Keye Mobile Bondage

Starring Julie Simone. Ms. Simone is a business woman, web mistress, producer of fetish erotica, Dominatrix, model, and BDSM icon. As such, she is bound at times to feel caught up in red tape. In this little rendition the phrase must be taken literally. Immobilized vertically in red tape mummification, Julie must forget about any tasks on her busy calendar. Slightly suspended, her nylon stocking clad toes can wiggle and touch the floor. Julie’s pretty face and pony-tailed red hair are free, but her full lips are cleaved with a strip of tape and two more layers cover her mouth (on screen). Her abundant bosoms, framed with tight tape, invite attention. Please note there is some grain in the image away from the sunlight, the only light used, streaming in the window in front of which Julie is stuck. If you are a fan of fabulous Julie you are going to love seeing her as a completely helpless tape mummy girl. Actual running time (4:34) (960 x 540)

Starring Chrissy Marie. As a submissive bondage fetishist, she is always looking for new and exciting experiences in the clutches of a binder she likes. She had never met this man but had been stimulated by photos of his bondage sessions with some of her friends and was hoping he would be someone she could call her friend too. Upon arrival he gave her a pair of pleather jeans to put on and instructed her to leave her lovely natural breasts exposed. As she sat with bondage erotic anticipation, he adorned her feet and calves with five-inch heel, red lace up boots. She held her long hair out of the way for a locked posture collar application. Her hands were then laced and locked into exquisite leather mitts. Taking her by the arm he led her into his playroom where he locked her to a post in a standing position with chains at her collar, leather waist belt, and cuffed and locked ankles. She can see herself in a mirror. Locked cuffs at elbows and wrists secured her arms and leather encased hands behind her back. A tight strap was buckled around her torso and upper arms. Another strap below her knees made her balance precarious in the extreme heels. A chain ran through her crotch from her wrist cuffs to the waist chains and post. She could stimulate herself with this arrangement, and was glad for something to do wile stuck standing in the punishing heels, particularly since her captor was not giving her any hint as to when she might be released. Many angles close and long of our adorable captive are presented before and after a red leather panel plug gag fills her mouth. As her tired legs and throbbing feet begin to take their toll, her helpless pleasure moans turn into muted and very real pleading when she sees her captor waving goodbye and slowly leaving the room. Chrissy’s bondage session Top is neither seen nor heard. Actual running time (15:08) (960 x 540)

Protagonizada por Sparrow Spade. Una presentación de 'La chica que ama ser atada'. Nuestra es una segunda casa para Sparrow, si no es para satisfacer su lujuria por el bondage y el juego de bozal. Hoy ella caminó por la puerta con un vestido de verano de longitud de tobillo y quería verla atada en él. Todas las cuerdas estaban bien colocadas y sosteniendo fuerte excepto en sus rodillas. Falta un cinch, estaban deslizándose por la tela resbaladiza de su vestido. Ella también lo notó y se rió cuando fui a arreglarlo. Aseguré esas cuerdas de las rodillas en la pantalla, agregué una bozalera, expuse sus tetas, le di un manoseo, y usé otra cuerda para unir sus muñecas a sus tobillos y dedos gordos del pie. Sparrow no se iba a ninguna parte ahora, no que realmente quisiera. Ella sin embargo intenta escapar. Mira y escucha mientras sus dedos se fijan en un nudo de cabo de maroma, el único que está al alcance, sin éxito, y gruñe en frustración. Ella no sabía que un nudo de cabo de maroma es imposible de aflojar con tensión en él. Pero lo que una chica atada y amordazada no sabe es una buena cosa, ¿no crees? Tiempo de reproducción real (13:55) (960 x 540)<\/p>"

Protagonizada por SashaL. Le gusta estar atada y amordazada y tratar de escapar. El corsé Maxcita le dará un desafío. Su boca está llena y cinta adhesiva debajo del bozal de cuero. Tiempo de ejecución real (07:36) (0960 x 540)

