Keye Mobile Bondage

Starring Angelique Kithos. Not quite at the bondage buddy status we would achieve by the end of our first day together, naturally buxom, and beautiful glamour model and intellectual Angelique is apprehensive as our second scene begins. She is tightly roped to a chair and not sure what I may have up my sleeve. But then again, it was putting her life in the safe yet unpredictable hands of a bondage advocate who would scratch her bondage submission itch that beckoned her to my home in the first place. Angelique scratches my sexy lady costume itch with a leggings and heels and corset and bra ensemble. Such a good girl! Her eyes speak apprehension as she tests the ropes holding her tight and I bring into view the gagging material of panties to fill her mouth and MicroFoam to wrap them tightly in place. It proves to be an oppressive gag for her. She tries to get comfortable with it but she never can, and later just before a leather blindfold is applied, she experiences gag reflex, which when it happens to anyone really puts the pedal down on the totally muted feeling. Angelique knows she can use her safe grunts, but she does not, thus confirming the seriously bound and gagged feeling turns her on. My liberties in revealing and teasing her breasts and nipples help take her mind off her predicament, if only for a short while. Once blindfolded I feign leaving her all alone by opening and closing the front door. I keep up that illusion by staying silent instead of the usual ‘hold’ and ‘action’ while I catch different views of my sensory deprived prisoner. Her mumbled expression of relief is priceless when she hears the door open again and I join her with welcome news that rescue in imminent. Gag and blindfold applied on screen. Actual running time (18:06) (960 x 540)

Starring Angelique Kithos. I spotted her at a summer afternoon reception and was immediately smitten. So feminine, tall, and beautiful in a white dress that exuded innocence, and cream color Mary Jane high heels that oozed sex appeal. I approached and complimented her outfit, and asked if she was a model. She said she was. I told her I did a bit of photography, but nothing as glamorous as what I assumed she posed for. She asked what kind of content I shot. I told her my specialty was bondage. Her cheeks immediately flushed, but she did not seem repulsed. She asked if I had a portfolio somewhere she could peruse. I gave her the URL and my phone number, in case she wanted to try. A few weeks later I got a call. She was in my area and wanted to stop by. She told me she was wearing the outfit I liked so much when we met. I immediately thought of contrasting her innocent look with bizarre leather bondage gear, so I laid out the bondage sleeves where she would be sure to see them. They intrigued her, and she eagerly submitted to a leather and chain hogtie. She did not even flinch when I presented the leather muzzle harness built to bind her head and neck and gag her speech with a tongue depressor insert. Once I had her tied up, I asked if I could record her reactions and take some photos. I told her I could not make anything public unless she signed a model release, and she could decide later. She silently nodded her approval, and the ensuing session went well. She asked for a model release after I released her. She also asked if she could stay for a couple of days and play more bondage games. The video opens and closes with Angelique helplessly hogtied. I lock chain from her collar to the bondage frame after a few minutes. Not that it was necessary to keep her as my prisoner, but chains rattling is rather nice on the ears, and after watching her savor the restraints I could tell she really liked the helpless feeling. Actual running time (09:38) (960 x 540)

Starring Kendra James. Suspension of disbelief required. Kendra has agreed to a jacket fitting the bogus tailor claims he is going to introduce to the mass market. She later states, “I think I’ve been duped.” And she is correct. A majority of the video is application of all the restraint. The Maxcita straitjacket is strapped and buckled onto our cooperative redhead beauty, adorned in sheer black nylon catsuit and red lace up high heel boots, in a full-length view. Once inescapably stuck, Kendra sits on the bed, insisting she be let out. Instead, a cloth wad is shoved in her mouth and taped over with MicroFoam. Then the deviant ropes her ankles and knees together. Only gag complaints now from the fitting model as she struggles to no avail as the fake tailor leers at his helpless captive from many angles. Actual running time (22:35) (960 x 540)

Starring Sparrow Spade. Test Subject is young, nubile, fun loving, and sensually adventuresome female with burning desire to be chained. Researcher is experienced bondage practitioner considering metal restraint franchise and in need of hands-on familiarity. All on screen and spontaneous, the handcuffs are applied first, and the chaining begins. Test Subject’s nude torso is locked to a post. Together they make sure the neck chain is just right. Her dark sheer stocking-clad and booted legs are crossed, chained, connected to her tummy chain, and locked. Her mouth is stuffed with a ball and her cheeks and lips are plastered over with five layers of gray duct tape. She gets felt up. Researcher eases up the strain on Test Subject’s handcuffed wrists, takes notes while observing the helplessly chained and gagged girl, then uses a vibrator to see if her cum mechanism is activated. Success! Actual running time (22:12) (960 x 540)

