Keye Mobile Bondage

Starring Sarah Brooke. Consent came when she finally arrived. Navigation had failed the lovely hard-bodied redhead, making her hours late. As Sarah’s travel peril progressed, we kept in touch. I told her we will do as much as we can when you get here. After hours of driving, I knew Sarah would appreciate something relaxing. In suspension cuffs roped to the bedposts in tight spread eagle, she could pull and stretch her toned, athletic body, or just relax. In Sarah’s case with this bondage, she is doing both at the same time. She dolled up her nude body with shiny red high heel platform sandals, opera length leather gloves, and since ours is a platonic meld, I gave her a chastity belt. It is not the real deal but it is the color coordination and innuendo thought that counts. Sarah’s mood is sexually charged. She likes being helpless and pleasure pulls against her restraints, occasionally looking at her silent captor longingly as he takes in her lusciousness from many angles close and long. Half way in she knows what is coming next when her binder approaches with sponge balls and duct tape. Being gagged turns her on even more. Sarah begins to plead for attention as another round of leering at the bound beauty commences. There will be no more pleasure for you today, Sarah, other than what you can derive from being spread taught, gagged, and helpless, knowing you are unable to resist being used as a sex toy with the release of a couple of spring snaps. Actual running time (18:10) (960 x 540)

Starring Jacky Fay-Lynn. Not unusual for a Domme to be lurking inside a bondage girl. In this POV presentation Jacky is clearly the sub right now, having been leather bolero straitjacketed and strapped by her unseen boyfriend, who as she explains is a high heel fanatic. He got really turned on that morning seeing her in new D’Orsay ankle strap pair, and just had to restrain her for their sex games. But Jacky has something new in store for him when she gets a chance. She lets her viewers know she has secretly purchased a sexy pair of high heels for boyfriend, and intends to make him strut in them and spend time as her slave performing high heel worship. For now though, Jacky is just fine with her current predicament, as she knows it will lead to sensual attention lavished upon her by kinky boyfriend. Topping from the bottom, she tells her audience the boyfriend will obey her gag request, and off screen she gets a thick strap plug gag. It is a big plug. Jacky is great at taking big gags, and it makes all her gag talk undecipherable, which sounds delightful. Boyfriend lurks around with camera in hand as Jacky squirms enticingly. She is getting a bit tired of not being played with, but it looks like boyfriend is going to leave her this way for a while. Actual running time (10:08) (960 x 540)

Starring Jacky Fay-Lynn. Good tight bondage play vibes developed the day before. I invited Jacky to return the next day, hoping she would like to deepen our vanilla friendship as well as our bondage playmates status. She accepted, and brought her own thigh high, high heel boots. Oh my. A boot lady in my midst. I gave her beige leggings to pair with the boots, and we used the torso hugging top she arrived in. Jacky is focused on the viewer initially, entering the scene by strutting around the chair she will soon be immobilized in, wondering out loud if we like her outfit, and where is her binder to apply the ropes and harness panel ball gag lying on the chair. Her wish is soon granted, although I tied most of the rope off-screen so we could just be ourselves in the initial portions of a real-life bondage session. The video is equally divided between Jacky roped to the chair and pleasure struggling with some onscreen tightening for her torso and ankles, rope immobilized and harness panel ball gagged (on screen), which heightens her erotic feelings, and bound, strictly gagged, and Tenugui cloth blindfolded (also applied on screen). I expose her breasts onscreen without asking first. She knew the safe grunts but did not use them. A variety of angles are provided throughout. A handheld survey comes at the end, when Jacky is damsel sub-spacing and her body temperature is becoming uncomfortably high. I know she needs to get out. She has of course previously promised to get tied up again if I agree to rescue her from this helpless predicament. Actual running time (21:45) (960 x 540)

Starring Rachel Adams. Maneuvered into a prone position on the bed, Rachel moves sensually in the cords confining her. At times she loses herself in bondage pleasure feelings. She is quite happy to pose for pictures, first for front views and then, obeying like a good girl should, she rolls over so we can see her back and pinioned arms. The ropes are tight enough to remind Rachel she cannot slip them, yet not so menacing as to distract from the tied-up bliss they provide. The stuffed mouth white duct tape gag is holding fast. She is not trying to talk like she was in Part One. As in a ‘normal’ bondage encounter she is staying quiet until asked for a response as a matter of willing submission. She still giggles at times, which is quite normal for her when we decide to just play. Of course, I want her to try to escape both the gag and the ropes. When the binder and the ‘victim’ know escape without help is out of the question, the erotic ligature feelings intensify. Her chest ropes were tightened up previously. Now a long cord is used to hogtie Rachel on screen, wound from the tummy and chest ropes, incorporating her wrists, and on to her ankles and winding around her six-inch heels. Her pleasure is intensifying. Seems she could stay this way for hours, but she luxuriously struggles to please me. Since Rachel cannot escape, I ask her to express erotic feelings. Oh yes, she can do that with ease. Actual running time (17:26) (960 x 540)