Starring Julie Simone. The doorbell rings. Mistress Julie, Dominatrix extraordinaire, strolls to the door, her boot heels clicking on the tile floor. Her bondage slave client is punctual, and she knows when he sees her in over knee boots and opera length leather gloves it will bring him to heel. But slave has turned to the dark side, and plans to turn the tables on his bondage Mistress. He barges in, clamping one hand over her mouth and the other at the back of her neck, pushing her back with zeal and taking control of the redhead beauty. Next thing you know, Mistress is zip tied to a chair and ball gagged. Plastic zip ties bind her leather clad elbows, wrists, torso, hips, and booted legs. There is no escape. She struggles in vain, moving the chair a bit on the smooth tile, but going nowhere and not saying much anyone can hear. What a humiliating circumstance! Bound, gagged, drooling; her panty hosed legs spread for anyone to see she is not wearing underwear. Bad slave exposes her breasts and taunts her. He checks the zip ties and tightens a couple, then leaves her again to stew in the same helpless state she planned for her bondage slave client. He leers at the bound Mistress from numerous angles, including up-skirt. Perhaps in the future Mistress and slave will be switching during their bondage rendezvous? Actual running time (06:37) (960 x 540)

Protagonizada por Ludella Hahn y Nyxon. Las damas me ayudan a recrear recuerdos de mi juventud, cuando a veces lograba convencer a las niñas vecinas para que jugaran a policías y ladrones conmigo. Debo admitir que nunca ataba tan bien a las niñas vecinas, pero con la edad viene la sabiduría. Los compañeros de cuarto leen en silencio cuando de repente un intruso los aborda y describe su malvado plan (su respuesta es bastante humorística). Aparecen atados, enfrentándose el uno al otro con sus piernas unidas en las rodillas y los tobillos y sus brazos atados en nudos de caja detrás de ellos. Sus bocas están cubiertas con cinta adhesiva, ya que se requiere que todas las damiselas estén atadas de alguna manera. Luchan desesperadamente por escapar de la cuerda de cáñamo apretada y tratan de hablar entre ellas a través de la cinta adhesiva, tal vez tratando de decir algo con sus ojos, pero está claro que ninguna amiga puede ayudar a la otra. Al final, el ladrón no visto les hace saber que llamará a la policía en una hora o así y se da a la fuga. Muchos ángulos y primeros planos de las luchas infructuosas de las damas para su disfrute de Damiselas en Dismay. Tiempo de ejecución real (07:50) (960 x 540)<\/p>"

Starring Gina Rae Michaels. A couple of years had passed since we met each other the first time at her place and played bondage games. Now Gina Rae was my guest, and subject to the kind of hospitality we both expect of one another. Thinking it appropriate to lock Gina into the same arm length bondage mitts I used on her way back when, the show rolls through the process of Gina’s leather locked and roped into cross ankle hogtie submission. Then a big ball inside a leather cleave gag is inserted on screen in her lovely mouth. Gina’s talking becomes decidedly muffled and without comprehension. After a bit of struggling for my pleasure and hers, I expose her luscious breasts and cop a feel, then her tennis shoes come off and spontaneous tickling fun begins. Gina told me later it was rare to see her tickled on screen. Her bound and gagged tickle torment reactions are great fun. Please note the oscillating fan keeping the prisoner a bit more comfortable creates a sound spike during a few brief moments. Actual running time (19:20) (960 x 540)

Protagonizada por Audrey Noir. Muy nueva en encuentros de BDSM en el momento de nuestro primer encuentro (febrero, 2015), Audrey era una estudiante de tiempo completo y su madrastra la llevó a mi casa. Eso agregó un giro único a la ocasión, ya que no suele tener la oportunidad de conocer a la familia de un defensor del bondage, especialmente a un padre. La madrastra de Audrey era muy agradable, con aspecto que la hacía un tema tentador para el bondage en su propio derecho. No iba a abordar ese tema, ya que quería que la madrastra de Audrey se sintiera segura de que su hija estaría en manos de un caballero, aunque un poco kinky en lo que respecta al bondage. Como ahora saben los fanáticos de Audrey, ella visita con frecuencia a la pandilla en Kink en San Francisco y es una favorita allí, pero también le gusta el lado suave y sensual del juego de bondage, y eso es exactamente lo que exploramos aquí. Audrey ya está atada con cuerdas y su boca está tapada con cinta adhesiva translúcida cuando comienza la presentación. Eso se refuerza en la pantalla y Audrey se enfrenta al desafío de escapar. Los nudos del atadura en caja se dejaron demasiado cerca de sus dedos ocupados y ella hace algunos progresos de escape antes de que la ate de pies a cabeza y le tape los dedos. Eso no la desalienta de sus intentos de escape, pero los ralentiza, y al final, se resigna a lo que yo pueda tener reservado para ella a continuación (por favor, consulte la solicitud de correa blanca). Este fue el día en que mi vieja cámara de video técnica dejó de funcionar, así que, desafortunadamente, algunas escenas de frotamiento de sus lindos pies (sus dedos gordos también se atan) tuvieron que ser cortadas. Tiempo de ejecución real (21:52) (960 x 540)<\/p>"