Starring Anna. As the scene opens, Anna reviews, with feigned antipathy (because we know she does like coming over to get tied up), the upcoming final scene of her booking with the bogus rebranding photographer. She sits in the bondage chair to which she is about to be attached, now dressed in a shiny spandex catsuit (hers). She holds, and describes, the tools to be used for her confinement: leather Gwen hood, finger control mitts, tape, and rope. Anna also reminds us her agent is going to get a loathing earful when she gets home. However, given her obvious enjoyment of the helpless condition she is about to experience, her agent may not be in as much trouble as Anna would have us believe. Her mouth is taped under the hood. I did not stuff Anna’s mouth, but the combination of tape and leather confining her lips and cheeks provide real voice muting, as well as comfort for our lovely guest. I wanted her to be comfortable for the final scene of our long bondage shoot partnership. Comfort does not infer escape is possible, nor sensible syllables uttered. Anna will certainly not escape this one without help. She is almost immobilized in the bondage chair with secure rope windings holding her legs and stocking feet to the chair legs. Anna’s torso is welded to the chair back at her waist and above her breasts. Her feminine hands are confined in soft leather finger control mittens, which are locked, and tied together behind the chair back with more hemp rope. Anna can see herself in a mirror throughout, and she is enjoying what she sees, and feels. Actual running time (09:37) (960 x 540)

Starring Tina Lee Comet. This version eliminates the on-screen tie up and gag portion included in the original 2010 release, which is available now in upgraded screen resolution. We begin with jeans, high heels, and short sleeve sweater clad Tina in a cross-ankle hogtie, ball gag stuck in her mouth, and her arms in a tight box-tie, trying to escape. Her effort is futile however as she can barely move. She tries to find a knot with her fingers but it is useless. When we first talked, Tina wanted to be tied up tight and her periodic gag moans indicate she is amorously enjoying the challenge. She cannot roll off her stomach so I give her an assist getting on her back. Tina cannot move out of that position either. As the scene concludes our helpless bondage girl will agree to anything to be set free. This was Tina’s first tight bondage experience. A variety of perspectives are provided for viewer enjoyment. Actual running time (06:47) (960 x 540)

Starring Whitney Morgan. Given her always animated, witty, and vivacious nature, I figured sticking Whitney in a crummy place first thing would bring her to a quick boil. It did. Our usual sunny weather was overcast and damp for three days during her trip west. She was pissed about that even before her arrival. The sun was back out today, but I taped her up in the garage anyway. No backyard pool leisure for the new guest just yet. Whitney fights hard against the duct tape immobilizing her in a chair. (Her torso was taped to the chair above and below her breasts before wrapping the tape over her arms and around the chair, ensuring Whitney will never break free). She looks so sexy in a man’s dress shirt, pantyhose, and open toe D’Orsay white high heels. Being Whitney as herself, she never stops talking, using her guile and charm as best she can to get me to cut her out of the tape. What she gets is a mouth full of panties with blue vet wrap cleaving the wad in and then covering her face with multiple wraps around her head (on-screen). She is much quieter now, but still trying to persuade. She does not realize her gag sounds and escape attempts are fueling my libido, thus insuring she will be staying helpless for a long while. I want to see her natural boobs too, so I expose them on screen. She admitted defeat while un-gagged earlier in this presentation. I will wait until she admits defeat while wearing the stifling gag before fetching scissors. Actual running time (16:45) (960 x 540)

Starring Anna. This is a tough town for actors. Lots of jobs but more than enough talent to fill them. So, these starving artists will take just about any gig that will get them in front of a camera. Like many, this pretty lady with mesmerizing eyes has a job as a restaurant server to make ends meet. The flexible schedule allows her to get to auditions. She happened to be serving me one evening and we struck up a conversation. I finally told her what I did when she brought my salad, and I am quite familiar with her wide eyed and silent, jaw-dropped response. I did not think she was going to follow up, but with each course she brought, she had more questions. By the time dessert was finished she asked if she could come over for an audition. I picked a sexy outfit for her. Girls get happy with fun stuff to wear. The red leather bustier was a bit large for her but I used a strap to tighten it up at the waist. The matching chastity belt locks and was a good fit. She wondered why anyone would want to wear leather panties and lock them on. She loved the lace up knee boots. The leather is butter soft and the heels very high. I put her in some easy bondage so she would not get too scared during her first try, but I also knew she could not escape the rope and leather cuffs and mitts without help. She asked what she was supposed to do before I stuffed her mouth, taped over her lips, and turned on the camera. I told her to try to escape, and act sexy while doing it. I think she did quite well. Actual running time (06:35) (960 x 540)

