Keye Mobile Bondage

Starring Julie Simone. Ms. Simone is a business woman, web mistress, producer of fetish erotica, Dominatrix, model, and BDSM icon. As such, she is bound at times to feel caught up in red tape. In this little rendition the phrase must be taken literally. Immobilized vertically in red tape mummification, Julie must forget about any tasks on her busy calendar. Slightly suspended, her nylon stocking clad toes can wiggle and touch the floor. Julie’s pretty face and pony-tailed red hair are free, but her full lips are cleaved with a strip of tape and two more layers cover her mouth (on screen). Her abundant bosoms, framed with tight tape, invite attention. Please note there is some grain in the image away from the sunlight, the only light used, streaming in the window in front of which Julie is stuck. If you are a fan of fabulous Julie you are going to love seeing her as a completely helpless tape mummy girl. Actual running time (4:34) (960 x 540)

Starring Chrissy Marie. As a submissive bondage fetishist, she is always looking for new and exciting experiences in the clutches of a binder she likes. She had never met this man but had been stimulated by photos of his bondage sessions with some of her friends and was hoping he would be someone she could call her friend too. Upon arrival he gave her a pair of pleather jeans to put on and instructed her to leave her lovely natural breasts exposed. As she sat with bondage erotic anticipation, he adorned her feet and calves with five-inch heel, red lace up boots. She held her long hair out of the way for a locked posture collar application. Her hands were then laced and locked into exquisite leather mitts. Taking her by the arm he led her into his playroom where he locked her to a post in a standing position with chains at her collar, leather waist belt, and cuffed and locked ankles. She can see herself in a mirror. Locked cuffs at elbows and wrists secured her arms and leather encased hands behind her back. A tight strap was buckled around her torso and upper arms. Another strap below her knees made her balance precarious in the extreme heels. A chain ran through her crotch from her wrist cuffs to the waist chains and post. She could stimulate herself with this arrangement, and was glad for something to do wile stuck standing in the punishing heels, particularly since her captor was not giving her any hint as to when she might be released. Many angles close and long of our adorable captive are presented before and after a red leather panel plug gag fills her mouth. As her tired legs and throbbing feet begin to take their toll, her helpless pleasure moans turn into muted and very real pleading when she sees her captor waving goodbye and slowly leaving the room. Chrissy’s bondage session Top is neither seen nor heard. Actual running time (15:08) (960 x 540)

Com Sparrow Spade no papel principal. Uma apresentação de 'Garota que Adora Ser Amarrada'. Nossa é uma segunda casa para Sparrow, se apenas para satisfazer sua luxúria por amarras e brincadeiras de bola. Hoje ela entrou pela porta vestindo um vestido de verão de comprimento de tornozelo e eu queria ver ela amarrada nele. Todas as cordas estavam bem colocadas e segurando firmemente, exceto em suas joelhos. Falta de um cinch, elas estavam deslizando para baixo do tecido liso de seu vestido. Ela percebeu isso também e riu quando eu fui corrigir. Eu segurei essas cordas de joelhos na tela, adicionei uma bola de borracha, expusseu seus seios, toquei dela e usei outra corda para ligar seus punhos aos seus tornozelos e dedos do pé. Sparrow não ia ir para nenhum lugar agora, não que ela realmente quisesse. Ela, no entanto, tenta uma fuga. Assista e ouça enquanto seus dedos escolhem um nó de cabo de pescador, o único que está ao seu alcance, sem sucesso, e grunhi em frustração. Ela não sabia que um nó de cabo de pescador é impossível de ser solto com tensão nele. Mas o que uma garota amarrada e com bola não sabe é uma coisa boa, não acha? O tempo de execução real (13:55) (960 x 540)<\/p>"

Protagonizada por SashaL. Ela gosta de ser amarrada e amordacada e tentar escapar. O corsé Maxcita lhe dará um desafio. A boca dela está cheia e fita adesiva sob o musgo de couro. Tempo de execução real (07:36) (0960 x 540)

