Hi! This is my first attempt at filming a belly dance video. I still have room to grow in this area, but I’d love to share my progress with you here!

In this video, I’m dancing in a beautiful costume, with oil applied to my belly and back.

I’d really appreciate your comments—feedback always makes me happy.

This video will also have a follow-up: wax play in this outfit.

By John

The story of Agent Patty continues.

Only yesterday, she was a confident operative on a mission inside a mysterious asylum. Now, after one wrong step, that former life already seems strangely distant.

The previous episode ended with the doctor taking Patty to an isolated room for the night. A deprivation hood was placed over her already secured ball gag and layers of microfoam tape, and her arms and legs were strapped to a narrow bed. The heavy steel door closed behind the doctor, leaving Patty completely alone.

Exhausted after everything that had happened during the day, she rests.

Morning light slowly fills the room.

The doctor hears that Patty is awake and returns. He releases her from the bed, places a spreader bar between her ankles and leads her through the dark corridors of the asylum.

Her next destination is an isolation room - a narrow space surrounded by soft padded walls.

Patty is left there alone for quite some time.

Eventually the doctor returns and takes her back through the corridors to the place that has become strangely familiar - the large full-length mirror.

Patty kneels in front of it once again, still wrapped tightly in her straitjacket and unable to speak through her gag.

But something feels different now.

She looks at her own reflection through tears and struggles to understand how she ended up here. Was she really a confident agent only yesterday? Did that life actually happen, or is it already beginning to feel like something she merely remembers from a dream?

The woman staring back at her no longer looks like the Agent Patty she remembers.

The straitjacket, the gag, the restraints, the endless corridors and the repeated reflection in the mirror are slowly becoming her new reality.

For the first time, Patty does not simply struggle against what she sees.

Through frustration, exhaustion and tears, she begins to look at the restrained woman in the mirror as someone she may eventually have to recognize as herself.

Agent Patty is still somewhere inside.

But how much longer can she hold on to that identity?

Enjoy!

In this custom video, I am bound in a very tight hogtie. My knees and elbows are tied tightly together, and my ankles are pulled right up against my palms. I really enjoyed filming this video—it felt good to smile and tune in to the sensations of the bondage.

I start by entering the frame in a beautiful red dress and heels; I take off my shoes and lie on the sofa. Looking into the camera, I ask you to tie me up tightly.?In the very next scene, I am already in ropes. I curiously try to look at myself, flirt a little with you, and smile a lot. After another cut, I’m wearing a ball gag that pulls my head toward my elbows with a thin cord. I move around and focus on how the pose feels. While rocking back and forth, I accidentally tip over onto my side. I try really hard to get back onto my stomach, but it’s incredibly difficult in such a tight hogtie! At one point, the cameraman started to step in to help me turn over, but I managed to do it on my own! Oh, I was so proud of myself at that moment—haha!

Enjoy the video!

By John

The story of Agent Patty continues.

Only yesterday, she was a confident operative on a mission inside a mysterious asylum. Now, after one wrong step, that former life already seems strangely distant.

The previous episode ended with the doctor taking Patty to an isolated room for the night. A deprivation hood was placed over her already secured ball gag and layers of microfoam tape, and her arms and legs were strapped to a narrow bed. The heavy steel door closed behind the doctor, leaving Patty completely alone.

Exhausted after everything that had happened during the day, she rests.

Morning light slowly fills the room.

The doctor hears that Patty is awake and returns. He releases her from the bed, places a spreader bar between her ankles and leads her through the dark corridors of the asylum.

Her next destination is an isolation room - a narrow space surrounded by soft padded walls.

Patty is left there alone for quite some time.

Eventually the doctor returns and takes her back through the corridors to the place that has become strangely familiar - the large full-length mirror.

Patty kneels in front of it once again, still wrapped tightly in her straitjacket and unable to speak through her gag.

But something feels different now.

She looks at her own reflection through tears and struggles to understand how she ended up here. Was she really a confident agent only yesterday? Did that life actually happen, or is it already beginning to feel like something she merely remembers from a dream?

The woman staring back at her no longer looks like the Agent Patty she remembers.

The straitjacket, the gag, the restraints, the endless corridors and the repeated reflection in the mirror are slowly becoming her new reality.

For the first time, Patty does not simply struggle against what she sees.

Through frustration, exhaustion and tears, she begins to look at the restrained woman in the mirror as someone she may eventually have to recognize as herself.

Agent Patty is still somewhere inside.

But how much longer can she hold on to that identity?

Enjoy!

By John

The story of Agent Patty continues. After one wrong step during her investigation, she now finds herself trapped inside a strange dark asylum, dressed in a straitjacket, gagged and slowly being introduced to a completely different existence.