Starring Anna. I have always liked when high class women use the term ‘Girlfriend Experience.’ I think I would ask for that if I was wealthy. Many of the models I have worked with give me that experience (without all the intimate stuff of course), although a few have wanted to get frisky and that is cool. I have not shot with anyone more than Anna and from our very first shoot we got along well as friends. Putting her in bondage is awesome for me and I love all the different attitudes she has brought to each scene. Mostly it has been “Let me out of this you freak,” but many times she has also been “I like being bound and gagged” in her portrayal. Anna is like that in this one, in her own inimitable style. What a sweet moment near the end when I am rubbing her head gently and she closes her eyes peacefully. When I moved from there to rubbing her gag, she is not happy. So cute! She is already bound and stuffed mouth tape gagged when the scene opens. I did not chain her elbows properly so I had to fix them - twice. The first-time fix on screen did not last so I shortened the following segment as I did not want to lose nice face close-ups. At the 4:30 mark her elbows are fixed properly: not super tight but no more sliding around either. Nice comfy no escape bondage for beautiful Anna. Actual running time (10:32) (960 x 540)

Starring Anna. Our red leather lace up high heel knee boot lady, whose comfy and cool costume reminds me of what a woman might wear to the always unusually warm September weekend Folsom Street Fair in San Francisco, is leather strapped and cuffed tight to a barstool. Her mouth is stuffed full and tape is wrapped around her head keeping her well gagged. Her leather opera gloves match the color of her boots. She struggles to escape for your pleasure. I left a brief behind the scenes moment in, which shows a torso strap being tightened, as Anna really does struggle hard in this scene to loosen her bindings. I usually cut that stuff out but I liked her reactions, which to me punctuate her very real helpless condition. Actual running time (09:20) (960 x 540)

Starring Tilly McReese. Viewers are invited by Tilly to share her first tied up and gagged experience at the hands of a new man she really likes. In the introduction her new beau has, to her surprise, revealed a penchant for bondage and she has decided to give it a try. Her fabulous nude female form is accessorized with leather posture collar, over knee high heel boots, and black leather opera gloves. Restriction begins with a tight and simple hemp rope box tie. She tests what little arm movement she can muster while continuing her dialog with the viewer. We next see her voluptuous natural breasts and beautiful face and eyes pinned down on the bed. She has been placed in a cross-ankle hogtie. Tilly explains why her original collar has been replaced with another. Her enjoyment with being tied is increasing despite the realization she can barely move and cannot raise any leverage to roll over. Tilly exudes sensuality as she invites you to get up close and personal with her predicament while describing what she is feeling. A ball gag is next. Tilly bids adieu to her viewers as she will not be able to talk to them anymore. Tilly gradually moves into escape attempt mode, the futility of which takes her into sensual subspace. A gag distorted, “I can’t get out,” emanates from our turned-on consensual captive. The conclusion has undeniably pleased Tilly back where she started, but now adorned with rope marks, gag strap tracks on her cheeks, and tousled ‘I just made love’ hair. It is clear she now has even more reasons to hang on to her new boyfriend. A multiple angle POV presentation, with boyfriend unseen and unheard. Actual running time (12:29) (960 x 540)

Starring Sarah Brooke. The villainous bondage crazed man released his lovely neighbor after Sarah’s ‘Her New Life’ ordeals. He was not as evil as Sarah thought. In fact, he felt bad about grabbing her without permission and thought for sure he would be in jail by now, at the very least charged with false imprisonment. But Sarah never turned him in. Turns out she liked being tied up, but did not want to be kept forever and not see her family again. Evil neighbor finds this out when Sarah rings his doorbell and surprises him with a visit. She confesses the bondage was invigorating for her and wants more, but also wants to know she will be able to go home after the sessions. Feeling contrite, but extremely pleased a real bondage playmate within walking distance has suddenly entered his life, he asks if she has time to play today. She does, and he has a new outfit for her to try. Dressed in a clinging black spandex catsuit and butter soft, red leather high heel lace-up boots, Sarah’s arms are welded into a Ledermeister single glove with straps wrapping around her torso and legs. A slave collar exemplifies her newly discovered bondage pet pleasure. In short order, Sarah is ball gagged on screen while she watches it happening to her in a mirror. Bondage crazed neighbor explains this is an elbow training punishment session, something she must get used to enduring, with her reward being something easier occasionally, but no less inescapable. Sarah’s arms and hands have gone numb by the end, not surprisingly. Her captor teases her with the prospect of release, but instead, while headed out (he left her once before too), he asks her to beg for rescue. She does so vehemently behind her unflinching gag, but he says no. Meanie! Actual running time (13:18) (960 x 540)

