and brings her to a small wooden cabin used as a storage shed.

Inside the cabin, he has Scarlett trussed up ( hands behind her back, feet and additional ropes around her torso). He removes her boots and socks, leaving her barefoot. Scarlett is gagged with a cleave gag and left alone to struggle inside the cabin.

She desperately tries to free herself. Eventually, she manages to get up from the floor and reaches the small window, hoping to find a way out or attract someone's attention. But the man returns before she can do anything and closes the window.

He then makes her sit on the floor with her back against a wooden post and ties her securely to it. He also ties her big toes together, leaving her completely immobilized.

Once Scarlett is secured, he removes her gag and explains what he wants her to do.

Scarlett must make a video for her own YouTube channel. Following the man's instructions, she addresses her followers and, in a playful manner, presents herself all tied up while asking them to contribute to a collection for her release. She is instructed to tell her followers that the sum should be transferred to a bank account belonging to the man.

When the transmission is over, the criminal gags Scarlett again, using pieces of black tape, and leaves her to struggle.

Scarlett desperately tries to free herself, but with so many ropes holding her against the post, escape is impossible.

Several hours later, the man returns with some very good news for himself. The collection has been an enormous success, and all the income is safely in his bank account.

He tells Scarlett that she deserves to be put in a "more comfortable position."

What he means by that soon becomes clear.

In the next scene, Scarlett has been taken to the man's home, where she remains tightly tied (hand feet, legs, chest) Scarlett pissed tells him that since he succesfully collected the donations form her loyal followers he can as promised release her. The man amused promises to do so but tells her that he is going to flee abroad with the donations he has collected and that, once he is safely away, he will send someone to release her.

Scarlett is absolutely pissed, but there is nothing she can do.

To make sure that she cannot attract attention or call for help, the man gags her with a stuff gag and wraps tape around her mouth. He then places her in a tight hogtie.

Before leaving, he tries to console her with one final piece of information: thanks to the latest video, her channel has reached almost three million subscribers, making Scarlett one of the most popular vloggers on YouTube.

Scarlett can only moan furiously and helplessly as the criminal leaves her behind and prepares to flee abroad with the income he has stolen through her own channel.

I thank Tony Houston for helping me with tie ups filming and preparation of campfire.

Marika, Scarlett y Tony trabajan como mayordomos y camareros para una baronesa muy rica; Marika está a cargo del personal y se encarga de organizar eventos benéficos y fiestas que a la baronesa le gusta organizar de vez en cuando. Esta vez, la baronesa organizará una gran fiesta para celebrar su cumpleaños, y para la ocasión, lucirá un collar de diamantes, nunca mostrado en público, de valor incalculable, heredado y perteneciente a su familia durante siglos. Sin embargo, para proteger su precioso collar de un posible robo, la baronesa decide confiar la valiosa joya a su confiable gerente de personal Marika, quien, sin sospecharlo, tendrá que guardarlo en una bóveda escondida dentro de los aposentos del personal, un escondite pequeño y aparentemente discreto; mientras tanto, en la enorme villa de la baronesa, se guardará una copia falsa del collar. Marika, siendo una astuta ex ladrona, huele la oportunidad y contacta a Raimondo, un pobre y tonto lacayo que solía llevar consigo antes de terminar en la cárcel. Esta vez, sin embargo, la oportunidad es demasiado tentadora. Así que Marika le da a Raimondo instrucciones sobre el plan a llevar a cabo, después de todo, solo ella sabe dónde estará escondido el collar real. Al final del día de trabajo, después de que el collar haya sido colocado dentro de la bóveda del edificio dependiente, y cuando Marika, Scarlett y Tony se reúnan en el , Raimondo tendrá que actuar. Tony tendrá que amordazar a Marika y a Scarlett con cinta adhesiva y una esponja grande, luego hacer lo mismo consigo mismo; los tres, ahora adecuadamente silenciados, no podrán pedir ayuda. Tony luego atará a Scarlett con muchas cuerdas, y una vez que esté inmovilizada, Marika atará a Tony. Los dos camareros desprevenidos serán dejados atados y amordazados en la cocina, mientras Marika llevará a Raimondo a la bóveda para recuperar el collar tan precioso. Durante el robo, Scarlett y Tony se retuercen furiosamente para intentar dar la alarma, a pesar de los inmensos esfuerzos, cuando Raimondo y Marika regresan, los dos camareros siguen atados y amordazados. El plan de la astuta Marika está funcionando perfectamente, para no despertar sospechas, Marika será atada por Raimondo en compañía de Scarlett y Tony. Ahora Scarlett y Marika están atadas a las sillas y muy atrapadas, mientras Tony está atado de pies y manos a sus pies, los tres se quedan gimiendo furiosamente en la cocina mientras Raimondo tiene tiempo de sobra para escapar con el collar de la baronesa. Mientras los tres se retuercen, Marika piensa en lo brillante que fue al idear tal plan, y disfruta viendo a sus dos colegas retorcerse furiosamente, mientras ella solo tendrá que fingir, esperar el amanecer para que alguien los libere, y desde mañana será una mujer rica. Pero no todos los planes terminan como uno los diseñó, y quizás Marika no es tan inteligente como cree ser. DIÁLOGOS EN INGLÉS, BONDAGE, BONDAGE CON CUERDAS, PAREJA ATADA, PAREJA EN BONDAGE, BOCA RELLENA, AMORDAZADO CON CINTA ENVUELTA, CHICAS AMORDAZADAS, HOMBRE AMORDAZADO, HOMBRE EN BONDAGE, DID, INVASIÓN DOMÉSTICA, GRUÑIDOS, LUCHANDO, ATADO A LA SILLA, ATADO DE PIES Y MANOS, VIDEO HD.

Harlock is an adventurous guy and loves going on trips to unknown, isolated, and little-frequented places; this time, however, his car had some problems, the place is secluded, and his phone doesn't have reception. Harlock decides to enter a big house to ask for help or at least for a phone and a glass of water. The boy walks up the long driveway but doesn't see anyone, so he gets closer and goes up the steps to the front door; he knocks, waits, but nobody answers, yet he decides to go inside anyway. It really seems like no one is there. He tries to use the old vintage phone to call for help but realizes that the phone is fake, not even connected. Harlock gets a bad feeling and realizes that something strange is going on in that house; maybe it’s better to leave. Outside the apartment, he notices a small house among the trees. Curious, he goes closer to look inside and opens the door. He should have never done that. ENGLISH DIALOGUES, BONDAGE MALE, BONDAGE, GAGGEDMAN, GAY BONDAGE, BALLGAGGED, STUFFED MOUTH, WRAP TAPE GAGGED, HOGTIED, UNDERWEAR BONDAGE, BAREFOOT BONDAGE, ROPE BONDAGE, ALL ROPED ON SCREEN, GRUNTING, STRUGGLING, HD VIDEO.