Custom movie in Italian anguage

Scarlett is athletic, restless, and happiest outdoors. Hiking, trekking, open air with no walls and no rules. The only reason she shares a place in a sought-after residential neighborhood is the rent. Her roommate, Raimondo, could not be less like her. He produces bondage films and uses the apartment as a studio. Normally he clears the set before she gets home. Tonight she comes back early and finds him still gathering rope off the living-room floor.

She only wants to change and go to bed. She is also a little annoyed that he has not cleared the room. Secretly, though, she is curious. Still in her hiking clothes, black crop top, khaki cargo shorts, belt, and boots, she picks up a loose coil and starts knotting it while she asks a few pointed questions about his work.

Raimondo is happy to explain. He ties models. Sometimes he invents little stories. Sometimes he sets escape challenges and films the girl while she tries to get free.

Scarlett answers with a dare in her voice. Why would any girl agree to that? She holds up the thin white rope and doubts it could stop someone who really meant to escape.

He hears what sits under the provocation. Curiosity. Maybe a private wish. Maybe she wants to try it. He offers her a challenge, then sweetens it. If she escapes, he pays the whole rent next month. If she loses, she owes him more positions of his choosing, in outfits a little more exciting than her hiking gear.

She accepts.

In the next scene he starts tying her on camera with that same thin white rope. Several turns around the wrists pull surprisingly tight. Scarlett keeps her challenging look and does not show concern. She never asked how much rope he would use, and he has no intention of being sparing. He cinches the wrist rope to her waist, wraps her torso above and below her chest, and with another length binds her legs together above the knees.

Before the ankles, he decides to take off her boots and socks. She asks why. He hesitates, then says he wants her comfortable. She gives him a half-smile and calls him a pervert. When the socks come off he is surprised to find her toenails painted, an odd detail on a tomboy like Scarlett. She tells him he may not know her as well as he thinks. He finishes the ankle ties and brings out a roll of tape.

This time she is serious. She asks what he intends to do. When he says he is going to gag her, she is not pleased and tries to renegotiate the bet. He tells her the terms are already set and presses the tape over her mouth. She answers with an irritated mmmph.

He gives her five minutes and leaves her to struggle. Scarlett, sure she has been tricked, still tries. The ropes leave almost no play in her arms or legs. The knots are out of reach. The thin cord does not slide easily on skin. The muffled sounds start annoyed and grow more resigned. She has never felt this helpless, and she is already wondering how she will pay for losing.

Next she sits on the sofa, sulking. Raimondo hands her a short sexy dress and heeled sandals and tells her to change. A few moments later she is btransformed into an elegant, hot version of herself. He shows her the chair for the next position. She resigns herself and sits.

In the following scene she is tied tightly to the chair: wrists, arms, legs, and torso. She asks if she looks pretty, a flash of vanity she had not shown before. This time the gag is a sock stuffed in her mouth, held by cloth wrapped over it. He leaves her to struggle. She wants a rematch, wants to prove she can escape if she chooses. She has to admit she is bound even tighter than before and has no chance. Minutes of struggling follow.

When he returns she is still looking at him with a challenge in her eyes. He says that, as far as he is concerned, they can stop. If she wants a third position, though, he has sexy lingerie for her. Through the gag she makes it clear she wants to try it.

Next she is so taken with herself in bra, panties, stockings, and garter belt that she takes photos with her own phone. He tells her to get ready. A shadow of worry crosses her face. This position is the hardest yet. Her arms are held straight, wrists and elbows drawn together. When she sees the gag she understands where the real challenge is. The ball is huge. She starts to protest. He knows she is ready for this one too, and with a little effort the ball gag goes in.

She is left struggling on the living-room table. A strange excitement from the restraint starts to move through her. Finally he returns and puts her in a hogtie. She jolts when the hogtie is drawn tight, then settles into complete surrender. She is clearly made for this. After more minutes of struggling he is ready to offer her work as a proper model. Still gagged, Scarlett nods.

Shana is an investigative reporter secretly gathering evidence linking several powerful politicians to criminal organizations. Her investigation leads her to an apartment where a computer supposedly contains the proof she needs.

Dressed in a fitted top, leather leggings, and boots, Shana breaks into the apartment and searches through drawers and cabinets until she finds the computer. She carries it to the dining-room table, switches it on, and bypasses the password. Inside, she discovers the exact files she has been looking for.

Focused on the screen, she fails to notice a masked man approaching from behind. As she sits in the chair, he suddenly grabs her and covers her mouth with a hand. Before Shana can react, he overpowers her.

In the next scene, Shana is seated on the sofa with her wrists and ankles secured with rope. The masked man reveals himself as Raimondo and tells her that the politicians she was investigating sent him. The computer was deliberately planted as bait, designed to lure her into the apartment.