Starring Anna. Mistress is annoyed her boot slave is late. She also vows never to let this disobedient worm tie her up again. Sorry Mistress, but that is what we want to see, so that is what you get. Looking ever so lovely in black spandex catsuit, over knee high heel boots, and a sexy cat woman leather mask, strutting Domme Anna is transformed into a roped to a barstool damsel and she is not happy about it. Slave adds a rope to limit her ankle movement and tension up the chest ropes, then goes off to find a gag. Mistress tries to free herself but she is stuck until slave decides to free her. Numerous angles document her tied up tight situation. Slave returns with mouth stuffing and MicroFoam tape. Mistress resists, motivating slave to pinch her nostrils until she opens her mouth. The tape is stretched as it is applied to her lips and cheeks and pressed on decisively for a good bond. Slave thinks adding more rope will be fun while Mistress is gagged. She gets a long one wound around her body from torso to ankles. With her immobilization complete, slave goes off to buy Mistress new shoes in hopes she will not ban him from her realm. Once again, a series of angles, close and long, are presented for viewer enjoyment. A high heel bribe probably will not work to get slave out of the doghouse, but that is okay. Seeing Mistress tied up and gagged will be a cherished lifetime memory. Additional rope and the gag are applied on screen. Actual running time (20:25) (960 x 540)

Starring Anna. Along a similar ‘Her Secret Acting Agent’ vein from what transpired during part of their last meeting two and a half years ago, the struggling mainstream actress decides to visit her long ago fired agent. He never got her a job, so the bound and gagged damsel rehearsals he hosted were worthless for her, and she came to realize he was just serving his own perverted self-interest. She missed his company nonetheless, and accepted the invitation to come see his new place. They embarked on the same bondage games journey she was used to by now, and she decides to play along with his silly method acting instruction, this time on a quest for ‘motivation.’ Still searching for it after applying a crotch rope and binding her knees and ankles (on screen), he suggests some sexy struggling. Anna does so with gleeful aplomb, but then when he sinks a knotted cloth cleave gag past her lips, she starts gag talking her displeasure with the proceedings and gets busy finding knots to loosen. She does so quickly and laughs at him, finding great pleasure in thwarting his attempt to keep her tied up. He fixes the first loosened knot and tightens an OTM layer over the cleave in Hollywood style. Given her busy fingers, they agree escape shall be today’s rehearsal motivation. Time after time she messes up knots, and he comes back to fix them, finally putting her in hogtie which he thinks will once and for all thwart her escape. It does, even though she loosens knots again. None of her busy finger probing (close-up provided) and loosening helps with the hogtie, or the crucial wrist rope. Anna finally decides to try to pull her wrists out of the rope loops. It looks like she is going to be able to do it, but fails. Escape attempts are hard work and she just does not have the strength to free herself anymore. Actual running time (22:07) (960 x 540)

Starring Barbie. Who would think, immediately upon arrival back in the States from a vacation in Mexico, they would find themselves bound up inside a canvas Maxcita Psycho straitjacket? Well, visitors to my makeshift asylum for one. Willing to try the bondage options available, our journalist by day is eager to try my straitjacket suggestion, and it was not until strapping her arms in did conversation get around to, “Have you ever been in a straitjacket?” Her “no” answer surprised me as I knew she had been playing BDSM games since early adulthood. Good news nonetheless, as the submission of a willing prisoner to a new experience adds an extra little spark to the process. This is an easy going, spontaneous presentation with all the bondage done on screen. A nice moment occurs when the straitjacket hug makes the jacket a little too tight for Barbie and she asks for a little slack. All it took was an inch. “That’s better,” she said, still completely torso immobilized. I love it when they want to stay tied up, but just need a little adjustment to make it more fun. Once securely jacketed, Barbie gets a panel ball gag and is sent to her knees for straps keeping her in a frog tie. She is left alone to deal with it for a while, giving escape attempt the old college try, even though it was a futile endeavor. Barbie can deliver some nice gag talk when it suits her too. After a while of being relentlessly helpless she began to fight the gag so she could vocalize rescue desire. Before I released her (off screen) I pulled the gag tighter to show her how it would fit the next time. Actual running time (20:04) 960 x 540)