Starring Jacky Fay-Lynn. In this release the two parts have been condensed into one. On screen bondage has been eliminated, but the essence of a real consensual session (our second together) is maintained. Jacky likes to be bound and gagged and is eager to follow orders. She is continually challenged to escape, and after leaving her alone she does manage to loosen an ill-placed hogtie knot. She is quite nimble fingered even with leather gloves on. The loose knot is unacceptable and quickly fixed off-screen. In the end she acts like she is not too happy about being left alone once again nor with my idea of ensconcing her in a rubber bondage sack for the night. Because as a customer I like to know this when a tape gag is not applied on screen, a cloth wad big enough to keep her mouth open is stuffed behind three strips of white duct tape with the first strip acting like a cleave. Parts one and two are still available. Actual running time (14:29) (960 x 540)

Starring Jacky Fay-Lynn. Asking in Part 1 to be tied up and gagged in her spandex leggings, leather opera gloves, and high heel boots ensemble, bondage advocate Jacky, now stuck with no hope of escape (she likes that), follows directions of her captor to put on an obedience show by testing the ropes binding her hot body and the stuffed mouth tape gag muting her voice. She is having fun and feeling sexy, and would probably stay on the bed while her captor is away, but a hogtie will keep her from considering a hop out of the bedroom procedure, so she gets one. The hogtie rope knot is initially left too close to her fingers, but that gives her something to do while left to enjoy her helpless condition. Experienced captors keep a periodic eye on their prisoners to ensure their safety and as well monitor any knot loosening mischief. Sure enough, a check reveals that hogtie knot has been found by the escape attempt prisoner and is in disarray. Now fixed, Jacky is left again, but is getting close to needing a break. She gag-replies in the affirmative to her captor’s inquiry about rescue, but to her dismay he plans to leave her tied up until dinner is served, and then she is going into a bondage sack for the night. Actual running time (15:22) (960 x 540)

Starring Rachel Adams. We are enjoying each other’s company while playing bondage. She likes to be tied up and gagged. Today I gave her a cute, coordinated bra and panty set, and six-inch high heel bedroom pumps. Cotton rope binds her body at ankles, knees, wrists, and chest. She can see herself in a mirror. Still enjoying the view of herself restrained, a tummy rope is applied that encircles and cinches her forearms as well. Rachel likes to be tightened up and does not mind that I take my time to get it right. The camera has moved to get a close shot of Rachel from panties up. Next a stuffed mouth, multi-strip white duct tape gag is installed. Lots of kneading the adhesive so it sticks well. Nice of bondage girls to let me play with their faces like this, and hug them. Of course, she is challenged to free herself from the gag and see how much noise she can make. No one will hear her from the sidewalk a few paces past the window. Rachel likes to pose and we like to record our fun with stills. A comprehensive video survey of the happily helpless bondage girl is undertaken with close-ups from toes to gleaming eyes, ending with a view of her bound arms and wrists and the front of her entire body in the mirror. Actual running time (17:24) (960 x 540)

Starring Jacky Fay-Lynn. A flat tire made her day start with difficulty even before her long drive to our rendezvous. I thought a relaxing position to begin our bondage friendship building would be appropriate. Her abundant smile indicates she agrees and is pleased to have her hands confined in red leather mitts, slave collared, leather strapped, chained, and body locked into a seated position while attached to the foot board. She smiles with her eyes after the red panel plug gag is inserted on screen, and given her reactions after the blindfold is applied on screen, her bondage pleasure is ever increasing. Well, perhaps not so much when she learns she will be left this way for another hour. Content covered from various angles is equally divided between no gag, gagged, and gagged and blindfolded. I asked Jacky to just be herself, and she is adorable to say the least. Actual running time (13:28) (960 x 540)