Shana protests and demands to be released. Raimondo silences her with a sock gag secured by several layers of tape. He then adds further rope restraints, wrapping rope around her arms, torso, and legs to keep her securely in place.

Left alone, Shana struggles desperately on the sofa. After considerable effort, she manages to slide onto the floor and crawl toward the hallway, searching for something that might help her escape. She reaches the corridor—but Raimondo catches her before she can get any farther.

Later, Shana is secured to a sturdy chair. Raimondo finishes the ropework, checking each restraint. Shana defiantly tells him that none of this will matter because she has already collected enough evidence to expose his employers.

Raimondo demands to know where she sent the evidence and who is helping her. Shana refuses to answer. He gags her again with a sock secured by strips of tape, then searches the apartment until he finds her phone.

Shana spends several tense minutes struggling against the chair restraints, testing the knots and trying to create enough slack to escape, but she cannot free herself.

Raimondo returns with the phone. After a tense confrontation, Shana finally gives him the password. He searches the device, identifies her investigative partner, and tells Shana that they will soon deal with her as well.

Shana then asks to be released from the chair, pointing out that she has cooperated and that the ropes are painfully tight. Raimondo calmly promises to make her "more comfortable."

His idea of comfort is very different from hers.

In the following scene, Shana is lying barefoot on the floor in a tight hogtie. Her arms are drawn behind her and secured together with rope, her wrists and ankles connected so that her movement is severely limited. She angrily protests, but Raimondo silences her by wrapping tape around her head over the gag.

He leaves the apartment to go after Shana's partner.

Alone, Shana realizes that she has very little time. She must somehow escape before Raimondo reaches her partner. The restraints are tight, her arms are firmly linked together, and every movement is difficult—but Shana refuses to give up.

English language

Shana is an investigative reporter secretly gathering evidence linking several powerful politicians to criminal organizations. Her investigation leads her to an apartment where a computer supposedly contains the proof she needs.

Dressed in a fitted top, leather leggings, and boots, Shana breaks into the apartment and searches through drawers and cabinets until she finds the computer. She carries it to the dining-room table, switches it on, and bypasses the password. Inside, she discovers the exact files she has been looking for.

Focused on the screen, she fails to notice a masked man approaching from behind. As she sits in the chair, he suddenly grabs her and covers her mouth with a hand. Before Shana can react, he overpowers her.

In the next scene, Shana is seated on the sofa with her wrists and ankles secured with rope. The masked man reveals himself as Raimondo and tells her that the politicians she was investigating sent him. The computer was deliberately planted as bait, designed to lure her into the apartment.

Shana protests and demands to be released. Raimondo silences her with a sock gag secured by several layers of tape. He then adds further rope restraints, wrapping rope around her arms, torso, and legs to keep her securely in place.

Left alone, Shana struggles desperately on the sofa. After considerable effort, she manages to slide onto the floor and crawl toward the hallway, searching for something that might help her escape. She reaches the corridor—but Raimondo catches her before she can get any farther.

Later, Shana is secured to a sturdy chair. Raimondo finishes the ropework, checking each restraint. Shana defiantly tells him that none of this will matter because she has already collected enough evidence to expose his employers.

Raimondo demands to know where she sent the evidence and who is helping her. Shana refuses to answer. He gags her again with a sock secured by strips of tape, then searches the apartment until he finds her phone.

Shana spends several tense minutes struggling against the chair restraints, testing the knots and trying to create enough slack to escape, but she cannot free herself.

Raimondo returns with the phone. After a tense confrontation, Shana finally gives him the password. He searches the device, identifies her investigative partner, and tells Shana that they will soon deal with her as well.

Shana then asks to be released from the chair, pointing out that she has cooperated and that the ropes are painfully tight. Raimondo calmly promises to make her "more comfortable."

His idea of comfort is very different from hers.

In the following scene, Shana is lying barefoot on the floor in a tight hogtie. Her arms are drawn behind her and secured together with rope, her wrists and ankles connected so that her movement is severely limited. She angrily protests, but Raimondo silences her by wrapping tape around her head over the gag.

He leaves the apartment to go after Shana's partner.

Alone, Shana realizes that she has very little time. She must somehow escape before Raimondo reaches her partner. The restraints are tight, her arms are firmly linked together, and every movement is difficult—but Shana refuses to give up.

English language

Alba has not seen her old college friend Pamela in years. Pamela arrives at Alba’s luxurious penthouse and they spend a few days sunbathing on the terrace. Then Pamela says she has to leave. She asks if Alba has a safe: she is carrying jewelry her ex gave her. He wants it back even though he has no right to it, and he has been stalking her. Alba is uneasy, but she agrees to lock the package in her home safe.