Starring Julie Simone. Accosted by a burglar upon arrival home, Julie emits a damsel in dismay yelp at the sight of a stranger in her midst. She soon finds herself strapped and cuffed with leather, locked, collared, and chained to her bed. She cries out for help and struggles with the unyielding bonds. Her shiny high heel pumps do the ever so delightful bound damsel dance. Neighbors might hear her. Bad guy ball gags her in a close-up. Things are looking worse for our curvaceous redheaded beauty when the stranger chains her locked ankles to the opposite bedpost. At the very end the bad guy is about to up the gag ante. What will become of the leather-bound captive? The boundaries of imagination are limitless. Actual running time (06:46) (960 x 540)

Starring Anna. In the same glossy pantyhose, mini-skirt, and strappy high heels costume Anna wore for Rebranding Gone Awry, I have moved our delightful diva to the hardwood floor. A tiny portion of our theme from Rebranding is referenced, but mostly this one is continuing the rekindling of our on-screen, bondage friendship (we had not seen each other in over half a decade, and most of this day was enjoying each other’s company off-screen). Anna’s arms are immobilized in a neat and tight box-tie. Only her hands and fingers can flail about uselessly behind her back (good views are included). A leather slave collar has been added, to which a rope is attached that leads to Anna’s crossed and bound ankles, and sexy white high heels. The arrangement keeps her in a bent over position that allows just enough movement for Anna to show off. During the first five minutes we converse, with Anna responding to my comments with playful derision. Then Anna appears with her mouth stuffed full with cloth, held in with translucent Fixomull Stretch medical tape. Anna cannot budge the resilient, clinging tape gag, but she tries. Now her rebellious remarks are exactly how we like them; indecipherable. Anna said later, while I was untying her, that she had not been tied up this tight in a long time. This is always a nice thing for a rigger to hear, and coming from a lady I have had a crush on since forever (Anna knows this and uses it to her sweet advantage), it was a nice compliment. Actual running time (10:07) (960 x 540)

En esta edición de la versión original de marzo de 2012, que aún está disponible, se elimina el curioso descubrimiento de Morina de todos los juguetes, lo que ahorra alrededor de 7 minutos. El video ahora comienza con Morina sorprendida al ser descubierta espiando por su anfitrión.

Protagonizada por Morina. Mor es apenada por espiar, pero como se podría imaginar, no estoy en absoluto descontento con sus descubrimientos. Quizás esta virgen de bondage (se requiere suspensión de incredulidad) querrá intentarlo? Después de un poco de persuasión amistosa y falsas promesas de que la dejaré libre si lo desea, ella accede a ser atada con cuerda (todo en pantalla). Es mucho más apretado de lo que esperaba, especialmente después de que está cruzada y atada de tobillo en una posición de hogtie. Morina comenta sobre su nueva situación a lo largo, y es interesante que no diga nada sobre la cuerda del entrepierna. ¿Podría estar sintiendo un poco de cosquilleo atada? No. Después de dejarla para probar su estado de indefensión, regreso y le hago saber que estoy comenzando a preparar la cena. En desesperación, ella quiere ayudar con la preparación de los alimentos, pero naturalmente, declino. “Me vas a desatar, ¿verdad?” exclama. La rubia bonita ahora está histérica y temerosa en su condición de inmovilizada, y llama para que la libere. Está un poco enojada cuando regreso, dejando muy claro que quiere salir. Le digo que si abre la boca, la dejaré salir. Ella abre y la lleno con un pañuelo y la cubro con 3 tiras de cinta adhesiva blanca y de color crema. Es hora de hacer la ensalada, y con eso, ella deja escapar un grito ahogado. Cuando regreso para hacerle saber que la cena está lista y es hora de liberarla, una ola de alivio se derrama sobre su cara atada. La escena posterior con nuestra Chica Curiosa es Chica Curiosa Atrapada en un Chaleco de Contención. Tiempo de reproducción real (20:57) (960 x 540)