Starring Ashlee Graham. With bondage for her quite clearly the goal, Ashlee walks into the scene in her birthday suit toting a few accoutrements to motivate her partner. He is watching from behind the camera as she enticingly puts on high heel, over knee boots, attaches padded leather cuffs to her ankles, and slips on black leather opera gloves. She will need help with the rest, and invites her partner non-verbally to finish things up. Ashlee reappears hogtied with black rope winding through the D-rings of her matching ankle, wrist, and elbow cuffs. She tests her predicament with relishing my restraint sensuality. Ashley knows he will want her voice muted as well, and that comes in the form of a red panel plug gag strapped tight on screen. The big plug makes her drool. By now she wants her partner’s hands all over her restrained and excited body. However, his addition of a vintage leather blindfold (on-screen) tells her there will be no pleasure forthcoming anytime soon, other than that which she derives from being helplessly bound. Actual running time (12:13) (960 x 540)

Starring Ashlee Graham. She dresses to tease even for the most mundane of errands, today in a loosely flowing grey blouse, butt hugging jean pattern leggings, and camel color high heel pumps. Often, her partner has bondage gear laid out for her to discover when she gets home, if he is not ready at the door to clamp a strong hand over her mouth and drag her into a bondage session upon arrival. Ashlee struts with mischievous delight around the chair draped with ropes and a cloth cleave gag knowing she will soon be stuck in their embrace. She wants the bondage, but prefers having her partner sensually pawing her up and down when she is helpless. As usual though, she must wait as he takes in the sight of his pretty redhead girlfriend with striking aqua eyes from every possible angle. She can barely move in the chair, but does her best damsel in dismay act to motivate a rescue, or better yet, his hands and lips in all the right places. She thinks it might be coming, but he only caresses the thick cloth cleave gag restraining her voice, then leaves her again to wait and wonder. Actual running time (08:22) (960 x 540)

Starring Ashlee Graham. They engage in sexual foreplay in a variety of ways, but it always includes bondage. The ritual is familiar to her, and she enjoys it. He always begins with something basic, sometimes just with her wrists tied behind her back, and then keeps adding elements to increase her helplessness. Today he lubricated her skin and slipped her into a latex bolero straitjacket. He loves her voluminous natural breasts and the bolero sets them off nicely. With shiny as the theme, she is accessorized with black patent lace up stiletto heel knee boots. She is perched on a stool and begins a dance of seduction for him as he gazes longingly at her from various vantage points. She strains against the soft rubber jacket. In time, he adds straps to her legs and booted ankles to keep her from wandering off – not that she had any plans to do so. She stretches her booted legs teasingly, knowing when she wears boots her man is particularly vulnerable to her feminine charm. She never complains as she knows the sex is going to be wild and wanton, but he always gags her, this time with cloth filling her mouth and sticky, shiny black vinyl tape plastered over her lips and cheeks. She gives him damsel eyes as she works the gag. She likes knowing it is secure, and moaning softly within its oral embrace. Her lover is not seen nor heard. Actual running time (11:23) (960 x 540)

Starring Sarah Brooke. Our bondage girl seems to like playing the damsel when she visits, which is fine, but she is not fooling anyone. I am okay with that as all ‘tie me up and gag me’ motivations are welcome here. Dressed in black pleather jeans and the red, butter soft leather, knee high lace up boots that fit tiny feet ladies, Sarah is restrained with locked on finger control mitts, a neck to wrist restraint, straps holding her legs together, and a panel ball gag. A very strong woman, Sarah fights the bondage. The hip strap loosens but that gets fixed off screen in short order. I learn the straps holding the ball are digging into the sides of her mouth, so we do a gag change (on screen) to a stuffed mouth with Fixomull tape. Sarah works it hard but the tape stretches with every jaw and tongue movement and she realizes there is no hope of dislodging the voice muter. She does not like obeying orders but she has no choice in the matter as she sits up for additional immobilization of her upper body with 2 more straps. Then upon command Sarah wiggles and is subjected to manhandling to get her in position to be hogtied (on screen). She is really stuck now and the look on Sarah’s face at the end is one of resignation and a real “please let me go.” Actual running time (21:32) (960 x 540)