Before leaving, Pamela warns her: the ex may come looking. Alba must not let him in and must deny that Pamela was ever there. Alba promises. Pamela goes.

An hour later someone knocks. Alba does not open. Through the door the man demands a package that “a certain Pamela” was supposed to leave. Alba denies Pamela has been there and even claims she does not know her. He seems to leave. Relieved, Alba goes back out onto the terrace.

She never sees him climb over the roof. He comes up behind her and slaps a firm handgag over her mouth.

Cut to the living room: Alba is on her own sofa, arms pulled back, wrists bound, ankles tied, extra wraps pinning her arms to her side so she can barely sit up. Raimondo interrogates her. Did Pamela leave anything? Alba again denies knowing her. She is not convincing. He stuffs a sock deep into her mouth, then ties a tight cleave gag across it so the cloth splits her lips and holds the stuffing in. He leaves her like that and searches the apartment, taking some of Alba’s valuables “for the trouble.”

Alone and gagged, Alba fights the sofa ties—twisting, pulling at the wrist rope, kicking against the ankle wraps. She works herself off the cushions onto the floor and struggles harder on the carpet, rolling, sensually. She crawls to the window, gets to her knees, then her feet, and manages to push the window open, hoping someone in the next building will see a bound, sock-and-cleave-gagged woman and call the police. Raimondo walks back in and shuts it down.

Next scene: Alba is in a chair. Wrists tied behind the backrest, elbows pulled in, chest and waist wrapped to the chair, ankles lashed to the front legs, extra turns around her thighs so she cannot stand or slide. A wide strip of tape covers her mouth over the previous gag. No slack. Raimondo leaves with a threat: if he finds nothing he will come back and make her talk.

Alone and frightened, Alba fights the chair ties. They are too tight. She cannot escape.

Raimondo returns and tells her it is time to confess. He adds that Pamela chose “a pretty and capable criminal partner.” Alba does not understand and moans through the gag that she knows nothing. Just as things are about to get worse for her, Pamela suddenly appears, grabs Raimondo by the neck. There is a crack. She drags him away, then comes back.

Alba is still shaken. Pamela seems interested only in the little package. Without untying Alba, she admits she told a small lie. She and the now-dead Raimondo were in the same criminal gang. After a few successful jobs she decided to get out; the jewelry is the “severance” she took. The rest of the gang did not take it well and are hunting her. She thanks Alba: with her unwitting help she has eliminated one of her former partners. Now she has to go. She puts the tape gag back on Alba—who is still begging to be released—and heads for the door.

When she opens it she comes face to face with Tony, the other accomplice (and Raimondo’s colleague). Tony is much harder than Raimondo. He easily overpowers Pamela.

Next scene: both women on the sofa. Wrists bound behind them, ankles tied, extra rope holding their arms and chests. Mouths sealed with tape. Tony stands in front of them with the jewelry case. Pamela snarls through the tape. Alba hopes he will leave now that he has what he came for. Instead he looks around the penthouse and decides there is more to take. He leaves them bound on the sofa, but not before having exposed their breasts, and searches.

Alone, Alba and Pamela fight the sofa ties and only manage to slide off onto the floor, still wrist-and-ankle bound, still tape-gagged, still together.

Tony comes back. He peels the old tape, then wraps fresh self-adhesive tape tight around each woman’s lower face—over the mouth, around the head, no gap. Then he hogties them: ankles pulled up to wrists behind their backs, extra cinches so they cannot straighten or crawl far. He leaves them on the floor.

Tight hogtie, tight tape gags. Alba and Pamela struggle helplessly—writhing, pulling at the wrist-to-ankle rope, muffled shouts into the tape—and get nowhere.

Italian language

Alba não vê sua antiga amiga de faculdade Pamela há anos. Pamela chega ao luxuoso penthouse de Alba e elas passam alguns dias tomando sol no terraço. Então Pamela diz que precisa ir embora. Ela pergunta se Alba tem um cofre: ela está carregando joias que seu ex lhe deu. Ele quer de volta mesmo sem ter direito, e ele tem a perseguido. Alba fica desconfortável, mas concorda em trancar o pacote no cofre de sua casa.

Antes de sair, Pamela a avisa: o ex pode vir procurar. Alba não deve deixá-lo entrar e deve negar que Pamela esteve lá. Alba promete. Pamela vai.

Uma hora depois, alguém bate. Alba não abre. Através da porta, o homem exige um pacote que "uma certa Pamela" deveria ter deixado. Alba nega que Pamela esteve lá e até afirma que não a conhece. Ele parece ir embora. Aliviada, Alba volta para o terraço.

