Pump that Pedal

Outfit & Shoes

Blue suit jacket, red blouse, shiny black peep toe heels, tan pantyhose reinforced toe

Scenario

VIP is going on a date with her neighbor JIMMIE who has been there for her so so many timesShe wants to look great for him also

The video starts she is sitting on the side of the bed sending him a text saying she will be there in 25 minutes She sends the text and then grabs her shoes and puts them on. Video stops

We see her high stepping to the caddyShe gets in and looks in the mirror to check her makeup and lipstick and see how beautiful she isShe takes out her keys starts pumping the gas pedal twists the key and no catchShe tries again no catchNow it’s the cranking and pumping marathonShe calmly pleas with the motor to start but all she gets is the raspberriesAfter several attempts and pumping techniques she stops to thinkShe twirls her right foot a couple of times and tries again but no catchShe then slides off her heels rubs her feet together and tries again pumping in her stocking feet

The battery gets weary and spins slower and slower and finally she realizes it ain’t happening

She sits back and sulks and then picks up her phone to call Jimmie for help and as the p t p logo comes up we see her waiting for a answer

AnglesFull body of her sitting on side of bed with one foot under her other leg while texting and then when she puts her heels onFull body of her high stepping to the car and getting inFull body of her from passenger seat cranking and pumping and plenty of POV pumping in both shoes and stocking feet and one or two close ups of her hand twisting the keyNO PROFANITY or CUSSSiNG

Outfit & Shoes
Outfit -Pajama pants/flimsy sweatpants with thongs. Loose fitting T-shirt with no bra. No make up. Hair a little messy
Shoes - 7.5 green & white Havaianas from model closet

Scenario
Starts with Jane getting in the car (have the seat all the way back so she has to stretch her leg and arch her foot to floor the pedal).

She starts by giving it 4 or 5 slow full leg extension pumps into the floorboard with a slight hold at the end. She turns it over and slowly pumps the pedal a couple of times. It teases her so she starts pumping it faster bouncing trying to get it to start. It sputters and stalls.
When it stalls she doesn’t let off the pedal. She puts all her weight on it, leg fully extended, ass off the seat with the pedal buried in the floor and turns it over. She keeps it there and it starts to sputter and chug and she starts pumping aggressively bouncing like crazy begging it to catch. It stalls again.

She readjusts herself in the seat hugging the steering wheel. She starts pumping it before she turns the key. As she turns the key she buries the pedal in the floor and starts getting pissed and cursing for it to start. It starts to sputter and she’s going crazy pumping, holding and burying the pedal trying to get it to start. But it just chugs out.
She says s--t I flooded it out. I don’t have time for this.
She starts pumping like crazy (show upper body with the flimsy shirt with no support)
She turns the key pushes herself back in the seat holding g herself off the seat with her other arm to bury as hard as he can in the floor (grunting making faces cause she is giving it everything she can to start it. It just get hardest and harder to start before it starts to sputter and never catches.

Mixture of full body from passenger side, over the shoulder from back seat and a couple brief close ups of her foot arched when pedal is buried in the floor

Repeat different combos of the pumping styles described for the duration of the video. The car never starts just teases the fuck out of her posing her off and she get more and more desperate actually flooding it worse

Outfit & Shoes
T shirt, cuffed jeans, with brown moccasins

Scenario
Vivian is on her way out to spend the day with the girls. She’s taking the Volvo because she wants to show it off.

Filming starts from the passenger side as she attempts to get it started, but it’s only sputtering and chugging, not staying running. Vivian can be known for flooding it out, but she refuses to admit it. Several minutes go by, and she gets more of the same. She decides to call you, her boyfriend, and gives you a piece of her mind for the car not starting.

“What’s wrong with the Volvo? I thought you fixed it?” she gripes at you. “ No, I’m not flooding it, it just isn’t starting” she says in an annoyed tone.

She demands that you come home and take a look at it, but you tell her no, which pisses her off and she hangs up on you. She decides to look under the hood and see if she can fix whatever is wrong with it herself. She doesn’t see anything out of the ordinary and goes back to trying. Being more agitated, Vivian is giving the gas pedal firm full leg pumps, pushing back against her seat. She’s not holding it to the floor long enough and can’t find the right mix of flooring and pumping to get the engine started as she continues to struggle.

Even though you told her you weren’t coming home, you decided to pop up anyway because this moment is too good to pass up. You walk up quietly to her from the driver’s side. Her left leg is out, the hood is up, and you can smell gas from a mile away. You decide to watch and take in the moment before you say anything for a several minutes. You see her arm wrapped around the steering wheel, her body bouncing in the seat, and her leg going to town on the gas pedal. She curses the car for not starting and then she finally notices you watching from the corner of her eye and begins nagging you.

“You just going to stand there and watch or help me get this thing started?”

You wave your hand in front of your face indicating you smell a bunch of gas, which ticks her off even more.

“I don’t smell anything” she says in denial.