Starring Julie Simone. The doorbell rings. Mistress Julie, Dominatrix extraordinaire, strolls to the door, her boot heels clicking on the tile floor. Her bondage slave client is punctual, and she knows when he sees her in over knee boots and opera length leather gloves it will bring him to heel. But slave has turned to the dark side, and plans to turn the tables on his bondage Mistress. He barges in, clamping one hand over her mouth and the other at the back of her neck, pushing her back with zeal and taking control of the redhead beauty. Next thing you know, Mistress is zip tied to a chair and ball gagged. Plastic zip ties bind her leather clad elbows, wrists, torso, hips, and booted legs. There is no escape. She struggles in vain, moving the chair a bit on the smooth tile, but going nowhere and not saying much anyone can hear. What a humiliating circumstance! Bound, gagged, drooling; her panty hosed legs spread for anyone to see she is not wearing underwear. Bad slave exposes her breasts and taunts her. He checks the zip ties and tightens a couple, then leaves her again to stew in the same helpless state she planned for her bondage slave client. He leers at the bound Mistress from numerous angles, including up-skirt. Perhaps in the future Mistress and slave will be switching during their bondage rendezvous? Actual running time (06:37) (960 x 540)

Com Ludella Hahn e Nyxon. As senhoras me ajudam a recriar memórias da minha juventude, quando às vezes convencía as garotas vizinhas a jogar polícia e ladrão comigo. Tenho que admitir que nunca prendi as garotas vizinhas dessa forma, mas com a idade vem a sabedoria. As colegas de quarto estão lendo em silêncio quando, de repente, um intruso as aborda e descreve seu plano maligno (sua resposta é bastante cômica). Em seguida, aparecem amarradas, de frente uma para a outra, com as pernas presas nos joelhos e tornozelos e os braços amarrados em laços de caixa nas costas. Suas bocas são tapadas com fita adesiva, pois é necessário que todas as damas sejam amordaçadas de alguma forma. Eles lutam com todas as forças para escapar da corda de cânhamo apertada e tentam conversar mordendo a fita, talvez tentando dizer algo com os olhos, mas fica claro que nenhuma das amigas pode ajudar a outra. No final, o ladrão não visto as deixa saber que irá ligar para a polícia em uma hora ou mais e faz sua fuga. Muitos ângulos e primos planos das vãs lutas das senhoras para sua diversão Damsels in Dismay. Tempo de execução real (07:50) (960 x 540)<\/p>"

Starring Gina Rae Michaels. A couple of years had passed since we met each other the first time at her place and played bondage games. Now Gina Rae was my guest, and subject to the kind of hospitality we both expect of one another. Thinking it appropriate to lock Gina into the same arm length bondage mitts I used on her way back when, the show rolls through the process of Gina’s leather locked and roped into cross ankle hogtie submission. Then a big ball inside a leather cleave gag is inserted on screen in her lovely mouth. Gina’s talking becomes decidedly muffled and without comprehension. After a bit of struggling for my pleasure and hers, I expose her luscious breasts and cop a feel, then her tennis shoes come off and spontaneous tickling fun begins. Gina told me later it was rare to see her tickled on screen. Her bound and gagged tickle torment reactions are great fun. Please note the oscillating fan keeping the prisoner a bit more comfortable creates a sound spike during a few brief moments. Actual running time (19:20) (960 x 540)

Com Audrey Noir no papel principal. Muito nova em encontros de BDSM na época de nosso primeiro encontro (fevereiro, 2015), Audrey era uma estudante em tempo integral e foi levada por sua madrasta até meu lugar. Isso acrescentou uma reviravolta única à ocasião, uma vez que não se costuma encontrar a família de um defensor do bondage, especialmente um parente. A madrasta de Audrey era tão agradável, com aparência que a tornava um assunto tentador para o bondage por si só. Eu não ia abordar esse assunto, pois queria deixar a madrasta confiante de que sua prole estaria nas mãos seguras e confiáveis de um cavalheiro, embora um pouco kinky em relação ao bondage. Como os fãs de Audrey podem agora saber, ela atualmente visita frequentemente a turma do Kink em São Francisco e é uma favorita lá, mas ela também gosta da parte macia e sensual do jogo de bondage, e é exatamente isso que mergulhamos aqui. Audrey já está amarrada com cordas e com a boca cheia de fita adesiva translúcida quando a apresentação começa. Isso é reforçado na tela e Audrey é desafiada a escapar. Nós deixamos os nós do box tie muito perto de seus dedos ocupados e ela faz algum progresso na fuga antes que eu a amarre de costas e cubra seus dedos com fita. Isso não a impede de tentar escapar, mas isso a desacelera, e no final, ela se rende a qualquer coisa que eu possa ter em mente para ela a seguir (por favor, consulte White Strap Request). Esse foi o dia em que minha câmera de vídeo antiga deixou de funcionar, então, infelizmente, algumas cenas de seus pezinhos adoráveis sendo chutados (seus dedões do pé também são amarrados) tiveram que ser cortadas. Tempo de execução real (21:52) (960 x 540)<\/p>"