Ela nunca o vê escalar o telhado. Ele vem por trás dela e coloca uma mão firme como mordaça sobre a boca dela.

Corte para a sala de estar: Alba está em seu próprio sofá, braços puxados para trás, pulsos amarrados, tornozelos atados, enrolamentos extras prendendo os braços ao lado do corpo para que ela mal consiga se sentar. Raimondo a interroga. Pamela deixou alguma coisa? Alba novamente nega conhecê-la. Ela não é convincente. Ele enfia uma meia fundo na boca dela, depois amarra uma mordaça de fenda apertada sobre ela, de modo que o pano separa os lábios dela e segura o recheio. Ele a deixa assim e procura no apartamento, levando alguns objetos de valor de Alba "pelo incômodo".

Sozinha e amordaçada, Alba luta contra as amarras do sofá—torcendo, puxando a corda dos pulsos, chutando contra as envolturas dos tornozelos. Ela se desloca das almofadas para o chão e luta mais no carpete, rolando, sensualmente. Ela rasteja até a janela, fica de joelhos, depois de pé, e consegue empurrar a janela para abrir, esperando que alguém no prédio ao lado veja uma mulher amarrada, com meia e mordaça de fenda, e chame a polícia. Raimondo volta e fecha a janela.

Próxima cena: Alba está em uma cadeira. Pulsos amarrados atrás do encosto, cotovelos puxados para dentro, peito e cintura enrolados na cadeira, tornozelos amarrados às pernas dianteiras, voltas extras ao redor das coxas para que ela não consiga ficar de pé ou deslizar. Uma tira larga de fita adesiva cobre a boca dela sobre a mordaça anterior. Sem folga. Raimondo sai com uma ameaça: se ele não encontrar nada, voltará e a fará falar.

Sozinha e assustada, Alba luta contra as amarras da cadeira. Elas estão apertadas demais. Ela não consegue escapar.

Raimondo volta e diz a ela que é hora de confessar. Ele acrescenta que Pamela escolheu "uma parceira criminosa bonita e capaz". Alba não entende e geme através da mordaça que não sabe de nada. Quando as coisas estão prestes a piorar para ela, Pamela aparece de repente, agarra Raimondo pelo pescoço. Há um estalo. Ela o arrasta para longe, depois volta.

Alba ainda está abalada. Pamela parece interessada apenas no pequeno pacote. Sem desamarrar Alba, ela admite que contou uma pequena mentira. Ela e o agora morto Raimondo estavam na mesma gangue criminosa. Depois de alguns trabalhos bem-sucedidos, ela decidiu sair; as joias são a "indenização" que ela levou. O resto da gangue não aceitou bem e está caçando ela. Ela agradece a Alba: com a ajuda involuntária dela, ela eliminou um de seus antigos parceiros. Agora ela precisa ir. Ela coloca a mordaça de fita adesiva de volta em Alba—que ainda está implorando para ser solta—e vai em direção à porta.

Quando ela a abre, ela se depara com Tony, o outro cúmplice (e colega de Raimondo). Tony é muito mais durão que Raimondo. Ele facilmente domina Pamela.

Próxima cena: ambas as mulheres no sofá. Pulsos amarrados atrás delas, tornozelos atados, corda extra segurando os braços e peitos. Bocas seladas com fita adesiva. Tony fica na frente delas com a caixa de joias. Pamela rosna através da fita. Alba espera que ele vá embora agora que tem o que veio buscar. Em vez disso, ele olha ao redor do penthouse e decide que há mais para levar. Ele as deixa amarradas no sofá, mas não antes de expor os seios delas, e procura.

Sozinhas, Alba e Pamela lutam contra as amarras do sofá e só conseguem deslizar para o chão, ainda com pulsos e tornozelos amarrados, ainda com mordaça de fita, ainda juntas.

Tony volta. Ele remove a fita antiga, depois enrola fita adesiva nova bem apertada ao redor da parte inferior do rosto de cada mulher—sobre a boca, ao redor da cabeça, sem folga. Então ele as amarra em posição de porco: tornozelos puxados até os pulsos atrás das costas, apertos extras para que não consigam se esticar ou rastejar longe. Ele as deixa no chão.

Hogtie apertado, mordaças de fita apertadas. Alba e Pamela lutam impotentes—contorcendo-se, puxando a corda do pulso ao tornozelo, gritos abafados na fita—e não chegam a lugar nenhum.

Vídeo Personalizado em Italiano

Um ladrão mascarado invade uma casa, convencido de que será um trabalho fácil. Disseram-lhe que os donos estão de férias, então não deveria haver ninguém por perto para interferir nos seus planos.

Mas ele logo descobre que estava enganado.