She decides that she doesn’t need your help and continues to try to get the car to start her way instead of just holding it to the floor long enough for it to clear out. You decide to get in the passenger seat and just watch since she says she doesn’t need your help. More bouncing and sputtering from failed attempts until she finally decides to take your advice and start holding the pedal down long enough for it to clear it out. The engine finally clears out and roars to life.

She brags, “I told you I know what I’m doing”.

Even though it took a lifetime to start it. She gets out, closes the hood, and tells you to get out, so she can finally go see her girls. As soon as you step out you here to engine chug out on her and it stalls. She bangs her hands on the steering wheel in frustration. You make your way to the front of the car as you antagonize her from the front windshield.
(This should switch to pip view with a view on the pedals, as you watch from the outside) .

She flips you the bird and goes back to cranking and pumping. You see her bouncing as she once again gives the car some choice words. Several failed starting attempts go by, and she realizes she isn’t going to win this battle. She finally gets out and storms off.

“You’re staying on the couch tonight!" she yells and walks away.

Outfit & Shoes
Black tank top, jean shorts, and brown size 6 Birkenstock clogs

Scenario
Jane is on her way out to spend the day with the girls. She’s taking the Camaro because she wants to show it off. Filming starts from the passenger side as she attempts to get it started, but it’s only sputtering and chugging, not staying running. Jane can be known for flooding it out, but she refuses to admit it. Several minutes go by, and she gets more of the same. She decides to call you, her boyfriend, and gives you a piece of her mind for the car not starting. “What’s wrong with the Camaro? I thought you fixed it?” she gripes at you. “No, I’m not flooding it, it just isn’t starting” she says in an annoyed tone. She demands that you come home and take a look at it, but you tell her no, which pisses her off and she hangs up on you. She decides to look under the hood and see if she can fix whatever is wrong with it herself. She doesn’t see anything out of the ordinary and goes back to trying. Being more agitated, Jane is giving the gas pedal firm full leg pumps, pushing back against her seat. She’s not holding it to the floor long enough and can’t find the right mix of flooring and pumping to get the engine started as she continues to struggle.

Even though you told her you weren’t coming home, you decided to pop up anyway because this moment is too good to pass up. You walk up quietly to her from the driver’s side. Her left leg is out, the hood is up, and you can smell gas from a mile away. You decide to watch and take in the moment before you say anything for a several minutes. You see her arm wrapped around the steering wheel, her body bouncing in the seat, and her leg going to town on the gas pedal. She curses the car for not starting and then she finally notices you watching from the corner of her eye and begins nagging you. “You just going to stand there and watch or help me get this thing started?”. You wave your hand in front of your face indicating you smell a bunch of gas, which ticks her off even more. “I don’t smell anything” she says in denial. She decides that she doesn’t need your help and continues to try to get the car to start her way instead of just holding it to the floor long enough for it to clear out. You decide to get in the passenger seat and just watch since she says she doesn’t need your help. More bouncing and sputtering from failed attempts until she finally decides to take your advice and start holding the pedal down long enough for it to clear it out. The engine finally clears out and roars to life. She brags “I told you I know what I’m doing”. Even though it took a lifetime to start it. She gets out, closes the hood, and tells you to get out, so she can finally go see her girls. As soon as you step out you here to engine chug out on her and it stalls. She bangs her hands on the steering wheel in frustration. You make your way to the front of the car as you antagonize her from the front windshield. She flips you the bird and goes back to cranking and pumping. You see her bouncing as she once again gives the car some choice words. Several failed starting attempts go by, and she realizes she isn’t going to win this battle. She finally gets out and storms off. “You’re bed is the couch tonight she yells”.

Details: If Jane could hold the steering wheel with both hands when she is feathering the gas pedal trying to keep the engine running similar to a few of her videos that would be great. Also, if she could slide her bare feet in out of the Birkenstocks and comment on how sweaty her feet are getting in between a few cranking attempts that would be great as well.

Outfit & Shoes
Black tank top, jean shorts, and brown size 6 Birkenstock clogs

Scenario
Jane is on her way out to spend the day with the girls. She’s taking the Camaro because she wants to show it off. Filming starts from the passenger side as she attempts to get it started, but it’s only sputtering and chugging, not staying running. Jane can be known for flooding it out, but she refuses to admit it. Several minutes go by, and she gets more of the same. She decides to call you, her boyfriend, and gives you a piece of her mind for the car not starting. “What’s wrong with the Camaro? I thought you fixed it?” she gripes at you. “No, I’m not flooding it, it just isn’t starting” she says in an annoyed tone. She demands that you come home and take a look at it, but you tell her no, which pisses her off and she hangs up on you. She decides to look under the hood and see if she can fix whatever is wrong with it herself. She doesn’t see anything out of the ordinary and goes back to trying. Being more agitated, Jane is giving the gas pedal firm full leg pumps, pushing back against her seat. She’s not holding it to the floor long enough and can’t find the right mix of flooring and pumping to get the engine started as she continues to struggle.