Patty is still kept in the same cold, gloomy room. There is almost nothing around her except a large full-length mirror standing directly in front of her.

Perhaps the mysterious attendant who caught Patty and placed her in the straitjacket has a reason for keeping her in front of that mirror again and again - gagged, restrained and left with nothing but her own reflection.

Is he trying to make the former agent accept this new image of herself? And can Patty ever begin to see this strange new reality as something permanent?

Late at night, the attendant finally returns.

He releases Patty's legs only to replace the restraints with a spreader bar. He then unwraps the layers of microfoam tape around her ballgag and removes it for a short break, allowing her jaw to rest.

But not for long.

When it is time for Patty to go to the bed, the same gag goes back into her mouth and is once again secured with thick layers of microfoam tape wrapped firmly around her head.

The attendant then leads her through the dark corridors toward her resting room.

Her new room is small and gloomy, with a single window and a bed positioned opposite it. Heavy straps run across the mattress, with cuffs already attached and waiting.

Patty is brought to the bed, where a sensory deprivation hood is fitted securely over her head. Her legs are locked into the cuffs attached to the mattress, followed by her elbows, leaving her completely secured in place.

Now Patty can barely see, hear or feel anything beyond the restraints surrounding her.

The heavy old door closes with a long metallic rattle.

Behind the deprivation hood, Patty understands one thing very clearly - she is alone in this room, and she is probably going to remain there until sunrise.

What will the next morning bring?

Enjoy!

By John

The story of Agent Patty continues. After one wrong step during her investigation, she now finds herself trapped inside a strange dark asylum, dressed in a straitjacket, gagged and slowly being introduced to a completely different existence.

Patty is still kept in the same cold, gloomy room. There is almost nothing around her except a large full-length mirror standing directly in front of her.

Perhaps the mysterious attendant who caught Patty and placed her in the straitjacket has a reason for keeping her in front of that mirror again and again - gagged, restrained and left with nothing but her own reflection.

Is he trying to make the former agent accept this new image of herself? And can Patty ever begin to see this strange new reality as something permanent?

Late at night, the attendant finally returns.

He releases Patty's legs only to replace the restraints with a spreader bar. He then unwraps the layers of microfoam tape around her ballgag and removes it for a short break, allowing her jaw to rest.

But not for long.

When it is time for Patty to go to the bed, the same gag goes back into her mouth and is once again secured with thick layers of microfoam tape wrapped firmly around her head.

The attendant then leads her through the dark corridors toward her resting room.

Her new room is small and gloomy, with a single window and a bed positioned opposite it. Heavy straps run across the mattress, with cuffs already attached and waiting.

Patty is brought to the bed, where a sensory deprivation hood is fitted securely over her head. Her legs are locked into the cuffs attached to the mattress, followed by her elbows, leaving her completely secured in place.

Now Patty can barely see, hear or feel anything beyond the restraints surrounding her.

The heavy old door closes with a long metallic rattle.

Behind the deprivation hood, Patty understands one thing very clearly - she is alone in this room, and she is probably going to remain there until sunrise.

What will the next morning bring?

Enjoy!

Uninterrupted one-take video. Camera never stops.

Patty starts dressed, strips completely on camera, then is tightly hogtied barefoot: big toes bound, severe crotch rope cutting through her pussy and connected to her wrists, elbows cinched hard, feet pulled tight to elbows in a strict arching hogtie. She struggles and moans while ropes make her tits look fuller.

Classic Dom/slave training. She answers “Yes, Sir.”

Still hogtied she takes a full bastinado session — warm-up building to ten ultra-hard uninterrupted strikes.

Then the Dom releases the hogtie line, hauls her upright by the elbows into predicament bondage over a spike mat. Crotch rope digs deeper. Ass is worked hard with paddles and whips. Red cock-gag is put in tight. Clover clamps on her nipples pull if she moves back. She has to stand onto her toes on the spikes. Blindfolded. Two challenges: ten silent cane strokes (any sound restarts the count) and ten more without moving.

Finally returned to tight hogtie, a few more strokes on her marked bare feet, then fully released.

Real session energy from first rope to last. No cuts. Pure strict bondage and impact.

Video has English subtitles

Dans cette vidéo, je mets un bâillon à boule avec harnais et des gants en latex beige. Je montre sous différents angles à quel point c'est beau sur moi. Ce sont mes premiers gants en latex de qualité médicale, texturés et de couleur beige. Ils se sentent complètement différents du latex lisse ; la surface rugueuse crée une sensation intrigante au toucher. Cependant, la texture les rend légèrement plus denses et plus épais, ce que je n'ai pas particulièrement aimé. Je voulais essayer des gants en latex colorés, mais leur couleur et leur épaisseur rendent difficile de voir clairement la peau en dessous. C'était une expérience intéressante, et je veux essayer d'autres types de ces gants pour une meilleure comparaison.