Starring Sarah Brooke. Her body is fabulously fit. It is on display here, tied securely to the post with her legs spread vulnerably. Sarah really does love to be tied up, but with me she tends to fall into ‘damsel who does not really want to be freed’ mode. I do not tell her how to act. My job when Sarah visits is to bind her so she knows she cannot escape and let her have fun. Sarah always tries hard to get out and is very strong so one must do a good job with whatever restraint method is deployed. The ropes hold fast as she pulls and tugs. She gets up on her tip-toes often. Her bare feet are featured up close in a few shots, and her hands get a close-up too as everyone wants to know a girl cannot slip out of her wrist bindings. The first gag, applied off screen, is a stuffed mouth knotted cloth cleave. She is so sexy acknowledging she cannot push it out. An OTM layer of blue dot Tenugui is added later, again off screen. The gags are featured close-up as well as lots of angles short and long of all parts of our real-life naked bondage girl. Sarah’s reaction when she sees me leaving is precious. Actual running time (11:49) (960 x 540)

Starring Barbie. Her sincere enjoyment of the tied-up feeling was clear in All Natural Damsel, but as I got to know this first-time visitor, and as she states as this scene opens, her preferred role is Dominatrix. But as we previously agreed, her visit today was all about keeping her tied up. The once much shinier spandex catsuit was at the end of its life and Barbie’s voluptuous curves give it a perfect fit sendoff. It is a transport bondage arrangement at the start, with locked leather mitts (her first-time experience with those) ensuring not much can be accomplished even if left to fend for herself. I eased up on the elbow strap per her request, but that was her only complaint. Otherwise, she was quite content in her comfortably helpless state from which there would be no escape without help. Not long after she entices viewers in a standing, legs chain hobbled pose, Barbie is placed on a bed and gets her legs strapped together. Then a rubber ball gag with friction strap is fitted tight. She likes this gag and playfully bites down on it and lets it bounce back. To finish up our ‘let’s play bondage’ scene, a soft leather blindfold is added and Barbie is left to savor bound, gagged, and blindfolded sensations on her own. Leg straps and gag and blindfold applied on screen. Actual running time (19:12) (960 x 540)

Starring Barbie. A few years after she first made contact, a vacation in the west prompted this journalist and part time model from the east to inquire about stopping by for bound and gagged fun. I had been smitten by her good looks and professional demeanor from the beginning, so an invitation was extended forthwith. Arriving the evening prior, we agreed on a breakfast date. It is always nice to spend some vanilla time with a new person you will soon be putting in bondage. Barbie begins her day, in the clothes she wore to breakfast, roped securely to the corner chair she liked. An advocate of BDSM activities since forever, Barbie is at peace when tied up tight. She details her feelings to viewers as the camera consumes her from various angles including close looks at her toe-tied bare feet, which is the only part of her body she can move an inch or two. Half-way in she sees a gag is coming with mouth stuffing and tape and continues her narration – until she cannot. The MicroFoam is stretched as it is plastered over her full mouth and cheeks. The tension on her face is unyielding as Barbie tries hard to dislodge the gag. It does not budge, even as things get real when I tell her I am leaving and she goes into full blown damsel mode gag screaming. I test whether she can be heard behind the closed front door. No innocent passerby will ever hear her cries for help. Time passes for the helpless girl and she slowly resigns herself to being roped and gagged until I return. When I do, the poor girl thinks I am going to let her out right away. Not so fast young lady. I want to hear some gagged begging first. Actual running time (15:50) (960 x 540)

Starring Rachel Adams. As Part 2 opens, the second OTM cloth gag layer is applied and Rachel’s sexy gag talk revs up. She is then manhandled onto the bed and chain hogtied with locks. Rachel is left to fend for herself and viewers secretly enjoy her struggles from lots of angles. Upon my return she thinks I am going to release her but I do not. This frustrates her and her helpless girl struggles become more frantic. Actual running time (15:51) (960 x 540)

Starring Rachel Adams. “I see you have laid things out. So, you have a plan this time?” You know they are a friend when they tease you with the truth. A consensual ‘of course you can tie me up’ scene using a variety of materials (mostly leather). Rachel is dressed casually in spaghetti strap grey T, slim fitting blue jeans, and shiny red high heels. The bondage elements are added on screen and viewed from a steady angle showing Rachel’s entire body as she enjoys the restraint process while sitting at the end of a bed. Slave collar, wrists crossed leather locking handcuffs, elbow cuffs anchored with a shoulder rope, locked ankle cuffs, and straps at knees and torso. The gag application is documented with a closer view. Rachel gets her mouth stuffed and knotted cloth cleave gag as well as the first of two Tenugui OTM gag layers. Actual running time (15:26) (960 x 540)