Even though you told her you weren’t coming home, you decided to pop up anyway because this moment is too good to pass up. You walk up quietly to her from the driver’s side. Her left leg is out, the hood is up, and you can smell gas from a mile away. You decide to watch and take in the moment before you say anything for a several minutes. You see her arm wrapped around the steering wheel, her body bouncing in the seat, and her leg going to town on the gas pedal. She curses the car for not starting and then she finally notices you watching from the corner of her eye and begins nagging you. “You just going to stand there and watch or help me get this thing started?”. You wave your hand in front of your face indicating you smell a bunch of gas, which ticks her off even more. “I don’t smell anything” she says in denial. She decides that she doesn’t need your help and continues to try to get the car to start her way instead of just holding it to the floor long enough for it to clear out. You decide to get in the passenger seat and just watch since she says she doesn’t need your help. More bouncing and sputtering from failed attempts until she finally decides to take your advice and start holding the pedal down long enough for it to clear it out. The engine finally clears out and roars to life. She brags “I told you I know what I’m doing”. Even though it took a lifetime to start it. She gets out, closes the hood, and tells you to get out, so she can finally go see her girls. As soon as you step out you here to engine chug out on her and it stalls. She bangs her hands on the steering wheel in frustration. You make your way to the front of the car as you antagonize her from the front windshield. She flips you the bird and goes back to cranking and pumping. You see her bouncing as she once again gives the car some choice words. Several failed starting attempts go by, and she realizes she isn’t going to win this battle. She finally gets out and storms off. “You’re bed is the couch tonight she yells”.

Details: If Jane could hold the steering wheel with both hands when she is feathering the gas pedal trying to keep the engine running similar to a few of her videos that would be great. Also, if she could slide her bare feet in out of the Birkenstocks and comment on how sweaty her feet are getting in between a few cranking attempts that would be great as well.

Outfit & Shoes
I would like Vivian to use some make up including earrings and red lips. Her outfit should be her orange/brown sweater, skirt, black boots with socks showing just above the top of the boots.

Scenario
Part 1 (1 minute)

Vivian has been experiencing car troubles lately, prompting a mechanic to visit her house to address the issues. However, Vivian dozed off, and she is unaware whether the mechanic successfully fixed her car. The next morning, she prepares to leave her house, uncertain about the state of her vehicle.

The scene starts here:

Vivian is inside the house; she grabbed her phone anxiously. On the other end of the line is the mechanic she had entrusted with the task of fixing her beloved car. With a deep breath, she inquired, " Hey, did you manage to get the car repaired before you left? "

Vivian's heart skipped a beat, and she couldn't help but utter, " So, you mean the car might not start? " After a moment of contemplation, Vivian responded with a determined resolve, " Alright, I'll give it a shot. "

Then, she exits the house. Then, the camera pauses.

Camera angle: Vivian is inside her house, standing and positioned near either the kitchen or living room. She holds her cellphone, engaged in a conversation with a mechanic about her car troubles. The camera captures her entire body during this conversation.

Part 2 (3 minutes)

The camera begins filming from the exterior of the car, positioned slightly to the left. Vivian is already inside the car. In the frame, we can clearly see the driver's side door (The driver’s door is closed all the time), though it's at a moderate distance. Vivian is already in the process of trying to start the car, and as she does, we can hear the distinct sound of her pumping the gas pedal while cranking.

The car battery is weak, but Vivian keeps trying. Then, after a minute, the camera angle changes as we move to a view behind the car. Vivian keeps cranking, pumping and bouncing.

Now, after another minute, the camera shifts to the front of the car, positioning itself behind the windshield. From this angle, it captures Vivian as she continues her determined attempts to start the car. Despite her repeated efforts, the car refuses to start. Vivian's wide-open eyes, dropped jaw, and startled expression are clearly visible when the car is failing to start.

Part 3 (1 minute)

After the previous part, the camera pauses briefly before shifting its perspective inside the car from the passenger's seat. It focuses solely on Vivian's right leg, capturing her determined pumping and cranking actions. Her leg moves up and down repeatedly while pumping the gas pedal. The camera's view only centers on her boot and bare skin (between her boot and skirt) and we can also see her hand as she turns the key. The determined efforts to start the car are evident.

Camera Angle: The camera's view is positioned within the car from the passenger's seat, concentrating on Vivian's right leg, her boot, and her hand as she pumps and cranks.

Part 4 (1 minute)

Now, the camera is positioned in the back seat of Vivian's car, providing an intimate view of the interior. Vivian, despite the weakening car battery, continues her relentless efforts to start the car. She cranks, pumps, and bounces in her seat, refusing to give up.

The camera captures her bare-skin between her boot and skirt, highlighting her unyielding determination.

Part 5 (1 minute)

The camera momentarily pauses before shifting its perspective to the top of Vivian's left shoulder. Vivian, displaying unwavering determination, continues to crank the car, but it stubbornly refuses to start. In an act of resolve, she opens the driver's door, uses her right leg to press the gas pedal, and places her left boot strategically between the door and the entrance edge.

Camera Angle: The camera is situated above Vivian's left shoulder, providing a close view of her determined actions. It captures her as she cranks the car, opens the driver's door, uses her right leg to press the gas pedal, and positions her left boot between the door and the entrance edge.