Il y a une suite à cette vidéo : dans la deuxième partie, je fabriquerai un bâillon avec une écharpe et du ruban adhésif transparent, et j'enlèverai aussi les gants pour vous montrer mes mains moites.

By John

The story of Agent Patty continues. She was caught during a mission to uncover evidence that the staff of a mysterious asylum were secretly indulging in dark fetish games with the people kept inside. In the previous episode, Patty attempted to escape, but an attendant caught her in the dark, gloomy corridors of the asylum and brought her back.

In this episode, Patty is once again sitting in front of the mirror, watching herself closely.

Yesterday she was an agent. Today, the reflection shows a helpless resident wrapped in a straitjacket, with her legs tightly secured together in a frogtie-like position and a tight ballgag filling her mouth.

The attendant approaches and wraps the ballgag tightly with layer after layer of microfoam tape, sealing it securely in place. Once he is satisfied with his work, he leaves Patty alone for quite a while. Apparently, she needs some time to accept her new role...

But Patty has not given up.

She struggles hard in front of the mirror, constantly watching her own reflection as she twists and fights against the restraints. Her feelings are complicated. On one hand, she is completely helpless and immobilized, with her mouth thoroughly sealed beneath the gag and thick layers of microfoam tape - definitely not good.

And yet... she cannot deny that there is something strangely aesthetic about the reflection staring back at her.

What will happen next?

By John

The story of Agent Patty continues. She was caught during a mission to uncover evidence that the staff of a mysterious asylum were secretly indulging in dark fetish games with the people kept inside. In the previous episode, Patty attempted to escape, but an attendant caught her in the dark, gloomy corridors of the asylum and brought her back.

In this episode, Patty is once again sitting in front of the mirror, watching herself closely.

Yesterday she was an agent. Today, the reflection shows a helpless resident wrapped in a straitjacket, with her legs tightly secured together in a frogtie-like position and a tight ballgag filling her mouth.

The attendant approaches and wraps the ballgag tightly with layer after layer of microfoam tape, sealing it securely in place. Once he is satisfied with his work, he leaves Patty alone for quite a while. Apparently, she needs some time to accept her new role...

But Patty has not given up.

She struggles hard in front of the mirror, constantly watching her own reflection as she twists and fights against the restraints. Her feelings are complicated. On one hand, she is completely helpless and immobilized, with her mouth thoroughly sealed beneath the gag and thick layers of microfoam tape - definitely not good.

And yet... she cannot deny that there is something strangely aesthetic about the reflection staring back at her.

What will happen next?

Ceci est ma première vidéo dans laquelle j'essaie de transmettre l'esthétique du latex.

Je porte une robe courte en latex, des gants en latex et un corset en PVC. Je me déplace avec grâce sur une musique de fond lente, en polissant le latex sur moi-même et en explorant la sensation de cette matière.

Il y aura bientôt une deuxième partie à cette vidéo, avec de magnifiques chaussettes en latex qui mettent en valeur chaque orteil de mes beaux pieds. Je suis encore en train de découvrir cette matière, mais je la trouve très attrayante.

Au début, l'odeur du latex semblait âcre et pas très agréable, mais plus je portais des gants en latex médical, plus je commençais à ressentir son plaisir agréable.

Je suis également curieuse de voir où cet intérêt me mènera.

Je suis toujours heureuse de recevoir vos retours en messages privés - merci de partager vos impressions !

Dans ce clip, j'enfile pour la première fois de courtes chaussettes en latex sur mes magnifiques pieds de pointure 6,5. Je les fais briller, en montrant des gros plans de mes orteils et de mes pieds enveloppés de latex. Je porte une robe en latex, des gants et un corset en PVC.

Après avoir passé huit minutes à admirer mes magnifiques pieds dans les chaussettes en latex, je décide de mettre un masque en latex qui couvre mes lèvres sensuelles et mon nez tout en laissant mes yeux exposés—et je continue à te taquiner en le portant. Je m'allonge sur le ventre, flirtant avec toi avec mes pieds. Je tiens brièvement une 'pose de l'arc' de yoga, qui ressemble beaucoup à une bondage en hogtie.

Je te montre mes pieds à différentes distances et je remue mes orteils ; le latex brille magnifiquement quand je bouge. Enfin, je fais glisser une chaussette de mon pied pour te taquiner avec mes orteils nus. Ensuite, j'enlève mes gants en latex, montrant des gros plans de mes mains moites et pressant les gants luisants de sueur.

Profite du spectacle, chéri !