Starring Ashlee Graham. Too be quite honest, Ashlee knew exactly what she was getting into when I picked her up at the train station, so my ride service was not too risky. We had spoken during the trip about smart phone ride hailing applications, and she laughed when I told her my Evil Lair riding hailing app was not very popular. This was our first scene, and it is straightforward. We take in from a couple of angles our not unhappy to be tied up, exotic eyed redhead heroine, dressed in spandex stockings and gloves, a skeleton hands bra framing her perfectly plump natural breasts, and a skirt that quickly rides up, revealing our girl forgot her panties. She is getting a bit impatient with me as I fumble through too many gags to choose from, but I chose correctly as her ball gag goes in nice and tight (on screen). Ashlee resumes her struggles in bondage with sensual vigor, but not quite as happy in her confinement now with that gag keeping her jaw jacked and causing her to drool. She is a trooper though and stayed with it for a long as she could before we needed to get her some allergy relief. Actual running time (9:00) (960 x 540)

Starring Carolina Crush. This is Carolina’s first straitjacket session for public consumption. First up is high heel thigh boot put on, then Carolina steps over to the island for the canvas Maxcita Psycho straitjacket fitting. A bit backlit here but I like the voluminous background and I think it fits with the experimental feel of our first day together. The jacket fits her well and she cannot move her arms, but confesses she likes that. Carolina could still run away so I make that a little more difficult with a leather cuffs and chain hobble. Camera angle changes to a two shot where the degree of runaway difficulty rises due to Carolina receiving a blindfold after being bit gagged. Now blind, muted, and helpless, Carolina follows verbal directions and slowly makes her way over to a lounge chair. In rather cumbersome fashion I manage to make the upper arm strap that goes with the jacket serve as knee binding, and fetch a white leather strap to attach her body to the chair back. Her blindfold slips off so I give her a new one. Carolina is content to stay this way when I promise to make us something to eat, but when she hears the front door close behind me, she does not seem so content anymore. All bondage applied on screen. Actual running time (22:10) (960 x 540)

Starring Rachel Adams. Continuing the Unjustly Imprisoned saga, in which our heroine had been attracted by the inmate costumes and the strict restraint in which they find themselves, Rachel had voluntarily surrendered herself to the Black Stone Internment Prison. She mistakenly believed the length of her stay was negotiable, based on the twisted advice of her unscrupulous legal advisor. After a protracted immobilized ordeal attached to a post, Rachel’s jailer keeps her in the orange, prison-issue spandex catsuit, as well as the locked-on leather chastity device, but now she is barefoot. Rachel’s arms are welded inside a leather single glove, and her legs are leather strapped in frog tie fashion. A posture collar has been installed, from which a locked chain leads to another post. The leash gives her just enough room to frustratingly twist her body in a small diameter semi-circle. Her voice is sternly muted by a Ledermeister-built sink drain harness gag. Once again, Rachel can see herself in a mirror. Left alone in her cell, our bound beauty desperately attempts escape from her leather prison, but the restraints are unyielding. At around the 8:00 minute mark, Rachel’s perverse (and unseen) captor joins her in the cell to leer pruriently at his prisoner from many angles. As the scene ends, Rachel can see her jailer is leaving her alone again, which prompts delightful damsel in dismay reactions. Will our heroine ever be released? According to the Black Stone prison manual, the answer is no. Inspired by our friend Martin Martyr. Actual running time (10:22) (960 x 540)

Starring Carolina Crush. In a day of firsts for my lovely new friend, I asked Carolina after First Hood Feelings if she would like to try a bondage sack. She gave me a look I was becoming used to by now. Something along the lines of, “Oh gosh no ... well, okay!” After Carolina introduces herself and wonders out loud about her partner who says she is pretty, yet hoods her, and thinks she has a fabulous body, but wants to put it in a sack, the presentation is all about getting her neoprene rubber confined. I help get her arms into the inner sleeves, then while zipping her up explain the frisky business option the triple zipper affords, and to tighten things up, apply red rope lacing along the length of the sack, finishing the security by tying it off to a bedpost. Carolina is a happy smiling girl throughout, and as well quite content to have her mouth stuffed with cloth and taped over with translucent duct tape. She could take a bigger wad but that is okay. With her lips closed the finished product is a perfect gag kiss. I challenge her to push her gag out but it does not budge. Sometimes I think bondage girls do not want to push their tape gag off. Now that I have Carolina helpless, I begin to verbalize perilous innuendo that she did not sign up for, which in turn prompts fabulous damsel in dismay reactions by the blonde beauty queen. After all, she did just meet me and perhaps my original gentlemanly manner was just a facade masking an inner demon. All bondage applied on screen. Actual running time (20:55) (960 x 540)