Part 6 (1 minute)

Vivian's persistent attempts to start the car continue as she cranks the engine relentlessly. However, the car remains unresponsive. The battery is getting weaker. The camera shifts to the passenger seat, capturing Vivian as she places her right leg on top of the passenger seat while cranking. During her determined efforts, she starts scratching her bare skin between her boot and skirt. After a minute, the camera pauses.

Camera Angle: The camera is shooting from the passenger seat, offering a clear view of Vivian's actions. It captures her as she cranks the car and places her right leg on top of the passenger seat. Additionally, it highlights her scratching her bare skin a few times between her boot and skirt.

Part 7 (2 minutes)

A neighbour exits the house and approaches Vivian as she continues to crank the car, attempting to start it. The camera is positioned outside, capturing Vivian from the driver's door area. Vivian is seen crossing her legs outside the car while repeatedly turning the key, but the car remains unresponsive.

As her step-daughter approaches, Vivian remarks, " I need a new car. " Despite the car troubles, Vivian tells the neighbour about planning to wake up earlier during the upcoming winter to ensure she has enough time to start the car due to the expected cold weather.

Camera Angle: The camera captures Vivian as she cranks the car while crossing her legs outside the driver's door.

Outfit & Shoes
Brown leather jacket, jeans, shiny brown leather riding boots

Scenario
Vivian heads to the Monte Carlo to give it a cold start to see if it'll run. She walks up to you and says, " Give me the keys, I'm driving. "

She gets in the car and filming is from the back seat over her shoulder. She tries getting the car started but it won't start. It sputters and chugs while she slowly pumps the gas in her boots. She gives the car some pauses from time to time because she doesn't want to flood it too bad but it's already too late. The battery ends up getting weak and goes flat from all her attempts at starting the car.

Back seat over the shoulder, a few closeups of her boots pumping the gas pedal and a view looking up from the passenger side floor seeing her from head to as much of the boots you can capture in one shot. Not worried about seeing the pedal during that last angle.

Outfit & ShoesSome sexy secretary outfit (short skirt, blouse open to show off Vivian’s cleavage, high heels)

Scenario **This is just the upper body view only in full view.** A clip which focuses about running out of gas, just like my previous one

1) Cranking (6-7min) Vivian leaves her workplace angrily/upset and walks to her car after a very bad day.As she approaches the car, she stops, looks at it, seems almost annoyed by its condition and hopes the car won’t be temperamental.She knows that her car has some start-up problems, so as she sits down she warns her car that she has had a bad day so the Beetle had better start for it’s own sake.She finishes adjusting herself then she tries to start but with no success, she stands, unbelieving and says “you have to be kidding me“ then tries again to start still in vain and add “come on i don’t have time for this right now". She goes outside, lift the hood to see what’s wrong but find nothing so she goes back to her car and start again.She then looks at the gauge and realizes that she’s out of gas, she curses herself for having forgotten to fill it up yesterday.She tries to start the car several times begging it to go.In the end she manages to start the car, close the hood. She says “i don’t have time to get gas right now, so i expect you to have enough to make itthere.” She drives away and the camera fades out.Vivian acts like she is pissed off/upset, she can imagine her own dialogues if she wants.

Camera angle : No specific ones, from the outside and inside, whatever you want.

2) Driving (6-7min) Vivian is driving the car on the road in a hushed panic, her eyes glues to the car’s fuel gauge all the way. She threatens the car by telling it that it had better hold until she gets home.Vivian even threatens her car and tell her she’d better not give on her ’cause she doesn’t have time for this.She console the famished car, giving the dashboard a gentle rub with her other hand nervously tending to the steering wheel. She prays/threats her car to go alittle further, tapping the gas gauge.The car stalls one first time and Vivian is afraid of running out of gas but after a few tries and some threats, she manages to get it on the road again. Vivian got the fright of her life and told her car not to do that again.Vivian is afraid that her car would run completely out of gas soon and give up on her.If she could act really stressed/pissed off/upset and says some dialogues where she threatens her car and sometimes begging (“don’t give on me, okay...”, “it would be better for you not to break down”), that kind of stuff.The camera fades out from here if needed.

Camera angle : Main camera from passenger dashboard/windshield so we can see her. Small camera from main windshield/speedometer to have a view in front of her

3) Cranking (6-7min) Vivian feels that the car starts to slow down which can only mean one thing: it is out of gas. She threats the car to hold on.Unfortunately, the car sputters to a gas-less stop not long after, as the car slowly begins to stop, she says some dialogues like “please, sweetie, don’t...” and No, no, no not here! Come on!“. The car finally stops, starved for gas, as she hits she steering wheel “DAMMIT“. She tries to start the car several times, tapping the gas gauge and ordering to start. Some dialogue while she tries to start “i know you have some gas left in there! Come on! and “start, damn you“. Pissed off, she keeps threatening her car advises it to start for its own goodAlmost on verge of tears or angry, she finally gives up and smash the steering wheel one last time, yelling ‘I knew i should have fill it up, FUCK!” She ends up going out and standing in front of the car calling one of her colleagues and asks her if she can come and help her out because she tells her she is out of gas on the road.She ends the call and stands in front of her car, reproaching it for giving up.She talks to her car being upset for a while then finally snaps, hits several times the front of the car in anger before sitting on the front of the car in anger as the video ends

Camera angle : No specific ones, from the outside and inside, whatever wou want.