Starring Julie Simone. Accosted by a burglar upon arrival home, Julie emits a damsel in dismay yelp at the sight of a stranger in her midst. She soon finds herself strapped and cuffed with leather, locked, collared, and chained to her bed. She cries out for help and struggles with the unyielding bonds. Her shiny high heel pumps do the ever so delightful bound damsel dance. Neighbors might hear her. Bad guy ball gags her in a close-up. Things are looking worse for our curvaceous redheaded beauty when the stranger chains her locked ankles to the opposite bedpost. At the very end the bad guy is about to up the gag ante. What will become of the leather-bound captive? The boundaries of imagination are limitless. Actual running time (06:46) (960 x 540)

Starring Anna. In the same glossy pantyhose, mini-skirt, and strappy high heels costume Anna wore for Rebranding Gone Awry, I have moved our delightful diva to the hardwood floor. A tiny portion of our theme from Rebranding is referenced, but mostly this one is continuing the rekindling of our on-screen, bondage friendship (we had not seen each other in over half a decade, and most of this day was enjoying each other’s company off-screen). Anna’s arms are immobilized in a neat and tight box-tie. Only her hands and fingers can flail about uselessly behind her back (good views are included). A leather slave collar has been added, to which a rope is attached that leads to Anna’s crossed and bound ankles, and sexy white high heels. The arrangement keeps her in a bent over position that allows just enough movement for Anna to show off. During the first five minutes we converse, with Anna responding to my comments with playful derision. Then Anna appears with her mouth stuffed full with cloth, held in with translucent Fixomull Stretch medical tape. Anna cannot budge the resilient, clinging tape gag, but she tries. Now her rebellious remarks are exactly how we like them; indecipherable. Anna said later, while I was untying her, that she had not been tied up this tight in a long time. This is always a nice thing for a rigger to hear, and coming from a lady I have had a crush on since forever (Anna knows this and uses it to her sweet advantage), it was a nice compliment. Actual running time (10:07) (960 x 540)

Nesta edição da versão original de março de 2012, que ainda está disponível, é eliminada a curiosa MoRina descobrindo todos os brinquedos, economizando cerca de 7 minutos. O vídeo agora começa com MoRina pegando no ato de espiar, sendo surpreendida por seu anfitrião.<\/p>

Protagonizada por MoRina. Mo é apreensiva em relação ao espiar, mas, como você poderia imaginar, não estou nem um pouco insatisfeito com suas descobertas. Talvez essa virgem de bondage (suspensão da descrença necessária) queira dar uma chance? Depois de um pouco de persuasão amigável e falsas promessas de que eu a solto se ela desejar, ela concorda em ser amarrada com corda (tudo na tela). É muito mais apertado do que ela esperava, particularmente depois que ela é amarrada de pernas cruzadas em um nó de porco. MoRina comenta sobre sua nova situação de predicamento ao longo do caminho, e é interessante que ela não diga nada sobre a corda do sítio. Pode ser que ela esteja se sentindo um pouco tonta amarrada? Não. Depois de deixá-la testar seu estado de imobilidade, eu volto e lhe digo que estou começando a preparar o jantar. Desesperada, ela quer ajudar com a preparação do alimento, mas, naturalmente, eu recuso. “Você vai me desamar, certo?” ela exclama. A loira bonita agora está frenética e assustada em seu estado de imobilidade, e chama por mim para a libertá. Ela fica um pouco zangada quando eu retorno, tornando muito claro que ela quer sair. Eu lhe digo que se ela abrir a boca, eu a solto. Ela abre e eu enche sua boca com um lenço e colo a ela 3 fitas de fita adesiva branca nas bochechas e nos pombos. Hora de fazer a salada, e com isso ela deixa escapar um grito de mordaça. Quando eu volto para lhe dizer que o jantar está pronto e é hora de liberá-la, uma enchente de alívio passa sobre seu rosto amordaçado. A cena subsequente com nossa Garota Curiosa é Garota Curiosa Enfaixada. Tempo de execução real (20:57) (960 x 540)<\/p>"