Eleonore, uma amiga da dona da casa, concordou em cuidar da casa enquanto a amiga está fora. Totalmente alheia ao fato de haver um intruso lá dentro, ela termina de arrumar o quarto e se dirige para a sala de estar. Enquanto caminha pelo corredor, o homem mascarado surge subitamente do banheiro e a pega de surpresa.

Em pouco tempo, Eleonore se vê contida com as mãos para trás das costas e amarrada com segurança. O ladrão começa a interrogá-la sobre a localização do cofre e dos objetos de valor da amiga, mas Eleonore insiste que não sabe de nada. A amiga nunca lhe contou onde guarda seus bens mais valiosos.

O ladrão não está totalmente convencido. Ele decide silenciar Eleonore, então pega uma meia e a enfia na boca dela, depois um pano grande é amarrado como mordaça de fenda. Então ele continua a amarrar Eleonore, removendo também os sapatos dela e amarrando-os. Ele descobre que Eleonore também é muito sensível a cócegas e planeja usar essa fraqueza se necessário. Então o homem mascarado deixa Eleonore se debatendo enquanto procura pela casa o cofre escondido.

Eleonore se recusa a desistir. Ela tenta desesperadamente se libertar, mas as cordas estão apertadas demais. Ela consegue chegar até a porta da frente, apenas para descobrir que o ladrão a trancou para impedi-la de escapar e buscar ajuda.

Sem outra opção, Eleonore se dirige ao banheiro e se esconde lá, esperando que de alguma forma encontre uma saída. Mas o ladrão a descobre quase imediatamente e a leva para o quarto.

Lá, ele prende os dedões dos pés dela com um cordão de algodão fino e os liga aos tornozelos, dificultando que ela estique os pés, uma precaução adicional para impedi-la de fugir. Eleonore logo percebe que escapar será ainda mais difícil agora. Após alguns minutos, o homem volta. Ele está irritado por não ter progredido em encontrar o cofre e decide que é hora de testar a sensibilidade de Eleonore a cócegas. Depois de fazer cócegas nela impiedosamente, com Eleonore murmurando através da mordaça, ele remove a mordaça e dá a ela uma última chance de dizer onde a amiga escondeu os objetos de valor. Eleonore continua insistindo que não sabe, implorando para que ele pare.

Mas o interrogatório implacável continua.

Eventualmente, incapaz de aguentar mais, Eleonore finalmente se lembra de algo. Ela viu a amiga várias vezes caminhando em direção a uma pequena cabana de madeira no jardim. Talvez seja lá que os objetos de valor estão escondidos.

O ladrão decide investigar.

Sozinha no quarto, Eleonore luta desesperadamente para se libertar. Ela tenta se mover, mas as amarras tornam impossível ficar de pé. Tudo o que ela pode fazer é esperar e torcer para que o ladrão não encontre o que procura.

Infelizmente para Eleonore, ele encontra.

Os objetos de valor realmente estavam escondidos dentro da cabana de madeira.

O ladrão mascarado volta, claramente satisfeito com sua descoberta. Ele diz a Eleonore que está saindo com os objetos de valor, mas antes de ir, decide tomar algumas precauções extras para garantir que ela não consiga se libertar facilmente.

Na cena seguinte, Eleonore descobre o quão sérias são essas precauções.

Agora firmemente amarrada em um hogtie restritivo, com a mordaça reforçada por um pano branco adicional enrolado em volta da cabeça, Eleonore pouco pode fazer além de se debater e soltar protestos abafados e frustrados.

O ladrão mascarado desaparece com os objetos de valor roubados.

Eleonore é deixada para trás, tentando desesperadamente escapar. Ela arqueia o corpo, se contorce e luta contra as cordas, mas nada cede.

E há um pensamento que a incomoda mais do que qualquer outro:

O que a amiga vai pensar quando chegar em casa e encontrar Eleonore amarrada assim — especialmente depois que o ladrão conseguiu fazê-la revelar onde os objetos de valor estavam escondidos?