Outfit & Shoes
Tshirt, shorts and tan slingbacks

Scenario
**This is the pedals view only!**
Jane is giving you a ride in the suv. She tells you she likes to drive fast, so hopefully that’s okay with you ...if not, well, too bad! lol She notices you watching her heels work the pedals and asks if you like it? She teases you the rest of the video knowing that this is exciting for you. She drives around, flooring the gas when she can in this big suv.
Camera angles-passenger pov. Pip view of pedals.

Outfit & Shoes
Tshirt, shorts and tan slingbacks

Scenario
Jane is giving you a ride in the suv. She tells you she likes to drive fast, so hopefully that’s okay with you ...if not, well, too bad! lol She notices you watching her heels work the pedals and asks if you like it? She teases you the rest of the video knowing that this is exciting for you. She drives around, flooring the gas when she can in this big suv.
Camera angles-passenger pov. Pip view of pedals.

Outfit & Shoes
Both girls wearing black boots. Jane wears a long dress or long skirt with top that has slit.
April Lee wears cutoff shorts and low cut tank top.

Scenario
Scene starts out with Mercedes on side of road somewhere with hood up and April Lee is standing in front of car looking upset. Jane has just pulled up to help and the girls say hello. April Lee gets in car to show Jane how car won’t start and filming is done from back near the rear tire and a meter or two away from the car.

April Lee cranks the car but it won’t start while Jane is watching by the open door. April then lets Jane try a few times before they let the car sit. Camera fades out.

Camera fades back in filming from near the front tire and a meter away from the car to see Jane from just to the side of the front windscreen. I like the shot to see her thighs and face in same shot, so adjust how needed to see.

Jane cranks aggressively and April tells her she’s flooding her car. After some more tries April wants to try and start it again. She pumps more softly and does mostly holding the pedal floored all the way down. Car still doesn’t start. Camera fades out.

Camera fades in and both girls are standing in front of the car by the engine thinking of what to do next. Camera is filming from the front of the car getting the girls full body and whole view of the car. After a few moments, April tries starting the car again and car fires up. Both girls are excited and Jane closes hood quickly so April can go before car stalls. April takes off with Jane following in her car.

The End.

Thank you for using new Mercedes. I am excited to see it in more videos!

Outfit & Shoes
Outfit: any short skirt and low cut blouse.
Shoes: tan low heel mules and barefoot with bright red toes.
Hair: half up style.

Scenario
Camera angle: passenger view with whole body shots including her feet.
The last 2 minutes would be a back seat whole body view with April teasing/talking into the camera while revving
This would be a revving tease video. Lots of teasing and talking. April would talk about how much she loves the sound of the engine and how it relaxes her to rev after a stressful day.

The video would start with April walking to the car and saying how she needs a nice revving session to relax. The car starts right up and she starts revving immediately with the mules on then she says she wants to feel the vibration of the gas pedal then slips off her shoes and starts revving barefoot for the remainder of the video. She is talking while revving she can choose whatever dialogue she wants just as long as she is being flirty. She can also talk about how the car just got out of the shop and she is giving it a stress test to make sure it sounds good. When the video is about to end she says she talks about how she got a leg and foot workout and how the car passes the test.

Outfit & Shoes
Black dress like in video custom 1395 and black stiletto pumps.

Scenario
**This is a three-camera edit of this custom. See the portion of the preview that is from this custom. Preview has the label in the lower right of your screen on playback.**
April enters the car from the driver's side, there are 2 cameras, one that focuses on the shoes and pedals and one that focuses on the body, centered on the steering wheel, as per the Vivian 1359 face video shot. You must always see your body in large size and the pedals on the screen in small size. April begins to start the car but she will never start. of her begs the car to leave for her, she has to go on an important date with her boyfriend. she starts bouncing in the seat as she tries to start and you will see her boobs bouncing desperately for the duration of the video. during the video, 2/3 times, she notices that her boobs are coming out because they are bouncing too much and she adjusts the dressed so they don't go out. After about 4 minutes, the camera of the pedals takes up April's entire body from outside the car, passenger side, in front of April, so as to see her all bouncing as she tries to start the car.
the video ends with her getting out of the car whipped because she has to give up the appointment.

Outfit & Shoes
Black dress like in video custom 1395 and black stiletto pumps.

Scenario
**Just the view of the pedals. See the portion of the preview that is from this custom. Preview has the label in the lower right of your screen on playback.**
April enters the car from the driver's side, there are 2 cameras, one that focuses on the shoes and pedals and one that focuses on the body, centered on the steering wheel, as per the Vivian 1359 face video shot. You must always see your body in large size and the pedals on the screen in small size. April begins to start the car but she will never start. of her begs the car to leave for her, she has to go on an important date with her boyfriend. she starts bouncing in the seat as she tries to start and you will see her boobs bouncing desperately for the duration of the video. during the video, 2/3 times, she notices that her boobs are coming out because they are bouncing too much and she adjusts the dressed so they don't go out. After about 4 minutes, the camera of the pedals takes up April's entire body from outside the car, passenger side, in front of April, so as to see her all bouncing as she tries to start the car.
the video ends with her getting out of the car whipped because she has to give up the appointment.