Starring Nyxon. “Want to try a straitjacket?” “Sure, I’ve never been in one,” Nyxon replied. He bit his lip with anticipation of the brunette beauty ensconced in no-escape straitjacket bondage for the first time. Nyxon is buckled tight within the Posey small, then further immobilized with her helpless torso stuck to the chair with black leather straps. Her legs are adorned in shear black stay-up stockings and shiny black knee-high patent leather high heel boots. She had taken a fancy to them while perusing the boot closet, and they proved to be a great fit. Her booted ankles are strapped apart to opposite chair legs, leaving her vulnerable to potential advances upon her crotch area. Her binder though had nothing more in mind than to provide Nyxon with a quality straitjacket experience of lengthy duration and thus sink in with certainty her mindset of no escape without help from another. Nyxon is tightly gagged with her own colorful bar ball gag (got to love a girl who brings her own gags!) to ensure the most pleasing sounds of frustration with her inescapable predicament. Viewers will notice Nyxon’s muted pleas and her struggles intensify near the end. That is because her captor is waving goodbye. Actual running time (04:21) (960 x 540)

Starring Jacky Fay-Lynn. Yes Jacky, your outfit of black bra with sparkling studs, red spandex leggings, red leather opera gloves, and high heel over knee boots is a good look for a Domme. From my perspective almost all Domme ensembles are Dressed for Bondage perfect, so Jacky’s desire to be tied up in what she is wearing suits me just fine. In Part 1 of this consensual bondage session presentation, the crotch rope, arms behind box tie, and stuffed mouth white tape gag are applied on screen. While she can still walk, our willing damsel is instructed to come hither and give the viewers a gag kiss and show off her bound arms as she retreats to her designated position. Her knees are tied while standing. Then Jacky hobbles over to the bed and maneuvered onto her back for ankle roping. Encouraged to escape, her struggles reveal the knee ropes need further cinching. She thinks the wrist rope quick release loop she finds with her gloved fingers might do her some good, but that hope is quickly quashed. Besides, Jacky is the kind of girl who does not want to escape. Actual running time (15:20) (960 x 540)

Com Crystal Frost no papel principal. A prancha, com algumas alterações, parecia estar pronta para suas aplicações verticais pretendidas, mas precisava de mais um teste ao vivo. Crystal se ofereceu voluntariamente. Ela não sabia o que estava se metendo. Primeiro, eu a tentado com o cinto Maxcita, e ela achou que era atraente. Uma vez presa, não havia como Crystal voltasse atrás sem minha ajuda. Ela fica linda em meias nuas e negras sexy, saltos brancos altos e cinto de lona apertado, agora de pé imóvel, amarrada a prancha com corda de cânhamo. Eu coloquei meias e várias camadas de fita adesiva com padrão rosa em sua boca, depois suspendi o assunto de teste impotente. Ela grita com medo e trepidação agradavelmente, especialmente quando balança para frente e para trás em inclinação permanente. Correntes ajudam a trazê-la de volta a uma posição vertical e imóvel. As coisas pioram quando sua cabeça é presa à prancha. Os gritos de mordaça de Crystal trarão alguém para salvá-la? Tempo de execução real (19:03) (960 x 540)<\/p>"

Starring Nyxon. Someone tied up the poor girl! Gagged her too! Kinky census taker pays no heed. He is on a count mission. No matter the situation the respondent is in, just get the count. Of course, he asks the most important questions, although Nyxon (who tied her up anyway, boyfriend or burglar?) quickly realizes this is a licentiously kinky count she wants no part of. She tries to escape. Her hands are free! Problem is, the most important knot is under her seat. Kinky census taker returns. He has quit the job. He likes the bound and gagged girls he barges in on during counting duties. Guess he really likes Nyxon, so decided to stay a while, and hinge handcuff her. Perhaps it was her stuffed mouth white tape gag? Or her high heel Little Shoe Box boots? Maybe her eyes? He leaves her rope bound, tape gagged, and handcuffed to a chair with no hope of escape. Perhaps he is going to re-enlist for Census Nonsense? Actual running time (08:30) (960 x 540)