Marika, Scarlett, and Tony work as butlers and waiters for a very wealthy baroness; Marika is in charge of the staff and takes care of organizing charity events and parties that the baroness likes to throw from time to time. This time, the baroness will host a grand party to celebrate her birthday, and for the occasion, she will wear a diamond necklace, never shown in public, of priceless value, inherited and belonging to her family for centuries. However, to protect her precious necklace from potential theft, the baroness decides to entrust the valuable jewelry to her trusted staff manager Marika, who, unsuspectingly, will have to keep it in a vault hidden inside the staff quarters little ,a seemingly inconspicuous hiding place; meanwhile, in the baroness's huge villa, a fake copy of the necklace will be kept. Marika, being a cunning ex-thief, smells the opportunity and contacts Raimondo, a poor dumb lackey who she used to take with her before ending up in jail. This time, however, the opportunity is too tempting. So Marika gives Raimondo instructions on the plan to carry out, after all, only she knows where the real necklace will be hidden. At the end of the workday, after the necklace has been placed inside the dependent building's vault, and when Marika, Scarlett, and Tony meet up in the, Raimondo will have to take action. Tony will have to gag Marika and Scarlett with tape and a large sponge, then do the same to himself; the three, now adequately silenced, won’t be able to call for help. Tony will then tie up Scarlett with many ropes, and once she is immobilized, Marika will tie up Tony. The two unsuspecting waiters will be left tied up and gagged in the kitchen, while Marika will lead Raimondo to the vault to retrieve the very precious necklace. During the theft, Scarlett and Tony squirm furiously to try to raise the alarm, despite the immense efforts, when Raimondo and Marika return the two waiters are still bound and gagged. Marika foxy's plan is working perfectly, so as not to arouse suspicion Marika will be tied up by Raimondo in the company of Scarlett and Tony. Now Scarlett and Marica are tied to the chairs and very stuck, while Tony is hogtied at their feet, the three are left to moan furiously in the kitchen while Raimondo has plenty of time to escape with the baroness's necklace. While the three are squirming, Marika thinks about how brilliant she was to come up with such a plan, and enjoys watching her two colleagues as they squirm furiously, while she will only have to pretend, wait for dawn for someone to free them, and from tomorrow she will be a rich woman. But not all plans end as one designed them, and perhaps Marika is not as smart as she thinks she is. ENGLISH DIALOGUES, BONDAGE, ROPE BONDAGE, BOUND COUPLE, BONDAGE COUPLE, STUFFED MOUTH, WRAP TAPE GAGGED, GAGGED GIRLS, GAGGED MAN, BONDAGE MALE, DID, HOME INVASION, GRUNTING, STRUGGLING, CHAIRTIED, HOGTIED, HD VIDEO.

Vídeo personalizado em italiano

Um ladrão mascarado invade uma casa, convencido de que será um trabalho fácil. Disseram-lhe que os donos estão de férias, então não deveria haver ninguém por perto para interferir em seus planos.

Mas ele logo descobre que estava enganado.

Eleonore, amiga da dona da casa, concordou em cuidar da casa enquanto a amiga está fora. Totalmente alheia ao fato de que um intruso está dentro, ela termina de arrumar o quarto e vai em direção à sala de estar. Enquanto caminha pelo corredor, o homem mascarado emerge de repente do banheiro e a pega de surpresa.

Em pouco tempo, Eleonore se vê amarrada com as mãos para trás das costas e firmemente atada. O ladrão começa a interrogá-la sobre a localização do cofre e dos objetos de valor da amiga, mas Eleonore insiste que não sabe de nada. A amiga nunca lhe contou onde guarda seus pertences mais valiosos.

O ladrão não está totalmente convencido. Ele decide silenciar Eleonore, então pega uma meia e a enfia na boca dela, depois um pano grande é amarrado como mordaça de fenda. Então ele continua a amarrar Eleonore, removendo também os sapatos dela e os amarrando. Ele descobre que Eleonore também é muito sensível a cócegas e planeja usar essa fraqueza se necessário. Então o homem mascarado deixa Eleonore se debatendo enquanto procura pela casa o cofre escondido.

Eleonore se recusa a desistir. Ela tenta desesperadamente se libertar, mas as cordas estão apertadas demais. Ela consegue chegar até a porta da frente, apenas para descobrir que o ladrão a trancou para impedi-la de escapar e pedir ajuda.

Sem outra opção, Eleonore vai em direção ao banheiro e se esconde lá, esperando que de alguma forma encontre uma saída. Mas o ladrão a descobre quase imediatamente e a leva para o quarto.

Lá, ele prende os dedões dos pés dela com um cordão de algodão fino e os liga aos tornozelos, dificultando que ela estique os pés, uma precaução adicional para impedi-la de fugir. Eleonore logo percebe que a fuga será ainda mais difícil agora. Depois de alguns minutos, o cara volta. Ele está irritado por não ter progredido em encontrar o cofre e decide que é hora de testar a sensibilidade de Eleonore a cócegas. Depois de fazer cócegas impiedosamente nela, com Eleonore fazendo 'mmph' através da mordaça, ele remove a mordaça e dá a ela uma última chance de dizer onde a amiga escondeu os objetos de valor. Eleonore continua insistindo que não sabe, implorando para que ele pare.

Mas o interrogatório implacável continua.

Eventualmente, incapaz de aguentar mais, Eleonore finalmente se lembra de algo. Ela viu sua amiga várias vezes caminhando em direção a uma pequena cabana de madeira no jardim. Talvez seja lá que os objetos de valor estejam escondidos.