Outfit & Shoes
Black dress like in video custom 1395 and black stiletto pumps.

Scenario
April enters the car from the driver's side, there are 2 cameras, one that focuses on the shoes and pedals and one that focuses on the body, centered on the steering wheel, as per the Vivian 1359 face video shot. You must always see your body in large size and the pedals on the screen in small size. April begins to start the car but she will never start. of her begs the car to leave for her, she has to go on an important date with her boyfriend. she starts bouncing in the seat as she tries to start and you will see her boobs bouncing desperately for the duration of the video. during the video, 2/3 times, she notices that her boobs are coming out because they are bouncing too much and she adjusts the dressed so they don't go out. After about 4 minutes, the camera of the pedals takes up April's entire body from outside the car, passenger side, in front of April, so as to see her all bouncing as she tries to start the car.
the video ends with her getting out of the car whipped because she has to give up the appointment.

Outfit & Shoes
Black skirt with blouse. No hose.
Sexy secretary look.
Shoes per the scenario description.

Scenario
Seeking a replication of Custom #1395 [Driving/Revving] but with two pairs of heels instead of one.

Pair 1 - Tan Clubwear Peeptoe Pumps
Start up / Rev / Driving and Aggressive Revving in Neutral [when able] to half way point then a good hard rev session.
THEN CHANGE SHOES
Pair 2 White Point Toe Pumps
Good hard rev up / Return Trip / Driving and Aggressive Revving in Neutral [when able] to home then finish with a good rev up..

Nice N Agressive the whole trip.

Outfit & Shoes
If she has any, it would be great if for this video Jane wore some casual short shorts, maybe cloth ones or something like the old “dolphin shorts” that she might wear around the house; as long as they are really short. I would not want any spandex shorts. If she doesn’t have anything like this, she could wear some of her famous super short cut off booty shorts. Regardless of the shorts, she should wear a casual top as she is just hanging around the house. Her shoes can be some casual flip flops or Keds.

Scenario
Jane is selling her classic Mercedes. A buyer has come by the house to look at it but when she tries to show him that it runs, it won’t start.

Camera Angles, Action
The first part of the video will be filmed up at the house and then from outside the car from the POV of the buyer. The last bit will be from the passenger seat. From both spots, the camera angles should capture her full body but also close-ups on her legs focusing on her bouncing thigh. As usual, I would not want any feet close-ups. Please be sure the seat is adjusted so she can comfortably reach the pedals without stretching.

Jane should begin with normal length cranks, but as the video goes along and it becomes apparent it doesn’t want to start, she should hold the key longer and longer and pump it harder and faster, with some flooring and holding mixed in. She is getting more and more embarrassed as she is realizing she can’t get it started in front of this potential buyer. Jane is a great pumper so she can just do her thing with full leg pumping (no ankle pumping) and some holding to the floor mixed in. I have some dialogue in here but nothing has to be exact.

Script
As filming begins, the buyer knocks on the door of the house. Jane answers and says something like “You must be here about the car, give me one second,” then closes the door. A moment later she reappears with her shoes on (flip flops or Keds) and keys in hand. The camera follows her as she walks to wherever the car is parked.

She shows him around the car, opening both doors and letting him look around it. She then acts if he has asked her to start it up. She gets in as he stands outside the open driver’s side door and watches. She tries to start the car, pumping the gas, but it won’t start. After a couple of tries, she apologizes and tells him it’s been sitting awhile. She continues trying to start it getting more embarrassed. She tries over and over pumping the pedal, holding it down, pumping some more. She gets more embarrassed as she goes because she can’t believe it won’t start after the guy has come all the way out to look at it. She keeps trying to get it started, cranking it over for long periods sometimes and pumping it rapidly, sometimes holding it firmly to the floor. The camera is getting full body and several close-up shots of her bouncing thigh.

Finally, she apologizes that it won’t start saying she just doesn’t know what’s wrong with it. She thanks him for coming out but continues to crank the car as he turns and walks away; the camera fades out.

For the remainder of the video, the camera is filming from the passenger seat as Jane is frustratingly trying to get it started even though the guy has left. Again, getting full body and close up thigh shots. The camera fades whenever the time is up.

Outfit & Shoes
Jane should wear some of her super short cut off booty shorts and a nice top that she might wear out on a date. Her shoes can be some sexy high heeled strappy sandals or pumps that match her outfit as long as she can walk in them OK and pump the pedal easily (the outfit she wore in Custom 1333 or similar would be great).