Starring Carolina Crush. When I asked if she had ever been hooded, Carolina gave me a look of trepidation. I told her she did not have to be gagged underneath so her first try would not be too scary. Fortunately, she is an adventurous woman, and having built trust in me during our very first session together, Carolina agreed to be leather hooded and bound. The hood muffles the wearer somewhat even without a gag, but still allows decipherable speech, so rather than fake being gagged, I asked Carolina to share her feelings with the audience while helpless and sensory deprived. As the scene opens, Carolina introduces herself and tells the audience what is in store. We then fade to her hooded only and talking about her initial feelings, and that her partner is now going to make her truly helpless. She did not know what was coming. I chose to keep her in the same seated position, using collar and chain and locks and rubber finger control mitts and ankle cuffs. Carolina is getting more excited as she continues her fascinating and unscripted dialog. The only bondage done on screen is the addition of a leather strap around her elbows which raises her helplessness another notch, and she likes it. As Carolina mentions in the beginning, as well as the end, she will allow me to gag her for her next hood session. Another convert! Actual running time (14:53) (960 x 540)

Starring Carolina Crush. When a real-life bondage girl moves far away from her former home, new friends must be found to put her in a bind. Carolina moved to my area so I contacted her and she accepted my invitation for platonic bound and gagged playtime. For our first session we collaborated on her costume. She provided pantyhose and a spandex mini-skirt. I gave her a blue and black latex vest and patent high heel pumps. She is an elegant, intelligent, extremely polite, and beautiful woman. As such, I thought she would appreciate the matching blue and white leather cuffs, collar, and harness panel plug gag restraint set, and she did. White straps from the inventory served to tighten things up around her torso and luscious nylon clad legs. She sits on a bed savoring the feel of the restraints, often looking at herself in a mirror. Numerous angles show her high heels and ankle cuffs, her leather-bound arms, and wrists in back, and of course her gorgeous face. With her helpless excitement building, Carolina, unprompted I might add, asks for a gag. It is extreme, but she liked it, and when I asked her to thank me for granting her gag request, she sounds deliciously muzzled. Now gagged, her bondage pleasure feelings continue to build as I take another comprehensive survey of the eager pleasure prisoner. Instructed to lie down, the session feel of our encounter intensifies, culminating in Carolina being left alone all bound up, only to find herself shortly thereafter strapped into a hogtie upon my return. She is beginning to wonder if she will ever be set free, and that excites her. All bondage is done off screen. Actual running time (17:29) (960 x 540)

Starring Ashley Lane. Of course, she is still stuck on the floor. Ashley cannot escape but she is trying - constantly. Her captor leers at her longingly with the camera as she puts on an ‘I’m a damsel and I like it’ show. Adding more rope is never a bad thing for Ashley (despite displaying a ‘Help me!’ disposition throughout) so into a hogtie she goes (on screen). She does her best to maneuver this way but even a roll to the side requires help now. All damsels should be left alone to let a bit of fear of the unknown kick in. A blindfold is added (on screen) and her response to the door closing is precious. A secret survey is undertaken while Ashley is unaware anyone is with her. When the door opens again Ashley is heartened by the prospect of imminent release but only the gag and blindfold are removed. He will leave her tied until things are ready for her Straitjacket Suspension. Actual running time (13:46) (960 x 540)

Starring Cherry Lady. We finished the first scene of our first meeting and had built mutual trust, so I jumped right in to this one with little explanation for Cherry, except leaving the Posey small canvas straitjacket in plain view. We open with Cherry’s adorable eastern Europe accent tempting us while showing off her black over knee high heel boots. I love hearing her say naughty boy! I did not learn this was her first straitjacket experience until I asked her while folding and strapping her arms in place. All straitjacket victims are cool, but there is something special in the air when they are new to old fashioned asylum restraint. Cherry holds the panty mouth stuffing in place obediently and watches as I prepare the Fixomull tape for her face and lips. She is having fun watching herself in the mirror getting bound up and gagged. Cherry gag talks a lot. I did not prompt her to do so, letting her react to the situation any way she desired. Helped to the floor, I use white straps to confine her booted legs. Then it is time to watch her experience the straitjacket bondage. By the final minutes she had been straitjacketed and gagged with her legs strapped tight for a good 45 minutes between taking video and stills, and in a resigned way lays back down on the floor in hopes of me letting her out. All bondage applied on screen. Actual running time (21:21) (960 x 540)