O ladrão decide investigar.

Sozinha no quarto, Eleonore luta desesperadamente para se libertar. Ela tenta se mover, mas as amarras tornam impossível ficar de pé. Tudo o que ela pode fazer é esperar e torcer para que o ladrão não encontre o que procura.

Infelizmente para Eleonore, ele encontra.

Os objetos de valor realmente estavam escondidos dentro da cabana de madeira.

O ladrão mascarado volta, claramente satisfeito com sua descoberta. Ele diz a Eleonore que está indo embora com os objetos de valor, mas antes de ir, decide tomar algumas precauções extras para garantir que ela não consiga se libertar com facilidade.

Na cena seguinte, Eleonore descobre o quão sérias são essas precauções.

Agora firmemente presa em uma amarração hogtie restritiva, com a mordaça reforçada por um pano branco adicional enrolado em volta da cabeça, Eleonore pouco pode fazer além de se debater e soltar protestos abafados e frustrados.

O ladrão mascarado desaparece com os objetos de valor roubados.

Eleonore é deixada para trás, tentando desesperadamente escapar. Ela arqueia o corpo, se contorce e luta contra as cordas, mas nada cede.

E há um pensamento que a perturba mais do que qualquer outro:

O que sua amiga pensará quando chegar em casa e encontrar Eleonore amarrada assim — especialmente depois que o ladrão conseguiu fazê-la revelar onde os objetos de valor estavam escondidos?

Custom Video in Italian Language

Scarlett is a popular solo camper who runs a successful YouTube blog where she posts videos of her adventures in the wilderness. She travels alone and has built a large following by showing her subscribers how she manages to survive and camp in remote locations.

At the beginning of the film, Scarlett asks a local resident in a remote area if he knows of a place where she can safely camp for the night. The man points her toward a secluded spot and assures her that it is safe and peaceful.

A few minutes later, Scarlett sets up her tent and places her phone in position to record her next video for her YouTube followers. Cheerfully addressing the camera, she shows them how good she is at starting a fire using a flint and steel.

While she is about to put her bivy inside the tent, however, she is suddenly attacked by a local man. He covers her mouth with his hand, ties her up and takes control of the situation.

He is not a maniac. He has been following Scarlett's blog and knows that she makes a great deal of income from subscriptions and donations. He has decided to take advantage of her popularity by diverting the donations from her followers into an account belonging to him.

Scarlett is kept inside her own tent during the night, tied and gagged inside her bivy. The following morning, the man takes the bivy with Scarlett still inside it, carries her over his shoulders and brings her to a small wooden cabin used as a storage shed.

Inside the cabin, he has Scarlett trussed up ( hands behind her back, feet and additional ropes around her torso). He removes her boots and socks, leaving her barefoot. Scarlett is gagged with a cleave gag and left alone to struggle inside the cabin.

She desperately tries to free herself. Eventually, she manages to get up from the floor and reaches the small window, hoping to find a way out or attract someone's attention. But the man returns before she can do anything and closes the window.

He then makes her sit on the floor with her back against a wooden post and ties her securely to it. He also ties her big toes together, leaving her completely immobilized.

Once Scarlett is secured, he removes her gag and explains what he wants her to do.

Scarlett must make a video for her own YouTube channel. Following the man's instructions, she addresses her followers and, in a playful manner, presents herself all tied up while asking them to contribute to a collection for her release. She is instructed to tell her followers that the sum should be transferred to a bank account belonging to the man.

When the transmission is over, the criminal gags Scarlett again, using pieces of black tape, and leaves her to struggle.

Scarlett desperately tries to free herself, but with so many ropes holding her against the post, escape is impossible.

Several hours later, the man returns with some very good news for himself. The collection has been an enormous success, and all the income is safely in his bank account.

He tells Scarlett that she deserves to be put in a "more comfortable position."

What he means by that soon becomes clear.

In the next scene, Scarlett has been taken to the man's home, where she remains tightly tied (hand feet, legs, chest) Scarlett pissed tells him that since he succesfully collected the donations form her loyal followers he can as promised release her. The man amused promises to do so but tells her that he is going to flee abroad with the donations he has collected and that, once he is safely away, he will send someone to release her.

Scarlett is absolutely pissed, but there is nothing she can do.

To make sure that she cannot attract attention or call for help, the man gags her with a stuff gag and wraps tape around her mouth. He then places her in a tight hogtie.

Before leaving, he tries to console her with one final piece of information: thanks to the latest video, her channel has reached almost three million subscribers, making Scarlett one of the most popular vloggers on YouTube.