Scenario
Jane is dressed for a date with her boyfriend, but he has asked her to drive one of his old hot rods (the Camaro) and meet him at Ralphie the mechanic’s shop to have some work done on it then they’ll leave from there to go out (Ralphie won’t be in the video – sorry Ralphie). When she arrives, no one is there, her boyfriend is late and not answering his phone. She isn’t going to wait there by herself because she doesn’t want to deal with Ralphie the perv mechanic but when she tries to leave, the Camaro won’t start. She’s uneasy about it and it shows but this should NOT have a horror movie feel.... she knows Ralphie is harmless, just a little perv.

Camera Angles, Action
After the very first part, the video will be filmed from the backseat and from the passenger seat. From both spots, the camera angles should capture her full body but also close-ups on her legs focusing on her bouncing thigh. As usual, I would not want any feet close-ups. Please be sure the seat is adjusted so she can comfortably reach the pedals without stretching.

The Camaro should be rigged not to start at all. Jane should begin with normal length cranks but as the video goes along and it becomes apparent it doesn’t want to start, she should hold the key longer and longer and pump it harder and faster, with some flooring and holding mixed in. She is not scared, but is a little nervous and just wants to get out of there, so she tries very quickly over and over again with no real pauses in between cranking attempts. Jane is a great pumper so she can just do her thing with full leg pumping (no ankle pumping) and some holding to the floor mixed in. I have some dialogue in here but I don’t expect her to memorize it, just so we get a feel for what is happening.

Script
The car should be parked down by the garage / carport area, maybe behind one of the other cars in the fleet and the driver’s side window should be down. As filming begins, Jane is standing outside the Camaro looking around. She is grateful Ralphie isn’t there, but she doesn’t see her boyfriend’s car yet and is a little annoyed. She tries calling him and it goes straight to voice mail. She then texts him. The camera fades out as she is still standing there waiting (this is just to save time so you aren’t filming her just standing around; it should feel like she’s been there for a bit).

The camera fades back in, now filming from the backseat, looking between the seats. Jane is looking at her watch, still a little annoyed but now also a little nervous. She calls her boyfriend again and this time leaves a message saying something like: “Hey where are you? I’ve been here for awhile. Thankfully Ralphie is not here but I don’t want to wait any longer. I’m going to head towards your house. Call me back.”

She hangs up and tries to start the car and it doesn’t want to cooperate. She tries over and over pumping the pedal, holding it down, pumping some more. She gets more urgent as she goes because she doesn’t want to be stranded there at Ralphie’s by herself. She is urgently trying to get it started, cranking it over for long periods sometimes and pumping it rapidly, sometimes holding it firmly to the floor. The camera is getting full body and several close-up shots of her bouncing thigh.

About halfway through the video, she stops and tries to call her boyfriend again. Once more it goes to voicemail but she doesn’t leave a message. The camera fades out (this is just to move to the front seat).

The camera fades back in filming from the passenger seat as Jane begins trying to start the car again with more desperate cranking and pumping and holding. She is really pumping it and staying on the starter as she doesn’t want to deal with Ralphie and just wants to get out of there. The camera is still getting full body shots and leg close-ups of her bouncing thigh. After one last, long, desperate crank with lots of pumping and flooring, she sees her boyfriend pulling up. A little mad but mainly relieved, she quickly climbs out of the car. The camera fades as she is asking where he’s been but telling him she’s so glad he’s there.

Outfit & Shoes
Jane should wear some really short, work out shorts, athletic shoes, and appropriate top to go to the gym.

Scenario
**The starter went out while filming with the Jeep, so we had to improvise. The general idea of the video is still intact but there is a scene of a ‘stranger’ helping Jane try and jump her old Jeep off on the side of the road and then the video ends with Jane borrowing Aunty Scarlet’s old Volvo but it won’t start. **

In this video Jane is going to work out but first drops her step-son off at “Aunty Scarlet’s” to watch him while she is gone. She has trouble starting the Jeep after each stop. This will be a 15 minute video.

Camera Angles, Action
The video will be filmed from the POV of her step-son in the backseat behind the passenger seat and then from the front seat after he is “dropped” off. From both locations the camera should get full body shots with some close-ups on her legs focusing on her bouncing thigh. As usual, I would not want any feet close-ups.

Hopefully the Jeep can be manipulated (pre-flooded) so she can do some fairly long cranks and then have it eventually start up. If not, I am great with you rigging it not to start at all and then pausing the filming to rig it where it will start again; this is truly OK with me because I prefer longer cranks rathe than having her playing around with it while the camera is rolling trying to get it to do what we want.

As the video goes along and it becomes apparent it doesn’t want to start, she should hold the key longer and longer and pump it harder and faster. Jane is a great pumper so she can just do her thing with full leg pumping (no ankle pumping) and holding to the floor mixed in. Please be sure the seat is adjusted up far enough so she can comfortably reach the pedal without stretching and we get good bouncing thigh action. I have some dialogue in here but it does not have to be exact as long as we get the idea.

Script
As filming begins, the Jeep is under (or beside) the carport. The camera is shooting from the backseat behind the passenger’s seat – POV of her step-son – as Jane puts her back in the backseat behind the driver’s side and then climbs in behind the wheel. She asks her step-son if he has everything he wants to go over to Aunty Scarlet’s for a bit. She begins trying to start the Jeep but it won’t start. It has been giving her trouble so it doesn’t take long for her to become exasperated.