Starring Nyxon. “Want to try a straitjacket?” “Sure, I’ve never been in one,” Nyxon replied. He bit his lip with anticipation of the brunette beauty ensconced in no-escape straitjacket bondage for the first time. Nyxon is buckled tight within the Posey small, then further immobilized with her helpless torso stuck to the chair with black leather straps. Her legs are adorned in shear black stay-up stockings and shiny black knee-high patent leather high heel boots. She had taken a fancy to them while perusing the boot closet, and they proved to be a great fit. Her booted ankles are strapped apart to opposite chair legs, leaving her vulnerable to potential advances upon her crotch area. Her binder though had nothing more in mind than to provide Nyxon with a quality straitjacket experience of lengthy duration and thus sink in with certainty her mindset of no escape without help from another. Nyxon is tightly gagged with her own colorful bar ball gag (got to love a girl who brings her own gags!) to ensure the most pleasing sounds of frustration with her inescapable predicament. Viewers will notice Nyxon’s muted pleas and her struggles intensify near the end. That is because her captor is waving goodbye. Actual running time (04:21) (960 x 540)

Starring Jacky Fay-Lynn. Yes Jacky, your outfit of black bra with sparkling studs, red spandex leggings, red leather opera gloves, and high heel over knee boots is a good look for a Domme. From my perspective almost all Domme ensembles are Dressed for Bondage perfect, so Jacky’s desire to be tied up in what she is wearing suits me just fine. In Part 1 of this consensual bondage session presentation, the crotch rope, arms behind box tie, and stuffed mouth white tape gag are applied on screen. While she can still walk, our willing damsel is instructed to come hither and give the viewers a gag kiss and show off her bound arms as she retreats to her designated position. Her knees are tied while standing. Then Jacky hobbles over to the bed and maneuvered onto her back for ankle roping. Encouraged to escape, her struggles reveal the knee ropes need further cinching. She thinks the wrist rope quick release loop she finds with her gloved fingers might do her some good, but that hope is quickly quashed. Besides, Jacky is the kind of girl who does not want to escape. Actual running time (15:20) (960 x 540)

Protagonizada por Crystal Frost. La tabla, con algunos cambios, parecía estar lista para sus aplicaciones verticales previstas, pero necesitaba otra prueba en vivo. Crystal se ofreció como voluntaria. No sabía a qué se estaba metiendo. Primero la tenté con el chaleco de contención Maxcita, y ella lo encontró atractivo. Una vez que estaba abrochada, no había vuelta atrás para Crystal sin mi ayuda. Se ve linda en medias negras y de color carne, tacones blancos y chaleco de tela de lienzo ajustado, ahora de pie inmóvil, atada con cuerdas de cáñamo a la tabla. Lleno su boca con bragas y luego la cubrí con cinta adhesiva de color rosa con patrones, y luego la suspendí. Ella aúlla con temor y miedo agradablemente, especialmente cuando se balancea hacia adelante y hacia atrás de forma permanente. Las cadenas la devuelven a una posición vertical y estática a voluntad. Las cosas empeoran cuando su cabeza está atada a la tabla. ¿Los gritos de la mordaza de Crystal traerán a alguien para salvarla? Tiempo de ejecución real (19:03) (960 x 540)<\/p>"

Starring Nyxon. Someone tied up the poor girl! Gagged her too! Kinky census taker pays no heed. He is on a count mission. No matter the situation the respondent is in, just get the count. Of course, he asks the most important questions, although Nyxon (who tied her up anyway, boyfriend or burglar?) quickly realizes this is a licentiously kinky count she wants no part of. She tries to escape. Her hands are free! Problem is, the most important knot is under her seat. Kinky census taker returns. He has quit the job. He likes the bound and gagged girls he barges in on during counting duties. Guess he really likes Nyxon, so decided to stay a while, and hinge handcuff her. Perhaps it was her stuffed mouth white tape gag? Or her high heel Little Shoe Box boots? Maybe her eyes? He leaves her rope bound, tape gagged, and handcuffed to a chair with no hope of escape. Perhaps he is going to re-enlist for Census Nonsense? Actual running time (08:30) (960 x 540)