Starring Ashley Lane. Strapped into the Maxcita Psycho canvas straitjacket off screen, bondage loving lady Ashley is succumbing to the pleasure of no escape tight restriction as I enter to hoist her up. It was my first try at this arrangement specifically created for this purpose, and decided to get her a bit higher in the air with a chain link adjustment. Back up she goes. Ashley flails her high heel, thigh high, vintage Ablemen booted legs, testing all the movement she can muster, including spinning herself around. Time for more restriction with rope applied to her ankles and below her knees. She cannot spin herself anymore, but I do it for her – rapidly. Time for a gag. First ball is a little big, but another is quickly chosen and strapped in tight. The camera moves in for a layer of Tensoplast plastered over her lips, cheeks, and ball gag. With our session time running out, I add a blindfold to immerse her in bound solitude, move the camera back to a full shot, and then leave her all alone. She knows our time is running out too, but we just met and when she hears the playroom door close, panic sets in. No one will hear those muffled cries for help, pretty prisoner. Actual running time (15:24) (960 x 540)

Com Anna. Esta sessão com Anna não é o que eu considero uma apresentação típica 'atrás das cenas'. No entanto, o conteúdo é muito indicativo de como as coisas acontecem fora da tela entre nós quando filmamos bondage, então achei o título apropriado. Anna sempre gosta de me dar atitude quando ela tem a chance, e eu gosto de devolver essa atitude diretamente para ela. No início, há uma referência a um favor real que eu vou fornecer para ela mais tarde naquela tarde, e portanto, seria conveniente para ela obedecer, o que ela faz, relutantemente. Todo o bondage é aplicado na tela, e a inserção do lenço grosso na boca é primeiro, então há muito diálogo de gag desde o início ao fim. Anna fica quente em qualquer coisa que ela use, mas em jeans e botas e suéter ela sabe que me tem preso. O bondage de corda é simples, apertado e eficaz. Seus punhos são cruzados atrás de sua parte de trás e amarrados à sua cintura. Uma corda de entrepé é adicionada para ligar tudo isso junto, e então ela é amarrada em uma cruz de tornozelos e hogtie. Eu desafio-a a escapar, mas nenhum nó pode ser alcançado com seus dedos. Mais tarde, eu adiciono fita branca de ducto sobre sua boca gagada de lenço grosso para ver se posso amordaçar seu choro de cachorro um pouco mais. Isso não ajuda muito, mas isso está bem. Eu gosto de ouvir Anna falar gag. Tempo de execução real (15:04) (960 x 540)<\/p>"

Starring Nyxon. It is a long drive from the San Fernando Valley to our place, so upon Nyxon’s arrival for our first bondage encounters together, I thought a rest period would be a nice way to start the day. A bondage sack will do nicely. The shiny black PVC sack lacks inner arm sleeves, but I figured with some arm and hand bondage applied prior to popping someone in, it will work sufficiently. In this experiment with sack restriction with no inner sleeves, I put Nyxon’s hands in black rubber mitts, and then attached her wrists to her thighs (not shown). She was then zipped and belted and collared in. After that we are watching lovely Nyxon, from various angles close and long, testing her first bondage sack confinement in her own sensual way. At around the 4.5-minute mark, there is a close-up of her pretty face, and then the bar ball gag she brought being strapped in tight. Her lips are very appealing. Near the end, Miss Escape Artist Nyxon has freed her arms within the sack, but the straps and the sack itself are not going to allow for much progress without outside help. We share with you a laugh about her escape tricks, but Nyxon is still bondage sacked and must laugh with a ball gag in her mouth. Actual running time (09:12) (960 x 540)

Starring Rachel Adams. While surveying the bar ball gagged, leather and chains and locks confined prisoner, a strap malfunction occurred. Good thing I was keeping an eye on the pleasure squirming girl. Rachel did it to herself while testing how much she could move, but now she wants it fixed. I like girls like that. We get her looking prim and proper again, then Rachel is left on her own while I fetch a blindfold. I try to remember to let the ladies sample new things so I used the 1979 vintage House of Milan leather blindfold to send her into darkness. Up to now there had been some lighthearted moments between us, but now, unable to see, Rachel’s bound and gagged subspace feelings are set free. Actual running time (13:56) (960 x 540)

Starring Amy Aveline (Mai Ly). Our naturally buxom and collared damsel is affixed to a chair tightly with leather straps in an act of submission to a man’s desire to put her in bondage from which she cannot escape. He likes to watch the reactions of tied up girls, and that is about all that can be done with her immobilized this way. Her mouth is available for a gag and it is cleaved with thick cloth on screen. Her breasts and nipples are bare and available for fondling, and her sight is eventually taken away with a blindfold. It is a short study from numerous angles of a helpless woman whose hope as time progresses is that her captor will become her rescuer. Actual running time (08:42) (960 x 540)