She tries over and over pumping the pedal, holding it down, pumping some more. She gets more urgent as she goes because she doesn’t want to be late for her workout class. She is urgently trying to get it started, cranking it over for long periods sometimes and pumping it rapidly, sometimes holding it firmly to the floor. The camera is getting full body and leg shots and several close-up thigh shots looking over the seat (you know what I like). It eventually starts and the camera fades as she begins to back up.

When the camera fades back in, it is filming from the passenger seat. The Jeep is now up by the door of the house. Jane is telling her step-son she’ll be back soon and thanking Aunty Scarlet then she turns and hurries back to the Jeep. As before, when she tries to start it, it won’t so again she is urgently trying to get it started, cranking it over for long periods sometimes and pumping it rapidly, sometimes holding it firmly to the floor. The camera is getting full body and leg shots and several close-up thigh shots. When it finally starts the camera fades as she puts in in gear and drives off.

The camera fades back in as she is driving to the gym. It would be great if there were a couple stalls and hard starts along the way (where safe). She arrives in the parking lot (any lot) and the camera fades as she grabs her gym bag and climbs out.
*Jeep went kaput here. Tried jumping it off but ended up having to use the Volvo for the remainder of the video. Jane tries to get it started but no luck. *

The camera fades back in still filming from the passenger seat. She puts her bag in the seat behind her and then climbs in. Another cranking battle ensues with the Jeep not wanting to start. She cranks and pumps rapidly and holds the pedal to floor. The camera is getting full body and leg shots and several close-up thigh shots. It takes her several tries but when it finally starts the camera fades as she puts in in gear and drives off.

The camera fades back in filming from the backseat behind the passenger seat again. The Jeep is up by the house again and Jane is closing the rear passenger side door asking her step-son if he had a good time. She goes around and gets in and begins the process of trying to get the car started. Once more, it is not wanting to start. She is exasperated with it at this point and it shows. She is hammering the pedal, grinding on the starter but it still won’t start. As before, the camera is getting full body and bouncing thigh shots.

It finally starts and Jane gets it turned around. As she is heading down the driveway, it conks out just before she gets to the street. More cranking and pumping ensues and when it becomes clear to her that the Jeep is not going to start (or she drains the battery), she tells her step-son to get out that they need to go back up to Aunty Scarlet’s and get a ride home. The camera fades as they are walking back towards the house.

Outfit & ShoesJane should wear a sexy high-cut leotard or body suit (I am not requesting any camera angels that will be inappropriate or make her uncomfortable) with some sexy high heeled strappy sandals or pumps that match the leotard or bodysuit. She should be able to walk in them OK and be able to pump the pedal without worrying about the shoes. She should be bare legged. At the very beginning, she should be in a robe or short jacket that is easy to remove in the car.

ScenarioJane is trying to surprise her new boyfriend in a sexy outfit but when she shows up unannounced at his house, only his roommate is there. She is mortified and when she tries to leave, her car won’t start.

Camera Angles, ActionThe video will be filmed from the backseat and from the passenger seat. From both spots, the camera angles should capture her full body and also close-ups on her legs focusing on her bouncing thigh. As usual, I would not want any feet close-ups. Please move the seat up as close to the steering wheel as possible but where she can still get in and out easily and pump the pedal normally.

The Monte should be rigged not to start at all. Jane should begin with normal length cranks but as the video goes along and it becomes apparent it doesn’t want to start, she should hold the key longer and longer and pump it harder and faster, with some flooring and holding mixed in. She is super embarrassed and just wants to get out of there, so she tries very quickly over and over again with no real pauses in between cranking attempts. Jane is a great pumper so she can just do her thing with full leg pumping (no ankle pumping) and some holding to the floor mixed in. She can ad lib most of the dialogue just so we get a feel for what is happening.

ScriptThe car should be parked next to the house near the (back) door and the driver’s window should be down. As filming begins from the backseat, Jane – still wearing the robe or jacket – has already parked, turned off the car, and is touching up her lipstick. She is acting nervous and a little giddy, sort of psyching herself up that her boyfriend is going to like her ‘surprise’. She slips off the robe or jacket and places is it in the passenger seat. Then, taking one last look in the mirror, she opens the door. The camera fades.

The camera fades back in still filming from the backseat as Jane is backing away from the door, completely embarrassed, apologizing profusely to her boyfriend’s roommate (unseen) – she can feel free to keep her body turned so as not to film anything inappropriate. She hurries back to the car and immediately begins trying to start it to get out of there.

She gets in and quickly begins trying to start her car but it won’t start. She tries over and over again, rapidly pumping the gas and also pinning it to the floor and holding it. She is so embarrassed and just wants to get out of there. The camera is getting full body shots and some close-up leg shots of her bouncing thigh.

About halfway through the video, she stops and wonders what she should do. She does not want to have to go back to the door. She quickly grabs her phone and calls a girlfriend to come get her but gets voicemail. The camera fades (this is just to move to the front seat).