Starring Ashley Lane. Strapped into the Maxcita Psycho canvas straitjacket off screen, bondage loving lady Ashley is succumbing to the pleasure of no escape tight restriction as I enter to hoist her up. It was my first try at this arrangement specifically created for this purpose, and decided to get her a bit higher in the air with a chain link adjustment. Back up she goes. Ashley flails her high heel, thigh high, vintage Ablemen booted legs, testing all the movement she can muster, including spinning herself around. Time for more restriction with rope applied to her ankles and below her knees. She cannot spin herself anymore, but I do it for her – rapidly. Time for a gag. First ball is a little big, but another is quickly chosen and strapped in tight. The camera moves in for a layer of Tensoplast plastered over her lips, cheeks, and ball gag. With our session time running out, I add a blindfold to immerse her in bound solitude, move the camera back to a full shot, and then leave her all alone. She knows our time is running out too, but we just met and when she hears the playroom door close, panic sets in. No one will hear those muffled cries for help, pretty prisoner. Actual running time (15:24) (960 x 540)

Protagonizada por Anna. Esta sesión con Anna no es lo que considero una presentación típica 'detrás de escena'. Sin embargo, el contenido es muy indicativo de cómo suceden las cosas fuera de la pantalla entre nosotros cuando filmamos bondage, por lo que pensé que el título era apropiado. A Anna siempre le gusta darme actitud cuando tiene la oportunidad, y disfruto devolviéndole esa actitud. Al principio hay una referencia a un favor real que le voy a proporcionar más tarde esa tarde, por lo que le convendría obedecer, lo cual hace, a regañadientes. Todo el bondage se aplica en pantalla, y la inserción del bozal de tela gruesa es la primera, por lo que hay mucho hablar de bozal desde el principio hasta el final. Anna se ve caliente en cualquier cosa que se ponga, pero en jeans y botas y suéter sabe que me tiene enganchado. El bondage de cuerda es simple, apretado y efectivo. Sus muñecas están cruzadas detrás de su espalda y atadas a su cintura. Se agrega una cuerda de entrepiernas para unirlo todo, y luego la atan en un cruce de tobillos de hogtie. La desafío a escapar, pero ningún nudo puede alcanzarse con sus dedos. Más tarde, agrego cinta blanca de ducto sobre su bozal de tela gag para ver si puedo amortiguar su queja un poco más. No ayuda mucho, pero está bien. Me gusta escuchar a Anna hablar con el bozal puesto. Tiempo de ejecución real (15:04) (960 x 540)<\/p>"

Starring Nyxon. It is a long drive from the San Fernando Valley to our place, so upon Nyxon’s arrival for our first bondage encounters together, I thought a rest period would be a nice way to start the day. A bondage sack will do nicely. The shiny black PVC sack lacks inner arm sleeves, but I figured with some arm and hand bondage applied prior to popping someone in, it will work sufficiently. In this experiment with sack restriction with no inner sleeves, I put Nyxon’s hands in black rubber mitts, and then attached her wrists to her thighs (not shown). She was then zipped and belted and collared in. After that we are watching lovely Nyxon, from various angles close and long, testing her first bondage sack confinement in her own sensual way. At around the 4.5-minute mark, there is a close-up of her pretty face, and then the bar ball gag she brought being strapped in tight. Her lips are very appealing. Near the end, Miss Escape Artist Nyxon has freed her arms within the sack, but the straps and the sack itself are not going to allow for much progress without outside help. We share with you a laugh about her escape tricks, but Nyxon is still bondage sacked and must laugh with a ball gag in her mouth. Actual running time (09:12) (960 x 540)

Starring Rachel Adams. While surveying the bar ball gagged, leather and chains and locks confined prisoner, a strap malfunction occurred. Good thing I was keeping an eye on the pleasure squirming girl. Rachel did it to herself while testing how much she could move, but now she wants it fixed. I like girls like that. We get her looking prim and proper again, then Rachel is left on her own while I fetch a blindfold. I try to remember to let the ladies sample new things so I used the 1979 vintage House of Milan leather blindfold to send her into darkness. Up to now there had been some lighthearted moments between us, but now, unable to see, Rachel’s bound and gagged subspace feelings are set free. Actual running time (13:56) (960 x 540)

Starring Amy Aveline (Mai Ly). Our naturally buxom and collared damsel is affixed to a chair tightly with leather straps in an act of submission to a man’s desire to put her in bondage from which she cannot escape. He likes to watch the reactions of tied up girls, and that is about all that can be done with her immobilized this way. Her mouth is available for a gag and it is cleaved with thick cloth on screen. Her breasts and nipples are bare and available for fondling, and her sight is eventually taken away with a blindfold. It is a short study from numerous angles of a helpless woman whose hope as time progresses is that her captor will become her rescuer. Actual running time (08:42) (960 x 540)