Scarlett can only moan furiously and helplessly as the criminal leaves her behind and prepares to flee abroad with the income he has stolen through her own channel.

I thank Tony Houston for helping me with tie ups filming and preparation of campfire.

Marika, Scarlett e Tony trabalham como mordomos e garçons para uma baronesa muito rica; Marika é responsável pela equipe e cuida da organização de eventos de caridade e festas que a baronesa gosta de dar de vez em quando. Desta vez, a baronesa vai dar uma grande festa para comemorar seu aniversário, e para a ocasião, ela usará um colar de diamantes, nunca mostrado em público, de valor inestimável, herdado e pertencente à sua família há séculos. No entanto, para proteger seu precioso colar de um possível roubo, a baronesa decide confiar a valiosa joia à sua confiável gerente de equipe Marika, que, sem suspeitar, terá que guardá-lo em um cofre escondido dentro do alojamento dos funcionários, um esconderijo aparentemente discreto; enquanto isso, na enorme vila da baronesa, uma cópia falsa do colar será mantida. Marika, sendo uma ex-ladra astuta, fareja a oportunidade e contata Raimondo, um pobre e idiota capanga que ela costumava levar consigo antes de acabar na cadeia. Desta vez, porém, a oportunidade é tentadora demais. Então Marika dá instruções a Raimondo sobre o plano a executar, afinal, só ela sabe onde o colar real estará escondido. No final do dia de trabalho, depois que o colar for colocado dentro do cofre do edifício dos empregados, e quando Marika, Scarlett e Tony se encontrarem no , Raimondo terá que agir. Tony terá que amordaçar Marika e Scarlett com fita adesiva e uma esponja grande, e depois fazer o mesmo consigo mesmo; os três, agora adequadamente silenciados, não poderão pedir ajuda. Tony então amarrará Scarlett com muitas cordas, e uma vez imobilizada, Marika amarrará Tony. Os dois garçons desavisados serão deixados amarrados e amordaçados na cozinha, enquanto Marika levará Raimondo ao cofre para recuperar o colar muito precioso. Durante o roubo, Scarlett e Tony se contorcem furiosamente para tentar dar o alarme, apesar dos imensos esforços, quando Raimondo e Marika voltam, os dois garçons ainda estão amarrados e amordaçados. O plano astuto de Marika está funcionando perfeitamente, então, para não despertar suspeitas, Marika será amarrada por Raimondo na companhia de Scarlett e Tony. Agora Scarlett e Marica estão amarradas às cadeiras e muito presas, enquanto Tony está amarrado de porco aos pés delas, os três são deixados a gemer furiosamente na cozinha enquanto Raimondo tem tempo de sobra para escapar com o colar da baronesa. Enquanto os três se contorcem, Marika pensa em como foi brilhante ao criar tal plano, e gosta de ver seus dois colegas se contorcendo furiosamente, enquanto ela só terá que fingir, esperar o amanhecer para que alguém os liberte, e a partir de amanhã ela será uma mulher rica. Mas nem todos os planos terminam como foram planejados, e talvez Marika não seja tão inteligente quanto pensa. DIÁLOGOS EM INGLÊS, BONDAGE, BONDAGE DE CORDA, CASAL AMARRADO, CASAL EM BONDAGE, BOCA CHEIA, AMORDAÇADO COM FITA, GAROTAS AMORDAÇADAS, HOMEM AMORDAÇADO, BONDAGE MASCULINO, DID, INVASÃO DOMÉSTICA, GRUNHIDOS, LUTA, AMARRADO À CADEIRA, AMARRADO DE PORCO, VÍDEO HD.

Harlock is an adventurous guy and loves going on trips to unknown, isolated, and little-frequented places; this time, however, his car had some problems, the place is secluded, and his phone doesn't have reception. Harlock decides to enter a big house to ask for help or at least for a phone and a glass of water. The boy walks up the long driveway but doesn't see anyone, so he gets closer and goes up the steps to the front door; he knocks, waits, but nobody answers, yet he decides to go inside anyway. It really seems like no one is there. He tries to use the old vintage phone to call for help but realizes that the phone is fake, not even connected. Harlock gets a bad feeling and realizes that something strange is going on in that house; maybe it’s better to leave. Outside the apartment, he notices a small house among the trees. Curious, he goes closer to look inside and opens the door. He should have never done that. ENGLISH DIALOGUES, BONDAGE MALE, BONDAGE, GAGGEDMAN, GAY BONDAGE, BALLGAGGED, STUFFED MOUTH, WRAP TAPE GAGGED, HOGTIED, UNDERWEAR BONDAGE, BAREFOOT BONDAGE, ROPE BONDAGE, ALL ROPED ON SCREEN, GRUNTING, STRUGGLING, HD VIDEO.